Spider-Man: Far From Home – A Movie Review

Spider-Man: Far From Home is an impressive exhibition of visual effects with some great one-liners, but the most interesting thing about the movie happens during the middle and end of the credits.

If you’re not familiar with the plot, Spider-Man: Far From Home sends Peter Parker and his classmates on a European vacation.  While there, Peter is drafted by Nick Fury to help Mysterio defeat monstrous elementals intent on destroying the world.

This movie is simply a run little romp.  It’s not too heavy, it’s not too serious, and it’s not too meaningful … until those end credits.

In fact, I think it’s maybe a little too light.  I understand the need to break away from the cosmic gravitas of Avengers: Endgame, but Far From Home didn’t delve quite deeply enough into the ramifications of that movie.

I say “deeply” because, yes, Far From Home absolutely acknowledges Endgame and goes out of its way not only to catch us up on how those who disappeared are adapting to their return, but how the world is adapting to those who reappeared.  The movie also centers itself around the death of Tony Stark.  (We can talk about that now, right?)

However, all of these things are never deeply explored.  Peter feels like he can’t live up to being Iron Man … and that’s what we get about that for most of the movie.  We are not allowed a deep dive into Peter’s psyche regarding this loss.  It’s all kept very surface-level.  I literally felt the movie pushing forward, forward, forward at a harrowing pace.

I found this shallow treatment of such important events in Peter’s life troubling.

Furthermore, I really do not care for the depiction of Peter Parker’s personality in Far From Home.  I kept track, and he apologized at least four times in a single scene.  They’ve made Parker a little too apologetic, a little too full of doubt, and a little bit of a whiner.  We’re not getting much of Spider-Man’s famous quips in Far From Home.  The movie is funny, but Spider-Man is not.  I think this is the fifth appearance of Spider-Man in the MCU … I believe his confidence should be growing by this point, not weakening.  I have no doubt Spider-Man will eventually become the linchpin of the MCU.  He’ll be the moral compass, the selfless hero, and the intellectual leader years down the road.  However, he should be further along in that journey than what we see here.

Finally, the European setting just didn’t work for me.  Maybe I’m too rigid, but I love my Spider-Man set squarely in New York City.  Peter returns to NY at the end of the movie, and you could just feel the energy boost in the film when that happened.  Something about his red and blue set against the NY skyline–it’s iconic.

On that note, I do admire the movie makers for taking such a risk.  Putting Spider-Man in Europe was a bold move, and not an obvious one.  They are trying to give us things we haven’t seen before, which I appreciate.

Speaking of which, I also appreciate the fact that they had the guts to put Mysterio in this movie.  He’s one of my favorite Spider-Man villains in the comics, and they do him justice in Far From Home.  I’ll be honest, I did not like Jake Gyllenhaal’s depiction of the character in the beginning.  I think Gyllenhaal is a talented, multifaceted actor, so I felt shocked when I found his performance wooden, lifeless, and forced soon after his introduction.  Trust me, that all changes pretty quickly.  Give Mysterio time.  They use a fantastic approach with him and I think Gyllenhaal nails it.  Just like with Vulture, they don’t ignore his comic book roots, but they also add a modern day twist.

Consequently, the special effects are magnificent in Far From Home.  There are some breathtaking scenes of Spider-Man jumping and swinging around, especially at the end of the film.  And, because Mysterio is a master of illusion, they lean heavily into that area and deliver some very cool moments.

You also can’t deny the charisma of Tom Holland and his supporting cast.  Zendaya is a star, Sam Jackson is always a blast, Jon Favreau is lovable even when he’s trying to act gruff, Marisa Tomei is a living legend, Jacob Batalon should be everyone’s best friend, and Tony Revolori somehow plays a jerk we all like.

