Netflix’s Jupiter’s Legacy – A Few Thoughts

If you take a look at Rotten Tomatoes, you’ll see that critics have quite a different take on Jupiter’s Legacy than does the audience. I’m here to tell you, in this case, the critics have it wrong.

I’ll admit, Netflix almost lost me on the first episode of Jupiter’s Legacy. It seemed a little too preoccupied with style, self-importance, and actors caught in waters too deep.

But then a funny thing happened.

Let me pause a moment and say that I enjoyed this comic book series several years ago. It was written by Mark Millar who is something of a Hollywood powerhouse in that Hollywood loves adapting his works into feature films. For example, Captain America: Civil War is based on a book by Millar. The Avengers largely borrowed from his real-world take on the Avengers called The Ultimates. Old Man Logan became the movie Logan. Wanted and Kick-Ass were also works by Millar. It just makes sense that Netflix would try to snatch up his original catalogue for screen adaptions beginning with Jupiter’s Legacy.

Okay, so I knew Netflix’s Jupiter’s Legacy would get better, and, in my humble opinion, it did.

For me, I had to adjust to the large cast of characters and invest in their personal relationships. The premise is that a closely connected super team, active since The Great Depression, are still alive and kicking, but now preparing to hand over the reigns to the next generation. Two of the most powerful young heroes happen to be the son and daughter of the two most iconic figures, and they both carry a lot of baggage as a result.

Though the original heroes now appear old and gray, there are many flashbacks to how they initially gained their powers, and that’s where the show really shines. The Great Depression era is a show-within-a show, and this aspect of the plot is where you really connect with the icons.

However, the younger generation also have their standouts, particularly the daughter. She wants nothing to do with being a hero, which results in her becoming more and more interesting as the series unfolds. There are also several younger characters who are introduced and then become more prominent as the series continues.

Josh Duhamel is the lead actor. He plays The Utopian. I’ve never thought of Duhamel as a particularly deep actor, but I have to say that as this series moved along, he really showed a lot of range. In fact, he very much changed my opinion of him as a performer. Watching both the young and old versions of his character proved fascinating. Additionally, I never realized Duhamel is so tall. He’s listed online as being six feet, four inches tall.

Furthermore, Matt Lanter amazed me with his performance as well. I only knew Lanter as the voice of Anakin Skywalker from the Star Wars cartoons. He and Duhamel, along with their friendship, made this show special. I honestly can’t quite figure out why Lanter hasn’t had more live-action roles. He seems made for Hollywood.

Ben Daniels was completely unknown to me, and he plays Duhamel’s brother, Walter. Their troubled relationship struck me as very true, and I daresay Daniels is the best actor on the show. Walter is incredibly complex, as you’ll see, yet Daniels plays him with both arrogance and vulnerability.

As I mentioned, the two iconic heroes have a daughter, who is named Chloe. Elena Kampouris plays Chloe. Though she is very unlikable at first, her character, after being given some room to breathe, becomes one of the stars of the show. There are big things in store for Chloe, and I think Kampouris is more than capable of handling the evolution.

Finally, Ian Quinlan plays Hutch, and I think he may be my favorite character on the whole show. Quinlan is slowly introduced and, at first, doesn’t seem all that important. He becomes important, though–very important. Best of all, he easily captured the charm of his comic book counterpart.

Jupiter’s Legacy is definitely slow to start and perhaps initially too heavy on the gravitas. However, the pacing moves faster and faster with each episode and the stakes get higher and higher. There are two major plot lines developing, which, to me, were quite engaging. One of those plots mostly wrapped up and opened the door for the next phase. The other plot ends on a cliffhanger which, truthfully, makes me very excited for the next season.

Though there are definitely similarities to characters from both Avengers and Justice League, Jupiter’s Legacy dives deeply into the interpersonal relationships of these characters and all the messiness embedded within. Most of the characters are either related to one another, friends of several decades, or former friends with bad schisms. Yes, the show does take itself too seriously at times, but the fact that it feels as though all bets are off, that anything can happen at any time, makes it a captivating experience. Of course, I have the advantage of having read the source material. If season one surprised you, just wait and see what happens next.

Though the critics may disagree, I highly recommend Netflix’s Jupiter’s Legacy.

Derry Girls – A Few Thoughts

A friend once recommended that I give Netflix’s Derry Girls a try and, frankly, it didn’t do much for me. I watched the first episode and didn’t get it.

However, we then saw several of the stars appear on The Great British Baking Show, and they were hilarious. I decided to try the show again and, this time, my wife wanted to see it, too.

