Ella Minnow Pea by Mark Dunn – A Book Review

I took a chance on this very quick read after a friend recommended it.

Ella Minnow Pea is a unique concept.  The premise is that a small island exists off the coast of South Carolina.  This entire island’s culture is based upon Nevin Nollop, the man responsible for the blessed phrase: “The quick brown fox jumps over the lazy dog.”

Though a literate, incredibly well-spoken people, the island’s inhabitants are thrown into complete disarray as a statue of Nollop begins to lose letters from the sacred phrase.  They take these jettisoned letters as spiritual intervention, and so they remove each letter from usage as it falls.

Because the book is written as literal correspondence between characters, a dark farce ensues.  The messages begin missing those outlawed letters, and, by book’s end, the notes between characters are nearly incomprehensible.

To make matters worse, the town punishes anyone caught using the banned letters.  Beatings, exile, even death can result as a byproduct of usage.  Things get very bleak very quickly, yet the circumstances continuously remain hilarious.

While the story itself did not make a lasting impact upon me, Mark Dunn’s execution absolutely impressed.  To literally omit those letters banned by the town in the actual story — that’s no easy feat!  I enjoyed the structure, construction, and style of the book immensely, and I would recommend reading it for that experience alone.

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

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Superman: American Alien by Max Landis – A Book Review

You all know I struggle with Superman.  Many writers get the “super” right, but fail to truly capture the “man.”

Max Landis absolutely put the “man” before the “super” in this collection, and Superman is all the more “super” as a result.

The premise is short and sweet: Landis depicts key moments in Clark Kent’s life that define the hero he will one day become.  As a result, we get to see what is not often addressed: failure.  We see Clark as a child fearful of his own abilities.  We see Clark as a teenager reluctant to help out for fear of hurting someone.  We see Clark take a walk on the wild side with booze, boats, and women.  We see Clark get outsmarted and embarrassed by Lex Luthor.  We see Clark, for the first time in his life, have to truly fight to survive.

I love this collection because Clark is so normal.  He’s funny; he’s a jerk; he’s fearful; he’s clever; he’s heroic; he’s full of doubt.  In a word, he’s all of us at some point in our lives.

Landis also addresses some nagging issues about Clark’s childhood such as how in the world did he avoid doctors?  The answer may surprise you.  Also, with the way  kids talk, could he ever really keep his abilities a secret while in Smallville?  That answer may surprise you as well.

Furthermore, Landis does not shy away from the fact that Clark Kent lives in the DC Universe.  While this is not necessarily the mainstream Superman we enjoy from month to month, this world still offers us a glimpse at Oliver Queen, Batman, Dick Grayson, Hawkman, the Flash, Green Lantern, and many others.   The brief appearance by Batman is especially relevant to this Superman’s mythology.

Each installment of this collection is a must-read in part because of the story line but also because Landis works with a different artist for each chapter.  I want to say that each artist perfectly embodies the tone of that specific issue, but each of these artists are so talented that they make everything look good.  You could assign any of them any of the installments and they would make it shine.

Next to All-Star Superman, this is my favorite Superman story ever.  I would love to read more of Landis’ take on the DC Universe.

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

The Wild Storm: Volume I by Warren Ellis and Jon Davis-Hunt – A Book Review

The Wild Storm is a title that appears to be taking classic WildStorm characters, especially those from WildC.A.Ts, and rebooting them in a modern day, sophisticated world.

WildStorm was under the umbrella of Image Comics back in the 1990s when Jim Lee and other industry luminaries decided to start their own publishing house.  Jim Lee’s characters were cool, but rather shallow and derivatives of DC and Marvel’s icons.  Clearly, though, they had great potential as famed writers like Alan Moore and James Robinson took a crack at them.

In The Wild Storm, Warren Ellis, one of the absolute BEST science fiction writers alive today, takes the most charismatic elements of characters like Void, Voodoo, Grifter, Deathblow, Zealot, and Engineer and strips away all of the excess.  All of these characters now exist within one book, one story line, and are under the control of one vision, who happens to be visionary.

I’m all in on this book.  It is remarkably familiar yet utterly fresh.  I know the characters, I know the names, but I don’t know what’s going to happen next.  Ellis is always completely unpredictable and it’s obvious he’s building a comprehensive world in this title, not a super team.

