Spider-Man: Far From Home is an impressive exhibition of visual effects with some great one-liners, but the most interesting thing about the movie happens during the middle and end of the credits.
If you’re not familiar with the plot, Spider-Man: Far From Home sends Peter Parker and his classmates on a European vacation. While there, Peter is drafted by Nick Fury to help Mysterio defeat monstrous elementals intent on destroying the world.
This movie is simply a run little romp. It’s not too heavy, it’s not too serious, and it’s not too meaningful … until those end credits.
In fact, I think it’s maybe a little too light. I understand the need to break away from the cosmic gravitas of Avengers: Endgame, but Far From Home didn’t delve quite deeply enough into the ramifications of that movie.
I say “deeply” because, yes, Far From Home absolutely acknowledges Endgame and goes out of its way not only to catch us up on how those who disappeared are adapting to their return, but how the world is adapting to those who reappeared. The movie also centers itself around the death of Tony Stark. (We can talk about that now, right?)
However, all of these things are never deeply explored. Peter feels like he can’t live up to being Iron Man … and that’s what we get about that for most of the movie. We are not allowed a deep dive into Peter’s psyche regarding this loss. It’s all kept very surface-level. I literally felt the movie pushing forward, forward, forward at a harrowing pace.
I found this shallow treatment of such important events in Peter’s life troubling.
Furthermore, I really do not care for the depiction of Peter Parker’s personality in Far From Home. I kept track, and he apologized at least four times in a single scene. They’ve made Parker a little too apologetic, a little too full of doubt, and a little bit of a whiner. We’re not getting much of Spider-Man’s famous quips in Far From Home. The movie is funny, but Spider-Man is not. I think this is the fifth appearance of Spider-Man in the MCU … I believe his confidence should be growing by this point, not weakening. I have no doubt Spider-Man will eventually become the linchpin of the MCU. He’ll be the moral compass, the selfless hero, and the intellectual leader years down the road. However, he should be further along in that journey than what we see here.
Finally, the European setting just didn’t work for me. Maybe I’m too rigid, but I love my Spider-Man set squarely in New York City. Peter returns to NY at the end of the movie, and you could just feel the energy boost in the film when that happened. Something about his red and blue set against the NY skyline–it’s iconic.
On that note, I do admire the movie makers for taking such a risk. Putting Spider-Man in Europe was a bold move, and not an obvious one. They are trying to give us things we haven’t seen before, which I appreciate.
Speaking of which, I also appreciate the fact that they had the guts to put Mysterio in this movie. He’s one of my favorite Spider-Man villains in the comics, and they do him justice in Far From Home. I’ll be honest, I did not like Jake Gyllenhaal’s depiction of the character in the beginning. I think Gyllenhaal is a talented, multifaceted actor, so I felt shocked when I found his performance wooden, lifeless, and forced soon after his introduction. Trust me, that all changes pretty quickly. Give Mysterio time. They use a fantastic approach with him and I think Gyllenhaal nails it. Just like with Vulture, they don’t ignore his comic book roots, but they also add a modern day twist.
Consequently, the special effects are magnificent in Far From Home. There are some breathtaking scenes of Spider-Man jumping and swinging around, especially at the end of the film. And, because Mysterio is a master of illusion, they lean heavily into that area and deliver some very cool moments.
You also can’t deny the charisma of Tom Holland and his supporting cast. Zendaya is a star, Sam Jackson is always a blast, Jon Favreau is lovable even when he’s trying to act gruff, Marisa Tomei is a living legend, Jacob Batalon should be everyone’s best friend, and Tony Revolori somehow plays a jerk we all like.
Is this the best Spider-Man movie that I’ve ever seen? No, but it’s a fresh approach and tried hard to give us something different. I love that they are not going after the low-hanging fruit. It would have been so easy to use Green Goblin or Doctor Octopus again, to have them fight in NYC again, but they fought that urge. Spider-Man has such a vast array of villains–they should have no trouble finding foes for him if they are willing to go for it like they did with Vulture and Mysterio.
I will say this: after watching the end credits, I cannot wait for the next Spider-Man movie, and I am extremely excited for the next phase of the MCU. Both end credit scenes truly surprised me.
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