CW’s Stargirl – A Few Thoughts

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Do I feel a little weird recommending a CW show featuring a twenty-year old actress playing a fifteen-year-old high school student? You bet. But, I’ve got my reasons …

Stargirl is a beloved character who primarily appeared in DC Comics’ Justice Society Of America. The JSA was DC’s original super team, a precursor to the Justice League of America. In the late 90s and early 2000s, they brought the team back with its original heroes from the 1940s. They were intent upon training new heroes to continue on the JSA’s legacy, and Stargirl was one of those new recruits.

As a devout JSA fan, the CW’s Stargirl is a delight because they are not shying away from the JSA’s stalwarts whatsoever. Starman, Green Lantern, Hourman, Johnny Thunder, Dr. Mid-nite, Wildcat–they are all either seen or referenced. Furthermore, due to circumstances I won’t reveal, Stargirl takes it upon herself to create a new JSA. She starts with a new Wildcat, Dr. Mid-nite, and Hourman. I have to be honest, though Hourman is a ridiculous concept and perhaps even a troubling premise, he’s always been one of my favorite characters and seeing his incredible costume on the screen is fantastic. Additionally, I loved James Robinson’s Starman, and seeing Stargirl use the cosmic rod is deeply satisfying.

For me, however, the real joy of the show is Luke Wilson. Remember him? I’m not sure what happened to Wilson’s movie career, but he is every bit as good as you remember (if not better). Whenever I see him on screen, I think, “Wow. He’s probably a little too good for this.” Another great blast from the past is Amy Smart, whom I haven’t seen in a long time but is still charming and charismatic.

Finally, the show’s villains are a fresh take compared to the other CW DC shows like Legends Of Tomorrow, Arrow, The Flash, and Batwoman. They have real motive, real depth, and are played by actors with real talent. Collectively, they call themselves the Injustice Society, and if you think that’s kind of a dumb name, you can only blame the folks from 1947 who created them. You’ll see classic villains on this team such as Icicle, Solomon Grundy, Sportsmaster, Tigress, and Brainwave. For a DC fan, this is kind of a big deal.

The show isn’t perfect–there’s quite a bit of teen drama. The action tries very hard, but still looks a little too reliant on “good enough” special effects. And, while some of the actors are quite talented, others still have room to grow.

However, I think the costumes are extraordinary from top to bottom, especially since they’ve decided to go with the more classic “tights” approach versus leather and armor.

By the way, if the name S.T.R.I.P.E. means anything to you, you’ll be very pleased with Stargirl. I suspect this is where most of their special effects budget went.

So while it’s a little awkward for this forty-something to recommend Stargirl, I have to admit that it is a real pleasure to see fan-favorite DC characters brought to life both joyfully and authentically.

 

Looking For a Local Hike? Try Merwin Nature Preserve In Central Illinois

If you’re looking for a fairly easy hike you can do in well under two hours, give the Merwin Nature Preserve a try.

My friend, Troy Marcy, recommended Merwin Nature Preserve to us after I asked him to suggest a few local hiking trails. Troy is an incredible nature photographer, so he knows all the best spots in our neck of the woods.

We’re not avid hikers, and we have two young daughters, so we weren’t looking for a day-long hike or a hike that would leave us exhausted. Merwin Nature Preserve proved perfect because while it had one uphill spot that got us breathing hard, it was otherwise a pretty simple hike with ample diversity.

For example, during our hike, we encountered prairie land, deep woods, a riverbank, several streams, and an overlook of the Mackinaw River. Best of all, we experienced all of this in just a few hours. Keep in mind that we stopped quite a bit to look at minnows, roots, tadpoles, wildflowers, and and impressive view of the river. I’m sure if someone moved at a fast pace and didn’t stop, they could hike the trail in around forty minutes.

Be aware, though, that there is quite a bit of poison ivy. We all wore hiking boots and pulled our socks up, so we were fine, but it’s definitely there from start to finish. Furthermore, the trail became so narrow and overgrown at times that I started to wonder if we somehow got onto a deer path. However, for the most part, the trail is clear and easy to follow.

If you refer to the picture below, we parked at the West Gate and hiked the trail with the nineteen station markers. We printed off the information specific to each station marker ahead of time because their website stated cell service is spotty in that area. As we came to each marker, we read what was special about that particular area. You can find all the material to print by clicking HERE.

