I loved The Rise of Skywalker because it pandered to my every desire.
I realize that this is something of a backhanded compliment, yet I don’t care. Did it have problems? Absolutely. Did those problems impede my enjoyment of the film? Not at all.
The Rise of Skywalker left me emotionally fulfilled–perhaps even giddy. It did its best to adjust to The Last Jedi, a film that, while well made, did not settle well with me. It wrapped up multiple story lines while leaving ample opportunity for future stories. We were also afforded the opportunity to say goodbye to everyone just the way we hoped we would.
I’d be lying if I said The Rise of Skywalker broke any kind of new ground. Even the surprises, once contemplated, proved to be obvious choices.
However, this did not bother me at all. I’ve been watching Star Wars movies since childhood. I’ve been on this ride for forty years. In regards to the main story line, the Skywalker saga, there are certain expectations that simply can’t be altered. Call this extreme fan-service, call it an adherence to the archetypal blueprint upon which Star Wars is built, call it whatever you want. When destiny and hope are firmly entrenched in a film series’ themes, there aren’t that many choices pertaining to the conclusion.
Without getting into spoilers, I found the action of The Rise of Skywalker impeccable, the dialogue snappy, the emotional resonance potent, and the characters engaging. The film moved so fast that it nearly achieved hyperspace, which resulted in an incredibly fun experience. There were a few “I can’t believe that happened!” moments, and there were several greatly appreciated cameos. Furthermore, Poe, Finn, and Rey were actually together for most of this film. Their on-screen chemistry guaranteed a victory.
Unfortunately, there were some issues. Quite honestly, The Rise of Skywalker felt more like a series of vignettes than a coherent, interconnected plot. Truthfully, unlike the Lucas films, Chapters VII, VIII, and IX felt quite disjointed from one another. I’m not convinced the new guard had a three-film plan in place before unveiling The Force Awakens. The movie moved so quickly, in fact, that the audience didn’t have time to process in real time the enormous plot holes arising.
The big reveal regarding Rey, while utterly satisfying, literally came out of nowhere and, frankly, made no sense at all. Don’t get me wrong, I loved it, but I’d be lying if I said there were clues throughout the previous films to lead us to that exact revelation. In the end, Rey’s lineage left me with more questions than answers.
Consequently, if you’ve seen the posters or trailers, you know that Emperor Palpatine (or Darth Sidious, if you prefer) plays a role in The Rise of Skywalker. His entire presence, while emotionally gratifying, also made very little sense when viewed against the entire new trilogy. I just cannot believe he amassed the army he did in total secrecy for thirty years. It served this final movie very well, but it also proved a little too convenient.
The fate of Kylo Ren also ended up being just a little too convenient. Again, I adored what they did with him, but his character arc ended up being a little too neat–a little too tidy. This is a man responsible for millions of deaths, after all.
Do not go to The Rise of Skywalker if you’re looking for a movie that breaks molds, bucks the system, spits in the face of fans, or any other appropriate cliche. But, if you want a satisfying ending to a forty-year-old story that will get you a little misty-eyed, entice you to whelp in delight, and perhaps even prompt an applause or two, this is the film for you.