Is this the best Spider-Man movie that I’ve ever seen?  No, but it’s a fresh approach and tried hard to give us something different.  I love that they are not going after the low-hanging fruit.  It would have been so easy to use Green Goblin or Doctor Octopus again, to have them fight in NYC again, but they fought that urge.  Spider-Man has such a vast array of villains–they should have no trouble finding foes for him if they are willing to go for it like they did with Vulture and Mysterio.

I will say this: after watching the end credits, I cannot wait for the next Spider-Man movie, and I am extremely excited for the next phase of the MCU.  Both end credit scenes truly surprised me.

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X-Men: Dark Phoenix – A Movie Review

I just go out of X-Men: Dark Phoenix, and I’ve got some good news for you – it’s not that bad!

Sure, that’s not a huge compliment, but, to be honest, I expected it to be terrible.  Why did I have such dire expectations?  First of all, the constant delays in release is never a good sign.  Furthermore, those delays were, in part, due to the Disney acquisition which makes Dark Phoenix something of a lame duck.  We all know Disney plans to reboot, recast, and generally redo the X-Men sometime in the near future, so Dark Phoenix had a little problem with making us care about it.  Finally, judging from the previews and posters, Dark Phoenix looked far too similar to the ironically titled X-Men: The Last Stand.  That was, for all intents and purposes, the Dark Phoenix story line mixed in with a lot of other … stuff.  In other words, we’ve basically seen this movie … sort of.

I’m happy to tell you that, really, there weren’t that many similarities to The Last Stand.  There are some, true, but those familiar beats are better fleshed out in Dark Phoenix than they were in The Last StandDark Phoenix is only concerned with the plight of Jean Grey.

Also, let’s face it: Dark Phoenix has star power.  Sophie Turner, James McAvoy, Michael Fassbender, Jennifer Lawrence, Jessica Chastain – these are big names!  Let’s not forget up-and-comers like Nicolaus Hout, Alexandra Shipp, Evan Peters, Tye Sheridan, and Kodi Smit-McPhee.  These are fun people to watch, and in the case of McAvoy and Fassbender, there is some serious acting being executed.

Dark Phoenix has very strong special effects as well.  We get to see Magneto perform some impressive feats, as well as Jean Grey.  Cyclops’ optic blasts have never looked better, nor have Nightcrawler’s “bamfs.”  Beast looks fantastic even if his movement still feels a little awkward.

Of course, Dark Phoenix has some issues.  The biggest issue is that, well, to a fairly large degree, we’ve already experienced the major themes of this movie.  Jean’s struggle with the Dark Phoenix was dealt with in The Last Stand, and while I think this movie did it better, it’s still well-covered territory.

Furthermore, Dark Phoenix didn’t seem all that interested in explaining much.  I know from my misspent youth that the cosmic energy that Jean absorbs is called “The Phoenix Force,” but the movie barely touches upon it at all and never calls it by name.  If I’m a casual movie goer, I have no idea what that’s all about.  Consequently, we’re given no reason for the arrival of the cosmic force at all – it just kind of made its way to Earth.  The movie also skipped a pretty important step in telling us why Jean Grey is the only entity capable of utilizing this cosmic energy.  They constantly talk about how “strong” she is, but that’s a pretty lazy cop out.

Jessica Chastain is a movie star, no doubt, but she was given very little to work with.  Look, I’ll watch Jessica act no matter what movie she’s in, but her character was about as thin as you can get.  There’s ample tropes and cliches regarding her motivation, but it doesn’t amount to much.

Speaking of character, is anyone else tired of sad Jean Grey?  Jean Grey is a wonderful, multi-dimensional character, but the movies can’t seem to get past this whole “Dark Phoenix” thing, which was a seminal moment for her character, to be sure, but not her only moment.  It seems as though no one can do anything on film with her other than depict her as a tortured spirit, crying most of the time, and always on the verge of losing control.  Jean Grey is so much more than that.  I wish Sophie Turner got to show us Jean Grey the teacher, the leader, and the heart of the X-Men.

