All the accolades celebrating this book are accurate – it is a very special work.
To briefly summarize, Trillium is a story that takes place in both 1921 and 3797. William Pike is a soldier trying to find himself again after the Great War, and Nika Tensmith is a scientist trying to use the plant called Trillium to develop a vaccine against a sentient virus that has eradicated humanity throughout the universe. Both are examining a temple, though time and space separates them. Through a cosmic convergence, they are united, torn apart, replaced, and united yet again all while trying to stave off the deadly approaching virus.
I’ve heard some call Trillium a love story, and that is as good a label as any, I suppose. But Trillium is so much more than that. Trillium certainly celebrates the “love at first sight” aspect of these characters, but it also renews our faith in the tenacious human spirit, our capability to stand together and overcome insurmountable obstacles, and our willingness to sacrifice for the good of others. It speaks to the beauty of bonding with one another, the despair of abandonment, and the desire to become something “more.”
This book truly moved me in all of the ways I’ve mentioned, but it also impressed me through a purely technical aspect. Trillium is, plainly stated, a perfectly constructed, paced, and executed book. The panels’ layouts are brilliant and the structure is astounding. Lemire plays with order and sequence in a fresh, innovative way that both challenges and delights the reader.
Furthermore, Lemire defies genre at every opportunity. It features trench warfare. It has futuristic vehicles. It offers Peruvian natives. It uses an alien species. It even tosses in a little steampunk at one point. The book consists of many elements, many different kinds of story, yet it all blends together to deliver a unique, provocative, engrossing tale.
Trillium really is unlike any other. Students of the medium will gain much from studying this work, and lovers of story will be utterly satisfied.