If you’re looking for a quick hike with the kids, I highly recommend Merwin Nature Preserve. It’s got a little bit of everything that makes Central Illinois’ environment unique.

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The Gentlemen – A Movie Review

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There’s something about Guy Ritchie British tough-guy movies that I just can’t resit. Sherlock Holmes, Snatch, King Arthur: Legend Of the Sword — these are movies that amuse me to no end.

So, if you’re like-minded, you’ll love The Gentlemen just as I did. It’s a fast-paced gangster movie fraught with frenetic dialogue and cuts that will give you whiplash.

Matthew McConaughey plays Michael Pearson, a very successful American marijuana manufacturer who has cornered the British market. Charlie Hunnam plays Ray, Michael’s assistant. Jeremy Strong plays Matthew, a rich entrepreneur looking to buy Michael’s business. Hugh Grant plays Fletcher, a private investigator looking to blackmail … well, whomever he can. Finally, Colin Farrell plays Coach, a fight coach who unexpectedly gets entwined with all of these people.

As you can imagine, there is a great deal of violence, tons of twists, more than a few moments of treachery, and plenty of inappropriate humor. The movie looks great, as all Guy Ritchie movies do, with incredible set pieces, costumes, and locations.

The real heart of this movie though is the charm that each and every character exudes. No matter how shady they are, no matter how awful they are, they are all charming in their own way. You’ll notice that most of the actors listed above have built a career round not only their acting prowess, but also their innate charm.

This movie won’t change your life or improve the human condition, but it will provide an extremely fun time and wholly entertain you.

The Current War – A Movie Review

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Apparently, back in October of 2019, a movie came out called The Current War. It features Benedict Cumberbatch as Thomas Edison, Michael Shannon as George Westinghouse, and Nicholas Hoult as Nikola Tesla as they race to perfect the burgeoning electrical industry.

My wife and I saw this offered on Amazon but decided to check it out from the Normal Public Library for free instead. We’re not quite on the same page when it comes to super hero movies, but we love to watch movies inspired by history together.

The Current War enthralled us both.

Thomas Edison and George Westinghouse are famous names, yet neither of them exactly hold a place in the modern American conscious as anything more than old white guys who did some pretty important stuff. The Current War actually made them both very exciting and damn dynamic. They are both very likable, but also both very flawed. They are heroic at times, yet also suffer moments of immorality. In other words, they felt real.

Furthermore, the movie executes a rapid pace that makes the current war an exhilarating event to behold. I had no idea these two men battled each other to such an extent, nor did I realize their roles in so many other avenues of our lives.

Cumberbatch and Shannon are superb, as you would expect. Hoult didn’t get much to do as Tesla and I was surprised there wasn’t more of him in the film. There are also good performances by Katherine Waterson,  Tuppence Middleton, and Tom Holland.

If you like movies based on historical fact, or if you simply want a new perspective on Thomas Edison and George Westinghouse, I highly recommend The Current War.

HBO, Watchmen, and the Tulsa Massacre

Watchmen is an HBO original series based on a highly regarded graphic novel. It depicts an alternate world where super heroes are real, but most of them are psychologically damaged and ill-prepared to wield the power they utilize.

The HBO series picks up thirty years after the graphic novel ends, which I thought was a clever direction to take.

The first episode begins in the 1920s with an awful, awful race riot in Tulsa, Oklahoma, where black American citizens are being killed indiscriminately by their white neighbors. It is violent, heartbreaking, and potent.

I’m ashamed to confess that I thought it was a plot point for the alternate world of Watchmen. However, something about it rang true–it just felt authentic. So I Googled “Tulsa Massacre.”

Imagine my horror.

I’m embarrassed that, as a 42 year old man, I learned about the Tulsa Massacre from a TV show. I don’t ever remember hearing a word about it before that moment. I don’t remember seeing anything about it on TV, in books, in school–nothing. Perhaps I wasn’t paying attention. Or, perhaps it was overlooked by modern society.

I have to wonder what else I don’t know about. What else hasn’t made it into the history books? What else hasn’t been allowed to remain at the forefront? Have we been uninformed or misinformed about anything else?

Of course we have.

And, obviously, I could work a lot harder at trying to learn about these forgotten events.

During this weekend, HBO is allowing you to view the entire Watchmen series for free. It delves deeply into issues of race, police brutality, and the legacy of hatred. It also exists well within the realm of science fiction, though, so be prepared for that aspect of it, too. I personally love it when genres intersect; I found the series enthralling.