Another note about character – I love what they did with Professor Xavier.  They really made him interesting in a way I haven’t seen before.  Everyone else, though?  Not so much.  Cyclops is just kind of there, likewise with Storm.  Magneto is still Magneto doing Magneto things.  Quicksilver is barely in this film at all, which is a real tragedy.  And I hate what they did with Nightcrawler.  Hate it.  He’s one of my favorite characters and they really dropped the ball with him.

Best moment?  A brief, ever so brief, blink and you’ll miss it moment featuring a certain X-Men favorite.  I’m not sure how many people will know her when they see her, but it was great.  It was true to her character, fun, and – like I said – brief.

If you’ve enjoyed McAvoy and Fassbender’s X-Men movies, go ahead and see this.  It’s not as good as the first two but better than Apocalypse.  I wouldn’t consider this a “must-see” movie, but it’s probably better than you expect.

Oh, and don’t bother sitting through the credits.  There’s nothing there.

One last word of warning.  If you’re taking kids to this thing, there is an F-bomb dropped near the ending.  It’s completely unnecessary, but it’s there.

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Aladdin (2019) – A Movie Review

I’m 42 years old, so I was in high school when the original Aladdin debuted.  I enjoyed it, especially the Robin Williams performance, but I didn’t consider it a masterpiece nor do I to this day.  Fun?  Absolutely?  Great music?  You bet.  A holy artifact that should remain untouched for the rest of time?  No.  Absolutely not.

When I heard they were remaking a “live-action” version of the film, I thought, “Yeah, okay.  That’s pretty consistent with what Disney is doing now.”  When I discovered that they cast Will Smith as the genie … well, I thought that was an odd choice not just for the movie, but for Will Smith himself.

So let’s get the most important thing out of the way right now: my ten-year-old and seven-year-old daughters loved this version.  They’ve seen the original, but they both said that they like this one more.  Will they feel as strongly about it in ten years?  Who knows.  But, this is a kids’ movie made for kids, and both of my kids adored it.  Bam.  Mission successful.

From a more critical view, or maybe I should say from a cynical adult perspective, Aladdin (2019) isn’t perfect.  First of all, it’s about thirty minutes too long.  Two hours and ten minutes is just a bit too much for this genre.  I definitely found myself looking at my watch.  Also, the CGI in the movie is just … weird.  There are times when it doesn’t look good at all, particularly in regards to the genie.  CGI blue Will Smith … never quite looked right.  I know this sound ludicrous, but he always appeared kind of fake … realistically fake.  You know?  They included rippling muscles and pores in the skin, yet he never seemed to be anchored to his surroundings.

However, there is quite a bit to like about this movie.  First of all, no one can deny Will Smith’s movie stardom.  He’s always fun to watch.  Will Smith gets to be regular human Will Smith for quite a bit of the movie, and that’s when he really shined.  Also, Mena Massoud, who plays Aladdin, has undeniable charisma.  His eyes and smile light up the screen every time he appears, and he also has a really interesting speaking voice.  Finally, though she doesn’t have the magnetism of her costar, Naomi Scott (Jasmine) has a fantastic voice.  When she sings–watch out!  This actress has one of those voices that just grabs you.  I actually wish they’d given her several more musical numbers.

I feel totally comfortable recommending this as a family movie.  If you all want to go out together and enjoy a fun time, Aladdin (2019) is a fine choice.  The kids will enjoy it, the parents will find things to like about it, and then everyone will forget about it by the next day, and that’s okay.

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Are you in need of a new epic series? Try Dr. Nekros, a trilogy that I like to describe as Moonlighting meets The X-FilesKindle: https://amzn.to/2X3S7vO or NOOK: http://bit.ly/2JTFXm1

 

Here Are Eleven General Items That I Hope Happen During the Final Game Of Thrones Episode

Be warned, spoilers abound …

I know this final season of Game Of Thrones has been controversial to some, but I’ve been perfectly happy with it thus far.  I will ultimately reserve my final judgement until the last episode’s conclusion, which I think is only fair.  If anything, this concluding season has been one giant episode rather than a series of installments.  I will wait and assess it as a whole.