I don’t know if I was in the wrong frame of mind the first time I watched Derry Girls or what, but I loved it on the second attempt. In fact, my wife and I powered through the first two, albeit very short, seasons and can’t wait for the third.

The show follows five close friends, four of whom are girls, as they tackle their teenage years during the Nineties. The fifth friend is a male cousin from London who is allowed to attend their all-girls Catholic school for the sake of his own safety. As you can imagine, he is the relentless butt of never-ending jokes. The girls are flawed, misguided, mostly well-intentioned, and more than a little self-centered. However, all of them are, in their own way, extremely lovable.

Amidst the bawdy humor, foul language, and ludicrous plots, Derry Girls subtly tackles the very real conflict occurring in Ireland during the 1990s. Sometimes it is more overt than others, but the potential for violence is always there, always lurking, always on the adults’ minds. It is a fascinating juxtaposition, and one that is handled very well.

Not that those adults are any less humorous than the girls, by the way. The featured family’s grandpa, father, and mother are an absolute roar (especially the grandpa).

If you’re looking for a short, hilarious, mostly breezy comedy to enjoy, I highly recommend Derry Girls. You can find it on Netflix.

(By the way, the Irish accents are thick, so you might want to enable closed captioning.)

Radioactive – A Movie Review

My wife and I tend to enjoy movies based on historical events. Though we’d honestly never heard of Radioactive, we both like Rosamund Pike and I generally find Amazon Originals to be high quality.

While we’re glad we watched Radioactive, we agreed that it probably isn’t for everyone.

First of all, as expected, it is well made with very good acting. The sets, the effects, the costumes–all were top notch. They also depicted Marie Curie as an actual human being with very real flaws. I always envisioned Curie as a stuffy old woman, so this dynamic presentation shook up my presumptions.

I also appreciated a very fast pace. In just under two hours, they managed to cover most of her adult life. Furthermore, they did their best to explain the process of her science–warts and all.

However, Radioactive took some surrealistic turns that might prove jarring for some viewers. It would also jump forward in time for a few moments in order to illustrate the ramifications of Curie’s work, which, while interesting, seemed largely unnecessary.

Finally, I can’t help but sense that the film may have taken some liberties in the interest of creating drama. After watching the movie, you can do a quick Google search to see how much of it was sensationalized. Surprisingly, Curie actually was somewhat scandalous in her own time.

There’s no denying, though, the hugely important scientific contributions Curie made to the world and the film does an excellent job at conveying that fact. It also makes a point to accurately depict Curie having to work far harder at obtaining the basic resources her male counterparts easily received. Some things never change, I guess.

Radioactive will surely make you look at Curie in a different light, but that’s not a bad thing. Like I said, it looks great, is very well acted, generally maintains historical accuracy, and even takes a few experimental risks to keep you on your toes. If movies based on history are your thing, Radioactive will surely entertain.

(Note: For teachers thinking about showing this film in classrooms, be aware that there is brief nudity and suggestive moments between Curie and her husband. I would encourage you to view the movie beforehand to determine your comfort level.)

Broadchurch – A Few Thoughts

My in-laws recommended that my wife and I watch Broadchurch–we’re glad they did!

Originally a British mystery series, Broadchurch is a fictional seaside town where two detectives, Hardy and Miller, must solve three brutal mysteries over the course of three seasons.

David Tennant plays Hardy, a troubled detective who has moved to Broadchurch out of necessity. Olivia Colman plays Miller, a local detective who knows every nook and everyone in the small town. If that seems like an incredible pair of actors, you’re right. There is no doubt that they are the reason Broadchurch shines so bright.

The first season centers upon the murder of a child. There are eight episodes and they do a masterful job of finding a way to make many, many people possibly guilty of the crime. Jodie Whittaker brilliantly plays the child’s mother. I now understand why so many people were excited when she was cast as the new Doctor Who. Arthur Darvill, also a Doctor Who alum, plays a local priest who works hard to offer comfort to everyone involved. (I think the entire cast appeared in Doctor Who at some point in their lives. Must be a British thing.) Again, the actors in this series are excellent. The first season’s conclusion truly surprised us when they revealed the murderer.

The second season builds upon the first while introducing a new story line. It can’t quite match the novelty of the first season, but it does flesh out the first season as it also explores the very crime that sent Hardy to Broadchurch. The second season, in my opinion, is the best in terms of acting, story, and pacing.

The third season is largely disconnected from the first two with lots of new townspeople coming into focus. While I liked it well enough, it just didn’t compare to the first two seasons in terms of plot cohesion or pacing. I also didn’t care for some of the directions they took with established characters. However, Tennant and Colman are a FORCE in the third season. They are mesmerizing together with each also having a firm hold on their respective characters. Seeing them act so well more than made up for any of the third season’s shortcomings.