You can start viewing it here: https://www.hbo.com/watchmen. (Remember, it’s only free this weekend.)

You can also learn more about the Tulsa Massacre at this link that HBO provides on the Watchmen page: https://www.theatlantic.com/sponsored/hbo-2019/the-massacre-of-black-wall-street/3217/

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A Change In Public Education That Must Occur

I started my teaching career in the year 2000. This happened to also be around the time that No Child Left Behind was implemented. Generally speaking, No Child Left Behind said that every child would be prepared to enter college. Schools would be held more accountable. Students would be held more accountable. Academics would become more rigorous. Thus, every student would be academically fortified to flourish in college.

Now, that sounds wonderful on paper, but as with most things, there were unforeseen consequences. (At least, I hope the consequences were unforeseen and not actually premeditated.) Furthermore, from my own experiences in high school, I knew brilliant people who simply did not want to go to college. I also knew people who were very capable at life with no interest in college for many different reasons–primarily the debt they would accumulate. Even as a young novice teacher I knew that No Child Left Behind seemed to lack perspective because not everyone wants to go to college.

Here we are, twenty years later, and I’m witnessing the unintended effects of No Child Left Behind. In the interest of keeping this short, I’ll summarize by saying that if our students don’t play school very well, they are being left behind in a completely different way.

Imagine that you don’t particularly like English, math, history, or science. Now imagine that day after day, you have to sit through those classes for four straight years scraping by with Ds and Cs. You’ve been told college is the only option. You sign up for a local community college, and after struggling to pass your first year, you give up on post-secondary education.

Now what?

What do you do?

What skills do you have?

What sustaining opportunities exist for you?

I’ve seen this happen time and again and it breaks my heart.

The unintended consequence of No Child Left Behind is that, in an effort to meet all the rigorous requirements set forth by various bureaucratic entities, we lost a lot of classes that didn’t fall under the “core curriculum” category.  Most of these classes involved working with the hands. I’m not going to run through them all, but a few that immediately spring to mind are shop class, art, music, and automotive. These were all sacrificed in order to devote more time and teachers to the college-bound material.

I can think of dozens of students who would have thrived in classes where they got to utilize those skills related to working with their hands. And it’s true that some schools still have industrial arts and vocational classes, but I think in most cases they are not offered to just any general student. There’s a selection process involved due to limited space.

Remember that class you were super excited to attend because it addressed your specific interests? Maybe it was British literature, or physics, or chemistry. What if you didn’t like any of those subjects? What if, throughout your entire high school tenure, you didn’t take a single class that interested you? What if you never had the opportunity to discover you like the culinary arts, or fire safety, or automotive technology, or carpentry, or plumbing?

I absolutely believe that every American citizen needs a baseline understanding of the core curricula. Math, English, science, history–these are important things, for sure. However, why do we force a student who has no interest in college to sit through four years of English or math? Why not require two years of English, and then allow that student to take vocational classes related to a field they’d like to enter? They could also use that time to serve as apprentices or interns, get on-the-job training, and graduate from high school with real leads connecting them to a full-time job.

Of course, the great irony is that many of those in the trades are faring better than those with college degrees in today’s world because of scarcity. A plumber can charge whatever he or she wants because toilets have to work and not many people know how to fix them (myself included).

You’re the taxpayer. You know what your kids need. At the risk of sounding controversial, I maintain that most of the bureaucrats and politicians at the highest levels making the decisions influencing public schools neither attended public schools themselves nor send their own children to public schools. They are dictating the outcome of your child’s life with little to no vested interest in the welfare of your child.

How do you get vocational classes that are widely available to all students back into the public schools? I honestly don’t know. It probably starts with contacting your local representative or school administrator.

But a student exited to go to school in order to learn about things tied to the vocations that will have a positive impact on his or her professional life? I think it’s time for that change to occur.

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Netflix’s Bright – A Movie Review

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I’ve been meaning to watch Bright since 2017. Yes, you read that correctly. For some reason, I started it last night at around 11:00 p.m. and thought I’d watch for an hour or so before going to bed. Before I knew it, the movie was over and it was 1:00 in the morning!

That probably tells you all you need to know.

Though I wanted to see it, I always hesitated to watch Bright because of the strange premise–I just didn’t see how it could work. If you’re not familiar with the concept, imagine that Lord Of the Rings happened 2,000 years ago on Earth. Bright is the modern day consequence of that.