However, there are a eleven items that I hope will be addressed tomorrow night.  I won’t be so bold as to suggest specifics, but, generally speaking, here they are, in no particular order …

  • Daenerys actually rules from the Iron Throne
  • Sansa claims Winterfell as an independent kingdom, which she rules
  •  Jon Snow’s resurrection is given ample explanation
  • Ghost and Nymeria return with a pack of direwolves to protect Winterfell from dragons–yes, dragons
  • Jamie and Cersie survive, but must live in squalor and anonymity
  • Bran becomes the Night King, but alters the Night King’s course
  • Arya and Brienne wander the world, committing acts of heroism wherever needed
  • Jon Snow returns to the Free Folk and lives among them
  • Drogon survives and gives birth to more dragons
  • Magic significantly reveals itself again in the Lord of Light, Children Of the Forest, Three-Eyed Ravens, Wargs, Shadows, etc.
  • Tyrion dies a good death

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The Haunting Of Hill House by Shirley Jackson – A Book Review

I picked up this thin book after enjoying the Netflix series. As I’m prone to do, I wanted to experience the source material.

For those of you craving a more detailed version of the show, prepare to be disappointed. However, if you’re willing to accept The Haunting Of Hill House on its own merits, I think you’ll have a nice read.

Shirley Jackson published The Haunting Of Hill House in 1959. This, of course, predates Stephen King and the brand of horror that we now come to expect. Interestingly, though, I think you’ll find that The Haunting Of Hill House has its own unsettling moments–they are simply just far more subtle, nuanced, and psychological.

To briefly summarize the book, Dr. Montague has gathered a few people together to study Hill House. One of them is Eleanor. She is a young woman isolated from society due to a sickly mother, but very much hoping to rejoin the world now that her mom has passed. Another woman Theodora, is something of a medium, and she bonds with Eleanor immediately. Luke Sanderson is in line to one day take ownership of the home, and he is there to make sure the doctor doesn’t take any liberties with the estate. The four of them immediately hit it off. They experience some disturbing sounds, and doors have a tendency to close without aid, but the real terror of the house emanates from the home itself. To the adventurers, the house simply feels evil. Much of the book establishes the characters and their interpersonal relationships, but then, finally, near the end of the book, the home’s influence rears its true power.

I have to admit that the first three-fourths of the book perplexed me. Not much occurred in regards to a haunting; in fact, Jackson seemed most interested in depicting her four main characters as quick-witted, jovial, and entertaining people with whom to study ghosts.

When the understated horror begins, though, it is all the more potent due to the characterization. We care about these characters, as well as their ultimate fates.

If you enjoyed the Netflix show, this read is worth your time. You’ll obviously recognize some names and scenes, but the show definitely deviated into something far more intricate. Even with that being said, I found this book’s brand of horror refreshing. It didn’t try too hard to scare me, which served the story very well. There’s an old saying that less is more–The Haunting of Hill House proved this to certainly be the case.

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Avengers: Endgame – A Spoiler-Free Movie Review

I solemnly vow not to spoil any plot points or revelations for you in this movie review.  I will only say this: it was worth the wait.

Avengers: Endgame exceeded my expectations.  Though it’s very, very long, it moves quickly, and there’s virtually no wasted time.  Every single minute of this movie counts.  It’s a big finale to a very big story, which necessitates quite a bit of time.

Furthermore, it gives you exactly what you want–even if you don’t know what you want.  Every single Marvel movie has led to this moment.  That’s not an exaggeration.  We’ve stuck with Marvel for 10 years now, and they reward our loyalty heartily.