Jon Davis-Hunt creates cinematic, dynamic panels in this book.  Most of the characters are wearing regular clothes in normal environments, but he makes all of it look GREAT.  He adds all of these little touches that strike the reader subconsciously but may not be obvious at first glance.  Things like shells flying though the air, glass shattering, hair blowing in the wind, or debris falling — these minor things connote movement and lead the reader sequentially from one panel to the next.  The art is so smooth and fluid.  Perfect.

The Wild Storm is full of intrigue, action, violence, heroism, originality, and just enough nostalgia to charm.  It’s obvious there is a sprawling, epic tale unfolding, and I can’t wait to see where it goes next.

I haven’t been this excited about a title in quite some time.

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

Every Heart a Doorway by Seanan McGuire – A Book Review

A friend on GoodReads recommended this book to me, so I thought I’d give it a shot.  Honestly, I told him I wanted something really short that I could read quickly.

In that regard, Every Heart a Doorway is a raging success.

The concept of the book is fascinating.  We’ve all heard of those kids in stories who visit other realms, worlds, or dimensions.  This book deals with what happens when they come home … but want to go back.

It also delves into the fabric of each kind of world that exists beyond.  Because the story takes place at a school, there is some explanation as to the general laws and rules of each world the various children have visited.  Again, this is a very cool concept.

My only complaint is that the actual plot did not spark my interest all that much.  I adored the idea of dissatisfied travelers who want nothing more than to go back to their fantasy world.  I also love the idea of trying to categorize each world in an effort to force some semblance of sense upon them.

The story, though, is primarily about a series of grotesque murders occurring on the school grounds.  Something of a mystery ensues revolving around the fact that very specific parts of bodies are being taken from each victim.

Furthermore, there’s plenty of teenage angst in the dialogue.  Lots of feeling shunned and out of place.  During those moments, it became obvious I am not the target audience for this book.

However, I appreciated the quick pace, the vivid descriptions, and the very imaginative concepts.

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

Batman: The War Of Jokes and Riddles by Tom King and Mikel Janin – A Book Review

I’m not totally on board with Tom King’s Batman. Tom King is a good writer, don’t misunderstand, but his take on Batman just isn’t really doing much for me.

In this volume, Bruce Wayne is in bed with Selina Kyle, aka Catwoman. He is baring his soul regarding a horrific moment during his first year as Batman, a moment that occurred during The War of Jokes and Riddles.

First of all, that’s a really awkward name for a war. Maybe a little too literal as well. Don’t you think?

Anyway, Bruce is recounting his tale to Selina and we experience what is essentially a flashback. The Joker and the Riddler have declared war against each other, and all of the other villains in Gotham have chosen sides. There’s some perfunctory attempt at explaining why a band of murderous sociopaths would join forces, but it all fell a little flat with me. Eventually the story begins to focus on Kite Man. Yes. You read that right. That’s where it really lost its way with me.

I will admit that I appreciate King’s take on The Joker. Unfortunately, his Riddler seemed totally out of character in my mind. The whole story felt a little too contrived, a little too forced for my taste. It struck me as though they had a really cool idea to have Riddler and Joker wage war, but then couldn’t come up with anything any deeper than that concept.

Mikel Janin’s art, though, absolutely makes this volume worth reading. I believe his Joker is iconic, and his Batman is both regal and terrifying. I first discovered Janin on Justice League Dark, and his talent has only grown.

King’s moody, almost whiny Batman is not for me, but I appreciate the risks he’s taking and the new stories he’s trying to tell. His work is solid and well-executed, I just don’t care for his iteration of the character.

(His Mister Miracle, on the flip side, may be the best series that I’ve ever read.)

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

Batman: The Dark Knight–Master Race by Frank Miller, Brian Azzarello, and Andy Kubert – A Book Review

Redemption.

That’s the word I would use to describe Batman: The Dark Knight–Master Race.

I mean this both literally and thematically.

From a literal standpoint, Master Race undoes the travesty of Batman: The Dark Knight Strikes Again.  Of course, these are both sequels to the seminal Batman: The Dark Knight Returns.