Bright is mostly grounded in the world as we know it. It is gritty, dirty, and sweaty with everyone struggling to pay their bills and earn their pensions. However, it’s slightly different in that orcs, centaurs, fairies, elves, and even an occasional dragon also occupy this reality.

Will Smith’s character, a cop named Ward, has been forced to partner with his precinct’s first orc officer, Nick, played by Joel Edgerton. As you can see in the picture above, orcs are not very pleasant to look at. However, Nick only wants to please Ward and is actually quite unwillingly funny. Smith and Edgerton have great chemistry with each other in what is essentially a cop movie. In fact, though Smith is playing a character with some pretty rough edges, that old Will Smith charm is in full effect and proved delightful to behold.

Though Ward and Nick don’t get along all that particularly well, when an elf fleeing for her life crosses their paths wielding an incredibly rare magic wand, Ward realizes they have to hide both she and the wand or chaos will erupt. Nothing in Bright’s world is more coveted than a magic wand for it can fix any problem ailing someone’s life. That’s when the movie really picks up. Everyone wants that wand. The cops want the wand; the gangsters want the wand; humans want the wand; orcs want the wand; the wand’s owner wants the wand back.

Bright is essentially an action movie with touches of fantasy. That fantasy, though, operates within the confines of the real world, not vice versa, and it is a world fully realized. This world looks lived in, aged, even historical. You will believe all of these different lifeforms have been uneasily living among each other for centuries.

It all sounds so ridiculous as I write about it, and it should not have worked, but it did. Bright was a really interesting, fast-paced movie. If you haven’t seen it yet, I recommend that you do.

 

Da 5 Bloods – A Movie Review

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With Da 5 Bloods, Spike Lee has delivered a film full of incredible performances and stunning visuals, but also a film that is inconsistent.

Da 5 Bloods is a Netflix original movie. Netflix is an attractive collaborator for creators because they reportedly exert very little resistance. Spike Lee, Damien Chazelle, Martin Scorsese, Joel and Ethan Coen, Steven Soderbergh, and Alfonso Cuarón are all noteworthy directors who have opted to throw in with Netflix. Such creative freedom, though, can sometimes lead to overabundance.

At just over two and a half hours, Da 5 Bloods is simply too long for the story it chooses to depict. The plot centers around four black Vietnam veterans who have returned to Vietnam in order to locate their squad leader’s body, which they had to leave behind decades before … and also to find dozens of gold bars they hid in the wilderness.

If the film had centered on either one of those two things, it would have been far stronger. As it stands, however, it tries to do both, which results in tone shifts that are jarring to the viewer. The portions relating to their felled leader are poignant, insightful, and evocative. The parts pertaining to the lost treasure are cliched, forced, and borderline absurd.

Even so, there are some amazing performances in Da 5 Bloods. Delroy Lindo deserves nothing less than a “Best Actor” Oscar for his work. He offers a very real, very conflicted human being that we both love and hate. His trauma from Vietnam is heartbreaking. Watching Lindo act makes the film worth your time. He is mesmerizing.

Furthermore, Chadwick Boseman yet again lights up the screen. Frankly speaking, other than Delroy Lindo, no one can keep up with Boseman in Da 5 Bloods. He shines during his scenes in a way that simply overpowers everyone else. Boseman is a gifted movie star, through and through.

Jonathan Majors plays David, the son of Delroy Lindo’s character. I’m not familiar with Majors, but he also won me over. Lee keeps David a bit of an enigma in the beginning of the film–we aren’t quite sure what to think of him. Majors plays the part perfectly as David is the only character that actually shows real change throughout the duration of the movie.

That being said, I liked the other three men played by Norm Lewis, Clarke Peters, and Isiah Whitlock, Jr., just as I was supposed to like them. If I’m being honest, though, the writers didn’t give them much to do or say beyond their initial introduction. Those three men seem to essentially repeat the same lines throughout the entire film. Which leads me to my next issue …

Da 5 Bloods’ writing is erratic. I found the dialogue overly repetitive and one-dimensional which, in my opinion, gave the actors less to work with. Lee likes to sprinkle in some history throughout the film, which I enjoyed and learned from, but as the characters talk about this history it seems very wooden and pedantic–not natural to the characters at all. Though the actors are not stiff, their dialogue is.

Also, there were some outlandish coincidences in Da 5 Bloods, coincidences that, at times, stupefied me. I won’t spoil anything, but there are at least three unbelievable moments that are, shall we say, verging upon ridiculous.