You’ve seen some of the science of this movie in the commercials, and yes, it’s a little hokey and doesn’t hold up to much inspection, but the quantum realm element isn’t what this movie is about.  This movie is all about character.  Every character gets their due.  Every character has a moment.  Every character.

Endgame will send you on a roller-coaster of emotions.  There are many moments you’ll want to cheer out loud.  There are times you’ll laugh your butt off.  But there are some heartbreaking moments as well–moments that will absolutely make you cry.  I imagine that comes as no surprise.

In the end, Endgame satisfied.  No, it more than satisfied.  It drew this 10 year journey to an end while opening up new possibilities.  I honestly could not be happier with the execution of this film.71dXHCpZAXL._SL1051_.jpg

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Shazam! – A Movie Review

If you’re looking for a family-friendly entry to the cinematic DC universe, Shazam! is your ticket!  Lighthearted, funny, and full of positive messages, this film will appeal to kids and adults alike.

That being said, I didn’t think it was all that great.

Let me explain why.

First of all, I would like to say that Zachary Levi absolutely shined in Shazam!  Like Paul Rudd, there is something unarguably likable about this man, so he proved the perfect actor for the role.  Levi’s a big fella which made him more than capable of filling the hero’s boots, but he’s also got a playful side to him that allowed the audience to believe there’s a teenage boy  in there.

Furthermore, the children acting in this film were wonderful, too, especially the two leads, Asher Angel and Jack Dylan Grazer.  These two young men were really fun to watch in action.  They also have a foster family other children, all of whom were distinct and entertaining in their own right.  The script and the actors did a nice job of keeping these young characters both charming and likable.

Lastly, I’ve got to rave about the costume.  When the still first came out, folks were bashing the Shazam costume.  Let me tell you — it looks great on film.  I think it may be my favorite super hero costume yet to grace the big screen.  It’s modern yet classic, streamlined yet flashy, warm yet very, very cool.  Much of the film takes place in the daylight, so you really get to see it in all its glory.  Whatever team created that costume should be proud.

However, I do have some issues with the film.

My biggest complaint is that you’ve already seen the best parts.  The didn’t save anything for the actual film — they gave you all the best stuff in the trailers.  The best lines, the best jokes, the best “wow” moments … you’ve seen them all already.  That really disappointed me.

Also, it took way too long for Zachary Levi to arrive.  The movie starts with a focus on the villain, and it’s a good twenty minutes before we even get to Shazam.  Once Levi appears things liven up quite a bit, but it took awhile to get there.

Finally, the resolution is pretty apparent early in the film.  You probably guessed this from the trailers, but the focus on family is a driving force of the plot.  This isn’t a bad thing–not at all–but it also didn’t offer much else.

In fact, that’s Shazam’s greatest misstep.  There are no goose-bump moments.  When Wonder Woman climbed out of that trench and charged the enemy — goose-bumps.  When Arthur Curry walked out of the waterfall in the Aquaman costume — goose-bumps.  When Superman and Batman stood toe to toe for the first time ever on film — many, many goose-bumps!  Shazam! didn’t have a moment like that.  Shazam’s journey in the film has been done hundreds of times before.

Of course, I don’t think I’m the target audience for this movie.  Shazam has always been aimed at kids.  What fourteen-year-old doesn’t fantasize about being a big, strong, independent adult?  I’m really excited to see what my students think of Shazam!  Will it appeal to their sensibilities more than mine?  We’ll see.  After all, the entire plot really revolves around two teenage boys along with their foster brothers and sisters.

If you’re looking for a fairly innocent family film, though, this could be for you.  There is a little bit of profanity, so be warned, and I’m told there is one violent moment that struck my friends as tonally inconsistent with the rest of the film.  Apparently, this occurred while I was in the bathroom.  I’d have no problem taking my ten-year-old to it, but I would probably keep my six-year-old out due to language and some scary monsters.

So while Zachary Levi is really fun to watch, and while there are some very funny moments, I’m afraid the best parts of Shazam! were already shown during the trailers.

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