Master Race is the first Batman book I’ve read in quite a while that kept me turning the pages.  When I had to put it down, I couldn’t wait to pick it back up.

Some say that The Dark Knight Returns helped to usher in the Dark Age of comics.  It played a role in taking Batman back to his dark roots, establishing a general psychosis to the character, and promoting the idea that Batman and Superman would be anything but super friends.  It’s impact can be felt even to this day.

The Dark Knight Strikes Again was just a hot mess.  I haven’t read it in a long time, but I remember feeling that it had nothing in common with its predecessor and seemed intent on being as crazy as possible even at the sacrifice of plot, character, good taste, and logic.

Master Race takes the best aspects of both books, blends them together, and churns out an incredibly satisfying read.  Carrie Kelley, the young girl who took on Robin’s mantle back in The Dark Knight Returns, is front and center in this book.  The Dark Knight Strikes Again brought Superman’s daughter Lara into the fold, as well as Wonder Woman, the Flash, Green Lantern, Hawkboy and Hawkgirl, Atom–all of whom reappear in Master Race.  This time, though, they are treated with depth and care.  In fact, some would say they are all actually redeemed.

There’s that word again.

Master Race redeems every single character in its pages.  They each go through a personal journey, and they each come out better for it.  I don’t want to get into the particulars due to revealing too much plot, but this book made me look at these characters as heroes again.  Redemption strikes me as a theme of the book.

Which is probably the most ironic thing ever.

Master Race also, in my eyes, redeems Frank Miller.  Frank Miller is a gifted writer and artist–he proved that on books like The Dark Knight Returns, Daredevil, Batman: Year One, and the first Wolverine miniseries.  Unfortunately, his work on The Dark Knight Strikes Again made me question both his talent and character.  That book seemed like a total cash grab.  It almost acted like it wanted to make a point to the reader–that the comic fan will buy anything if there’s enough hype surrounding it.  It definitely turned me off from Miller for a while.

So why did I return for Master Race?  Brian Azzarello.  I’ll read anything that man writes.  I knew that if he played a hand in Master Race, it would be worth my time to check it out.  I’m so glad I did.  I have no idea as to the politics of Azzarello teaming up with Miller, but if DC made it happen to ease fan apprehension, it worked like a charm on me.

It’s so ironic that two men who are known for grim and gritty, hard-boiled writing provided one of the most inspiring Batman stories that I’ve ever read.  As much as The Dark Knight Returns created a Dark Age, I could see Master Race igniting a Heroic Age.  It truly counteracted all of the negativity surrounding our society at the moment.

Maybe you’ll agree with me, maybe you won’t, but I definitely recommend you read Batman: The Dark Knight–Master Race and see for yourself.

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

Annihilation by Jeff Vandermeer – A Book Review

Like you, I thought the movie trailer for Annihilation looked very cool, so I thought I’d check out the source material.

When the novel of the same name arrived at my local library, the volume’s slimness surprised me.  At only 195 pages, I knew it would prove a quick read.

Of course, it may be helpful to know this is only the first of a three-book series.  All three collected volumes are known as Southern Reach Trilogy.  The three installments appear to have been published within months of one another, so that could explain the page count.

Whatever the case may be, I have to admit that Annihilation by Jeff Vandermeer immediately felt like a bad fit for me.  The prose in this book is … dense.  It’s full of description largely pertaining to foliage and biology.  Also, a first-person narrator delivers the story to us.  I don’t know if it’s Vandermeer’s style or the style of his narrator, but I found the prose clunky and difficult to follow.  To me, the sentences did not flow very smoothly which forced me to read and reread in a way that frustrated.

When Vandermeer’s characters spoke, this issue largely disappeared.  The dialogue flowed freely and felt natural.

The plot itself interested me enough, but things moved rather slowly.  In my opinion, there is no real “revelation” that makes the book a worthwhile, satisfying experience.  Perhaps the other two books provide this experience.  I’m not sure I’m inclined to read them, though.

The good news is that, as I said, this is a very slim book and so you can easily read it in a day or two and prove me wrong.  I have been wrong about books before.  I’ve even reread a few books to find that my opinion of them changed completely.

I still plan to see the movie, but, if I’m being honest, not much that I’ve seen in the trailers evokes much from what I read in the book.

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(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)