Finally, as touched upon earlier, Da 5 Bloods’ tone is literally all over the place. The film starts out as a buddy story with old veterans reconnecting. (There’s a scene where they actually strut dance in a Vietnamese nightclub.) Then they go on a fun-loving treasure hunt. Then they haphazardly search for their dead friend’s body. Then things get very, very violent.

There is no doubt that Spike Lee is a brilliant filmmaker and a tremendously relevant voice. His timing with this movie is both cosmically coincidental and monumentally important. As a nation, we need to remember that black soldiers and freedom fighters have been guaranteeing our country’s ideology since the very beginning even as their own personal rights were being trampled upon. Lee also successfully portrays the PTSD not just of soldiers in general, but even more specifically of African Americans who served in the military.

I truthfully wanted to love Da 5 Bloods. I entered the movie without a shred of objectivity–I was fully prepared to write a rave review, especially because critics seem to adore it. But it would be a disservice to Spike Lee himself if I denied my criticisms. It’s still a very watchable film, however, with extremely important messages. And, like I said, Delroy Lindo’s performance alone is well worth your time.

HBO’s The Outsider – A Few Thoughts

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I have heard a lot of rave reviews about The Outsider, so once I caved in and subscribed to HBO Max, I made sure that it was among the first shows that I watched.

Honestly, I don’t want to tell you too much about the plot because it would be a shame to spoil even the slightest aspect of the series. It’s based on a Stephen King book, so that probably informs you quite a bit.

My wife and I watched this show together, and even though it is gruesome, unsettling, and even sometimes scary, we loved it for several reasons.

First of all, the pacing is superb. When each episode is nearly an hour long, ten episode seasons can get lost around the midway point and become a chore to watch. The Outsider did not. Every single episode added to the overall story, moved at a quick clip, and just kept building the suspense moment after moment after moment. It was incredible.

This leads to something else that I appreciated about the series–the writing. There are no wasted scenes in this show. Everything is important. They kept the big picture in mind at all times, which is very, very rare. The dialogue is crisp, the plot is tight–it just doesn’t get much better than The Outsider in terms of execution.

Furthermore, the locations are astounding. For the most part, nothing about the show’s environments are particularly special, which is what makes them incredible. The scenery in this show is real. The Outsider very much takes place in the world most of us see on a daily basis, and that does a great deal in grounding the show and, as a result, making it all the more creepy.

Finally, the acting is simply superb. You’ll recognize some of the talent in The Outsider, but some of the faces will likely be new to you. It doesn’t matter. Everyone is top-notch. From the main players to the small roles, everyone is stellar, which, again, makes The Outsider feel so rooted in reality. Every character in the show feels like a real person.

Be warned, The Outsider is violent, disturbing, and frightening, but it’s also extremely well made and wildly entertaining. I highly recommend it.

Stranglehold: A Short Story

STRANGLEHOLD

I can’t breathe.

All the time.

You hate me so much.

You hate me if I laugh.

You hate me if I cry.

You hate me if I silently kneel.

You hate me if I peacefully march.

You hate me if I speak my mind.

You hate me if I don’t want to talk.

You hate me if I’m smarter than you.

You hate me if I’m not smart enough.

You hate me if I look you in the eye.

You hate me if I turn my head.

You hate me if I live in the “bad” part of town.

You hate me if I’m your neighbor.

You hate me if I’m sitting on my porch.

You hate me if I’m at the park.

You hate me if I’m in my car, on the bus, or riding the train.

You hate me if I’m walking somewhere.

You hate me if I’m rich.

You hate me if I’m poor.

You hate me if I go to college.

You hate me if I don’t like school.

You hate me if I’m your boss.

You hate me if I’m unemployed.

You hate me if I’m submissive.

You hate me if I fight.

You hate me if I win.

You hate me if I lose.

You hate me if I live.

You hate me if I die.

You hate me so much.

All the time.

I can’t breathe.


Author’s note: Since George Floyd’s murder, I have felt inept. I didn’t know what to say, what to do, or how to act. I finally decided to follow the adage of putting myself in someone else’s shoes. “Stranglehold” is the result. It is my sincere hope that this work helps with the struggle against hate, inequity, police brutality, racism, discrimination, and injustice.  


Copyright © 2020 by Scott William Foley

This is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

All rights reserved. No part of this story may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author except in the case of brief quotations embodied in critical reviews or articles.