The graphic novel Greendale serves as a companion piece to the Neil Young album and movie of the same name. I was totally unfamiliar with both before reading the graphic novel, and, after a little bit of investigating, it seems you can enjoy the graphic novel with no knowledge of its sisters.
That being said, Greendale is an interesting book in many respects, and disappointing in others.
The story revolves around Sun Green, young woman who has inherited a mysterious connection to nature, as do all of the women in her family. Sun is experiencing visions that she doesn’t quite understand, and when a stranger comes to the small town of Greendale, those visions are forced to become a reality – for better or for worse.
Greendale is set in 2003 and is a politically-charged, socially-relevant commentary on ecology as well as our military actions from that year on. Joshua Dysart’s dialogue flows along nicely, and Cliff Chiang’s artwork is both pleasing to the eye and incredibly adept at conveying the characters’ moods, thoughts, and personalities. However, the real star of this book is the colorist, Dave Stewart. I read an advanced copy of Greendale that was mostly in black and white, but those few pages that were colored were astounding. I can’t wait to see the final product to see the rest of Stewart’s colors.
On the other hand, Greendale is a convoluted plot that never made total sense. There are far too many characters with similar names to keep track of, and, at times, I caught myself thinking, “What’s the point of this story?” Yes, there is a lot of social and political criticism, but there’s also an underlying story involving mysticism that never really rises to the surface in any meaningful and satisfactory way. I generally enjoy Vertigo’s offerings, but the plot of Greendale was a bit too heavy-handed and vague for my taste (which is a strange pairing).
The art is very pleasing, the coloring is fantastic, the dialogue isn’t bad, but the overall story failed to entice.