If you’re looking for a quick mystery series to watch, I absolutely recommend Broadchurch. It deals with very heavy plot points that can be frankly quite depressing, but the acting and the very (mostly) tight storytelling make for a thrilling experience. You can currently find Broadchurch on Netflix.

WandaVision – My First Impression

The long wait is over and the MCU streaming shows have finally arrived at Disney Plus!

First up? WandaVision.

Personally, the wait was well worth it. I don’t know what I expected from WandaVision, but it certainly exceeded whatever I had in mind.

I’d like to initially say that the show is most delightful because it displays what we’ve all suspected to be true–Elizabeth Olsen and Paul Bettany have great chemistry together. We were made to believe that these two were in love during the MCU movies, and while they did their best to convey that storyline, it simply proved too hard to deliver what with all the stones and purple aliens and things blowing up.

But now we get to see them–just them–and they are a ton of fun.

I’m also pleasantly surprised by Elizabeth Olsen. I don’t think I’ve seen her in anything other than the Marvel movies. Frankly, they didn’t give her much to work with while playing Wanda Maximoff. She often felt shoehorned in. And though she always had some cool action scenes, I never saw her being much else than angry, sad, or mopey. With WandaVision, we get to see a very full range from Olsen. Her voice, her body language, her eyes–she’s using them all to let us know what Wanda is feeling. Best of all? Olsen’s funny!

The premise of WandaVision … I don’t really know how to explain it nor do I really know much to explain. They are living within the realm of sitcoms. The first two episodes are in black and white with all the sitcom tropes and clichés you experienced during Leave It To Beaver, I Dream Of Jeannie, and I Love Lucy. They’ve got a full cast of delightful characters, especially Kathryn Hahn, and the first two episodes center around Vision’s boss coming to dinner and then a neighborhood talent show.

Yes, you read that right.

Yet, amidst these familiar events, there are moments of real foreboding, discomfort, and even suspense. WandaVision slips into something more like The Twilight Zone, but only for seconds at a time.

For me, the real joy of WandaVision is that I have no idea what’s going on, I have no idea what to expect, and I have no idea where they derived their plot. With most of the MCU movies there is a comic book somewhere out there that laid the groundwork. This feels totally original.

The tone is perfect, the acting is a blast, the story is unpredictable, and the show is just plain fun. I never had any doubts, but if WandaVision is any indication, the MCU has flawlessly transitioned to the small screen. Furthermore, they’ve already proven that they have no fear. These MCU shows will be given room to breathe, and these shows will break the mold previously set by the MCU.

Black Beauty (2020) – A Movie Review

Did you know Black Beauty is based on a book written by Anna Sewell and published in 1877? I sure didn’t.

I remember watching a Black Beauty movie as a kid in the early 1980s. Though I don’t remember much about it, I still have fond feelings for it even to this day.

When I discovered that Disney Plus released an adaptation of the title, I couldn’t wait to watch it with my own kids.

I’m very pleased to share with you that I think Black Beauty (2020) is a wonderful family film. It is exciting, pleasing to the eye, emotional, fast-paced, and imparts several important lessons.

I’ll admit that it gets a little sappy from time to time and that it pushes the boundaries of logic when it comes to plot, but, like I said, it’s got a great message and proved entertaining for the whole family.

If you have Disney Plus and would like to watch something as a family, you could do a lot worse than Black Beauty.

Jingle Jangle: A Christmas Journey – A Movie Review

If you’re looking for a movie to watch as a whole family, I completely recommend Jingle Jangle: A Christmas Journey, available to stream on Netflix.

Full of stars with excellent singing and dancing, Jingle Jangle: A Christmas Journey is also funny, wholesome, entertaining, and full of surprisingly good special effects.

I don’t want to disparage Netflix, but I wasn’t expecting the quality evident in Jingle Jangle: A Christmas Journey. Don Juan Diego, played by Ricky Martin, is a metallic puppet that looked so grounded in reality that I found myself mesmerized–he quickly became my favorite character! Furthermore, a robot eventually appears that is also thoroughly realistic. The sets are extraordinary as the tale unfolds in some sort of a steampunk alternate world where technology is both amazingly complex but also archaic. The costumes are intricate and beautiful to behold. This movie is honestly a pleasure to view.

