This final installment to the Y: The Last Man series left me both unsatisfied and disappointed.
Y: The Last Man started out as a fantastic series. It was a high concept with excellent characterization and an epic, fascinating plot.
But, as the series wore on, it lost steam. I assumed this was the lull before the storm; that Vaughan slowed things down a bit so he could hit us hard for the ultimate chapter.
Whys and Wherefores should have been monumental. Instead, it felt to this fan as though Vaughan simply went through the motions of getting all the plots tidied up and packed away. When Beth and Yorick reunited, a moment for which we’d literally waited years, it lacked any real emotional intensity. Agent 355’s final fate cheated both the character and her characterization. Alter’s motivation turned out to be a cliché. The only truly authentic scene involved Yorick and Ampersand, his pet monkey, both of whom are male.
Which leads me to an important distinction. Y: The Last Man, while initially very good, also originally focused mostly upon Yorick. As Vaughan spread out his cast of characters, most of whom are obviously women, the title lost some of its magic. I applaud Vaughan for undertaking such a mammoth challenge: any man attempting to write an entire series about how women would remake the earth without men is either supremely confident or a little crazy. But sadly, as the series wore on, his women felt less and less genuine and more like a male’s excuse for including lesbianism and girl-on-girl violence. In other words, they seemed to become objectified, which is the antithesis of how the series started. For the record, I would be supremely interested to hear a woman’s take on this series.
All in all, Y: The Last Man ended with a whimper. Its characters were swindled out of what should have been a majestic goodbye, and its readers were left without much to celebrate or commiserate. It simply read like an ending rather than a finale.