But the songs and the dancing, for me, are the real draw. I guess that shouldn’t come as a surprise, though, because John Legend played a role in writing the music. Plus, who knew Forest Whitaker could sing? I’ve been watching this man since Platoon and I had no idea. And, of course, Keegan-Michael Key played a bad guy who’s still pretty darn likable and not all that terribly bad. (If you ever want to go on a deep dive with me, I think Key’s character was simply the victim of mistreatment by Whitaker’s character that led him to his villainous ways.) The entire cast is really a delight.

The story is a little scattershot and takes a few detours, but it all ends up making sense and works. Again, for a Netflix movie, it proved unexpectedly coherent.

So if you need a good movie to watch this weekend with the family, give this one a shot. I think everyone will enjoy it.

Lovecraft Country – A Few Thoughts

Lovecraft Country started out as a brilliant genre mashup of horror, sci-fi, fantasy, history, and social commentary. The first episode thoroughly impressed me because it mixed fantasy horror with real life horror quite effectively. 

The second episode seemed to be a strange break from the first, and each subsequent episode always felt a little disjointed from the series as a whole. There were so many zigs and so many zags that I couldn’t synthesize the overall plot. 

In the end, these inconsistent storylines proved too much for me to say that I enjoyed the series. 

However, Lovecraft Country’s secret weapons are the cast. In the end, I’ll watch anything with Jonathan Majors and Jurnee Smollett in starring roles. These two were fantastic. Furthermore, the show just looked good. The costumes, the sets, the props, the cars–everything was topnotch. 

And, though we only got to see them in one episode, Topsy and Bopsy proved to be the breakout superstars of Lovecraft Country. These charismatic fiends are the stuff of nightmares, yet I can’t wait to see them again. 

I appreciate everything Lovecraft Country set out to do. It tackled social issues, historical tragedies, racism, sexism, abuse, and many other important things, all while telling a story based within the worlds of magic and horror. 

In the end, though, it simply couldn’t tell a streamlined, coherent story that stretched across all ten episodes. No matter how great the acting, how beautiful the sets and costumes, and how noble the intent, the writing has got to be the best aspect of any show. 

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The Third Day – A Few Thoughts

I wanted to like The Third Day–I really did. I stuck it out. All six hours. Kept hoping it would get better.

It didn’t.

The Third Day had so much going for it. Beautifully shot. Excellent locations. Charismatic acting. An interesting concept. It’s just … it didn’t make any sense to me at all.

The Third Day jumped around so much that the plot became a muddled mess. The characters made such irrational, ludicrous decisions that I simply couldn’t suspend my disbelief. The show contradicted itself at every turn.

But … the actors! The actors were so good! Naomie Harris, Jude Law, Emily Watson, Paddy Considine, Katherine Waterson–these are quality actors doing quality work!

It just didn’t work.

As much as I want to, I simply can’t recommend The Third Day.

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The Haunting Of Bly Manor – A Few Thoughts

I enjoyed The Haunting Of Hill House, but I love its successor, The Haunting Of Bly Manor

The Haunting Of Bly Manor follows the story of Dani Clayton, an American tasked with caring for two young orphans in the massive estate known as Bly Manor. She is joined by Jamie the gardener, Mrs. Grose the housekeeper, and Owen the chef. Together they form a sort of surrogate family for Flora and Miles, the orphans. Soon enough, however, we learn that Bly Manor has some very dark secrets, and that history can literally come back to haunt you.

I found The Haunting Of Bly Manor to be very well crafted. The pacing struck me as nearly perfect, which is unusual for a Netflix show, and they stuck the landing exceptionally well with the final episode, which, again, is rare for Netflix. 

There are some jump scares in The Haunting Of Bly Manor, to be sure, as well as a general tone of creepiness, but I’m not sure I would define the show as “scary.” Yes, it’s a ghost story–no doubt–but I’m not convinced it’s a “scary” story.

In fact, I think you would be hard pressed to find a more likable group of characters than Dany, Jamie, Mrs. Grose, and Owen. These four characters are the heart and soul of the show, and the actors are a pleasure to watch. I considered them my friends by the end of the series, which doesn’t happen to me very often.

The Haunting Of Bly Manor plays with time, structure, and perspective quite a bit, but this serves to strengthen the overall story. Sometimes these narrative breaks are simply to elongate a series, to stretch it out, but I can reassure you that every episode is vital.

I only have one complaint about the show–just the one–and it involves a personal haunting that Dany is suffering early on in the series. Unless I missed it, I’m not quite sure that subplot ever got resolved.

I completely recommend The Haunting Of Bly Manor. I looked forward to every episode. I think it could be appropriate for the family if you have older kids. There’s no nudity, very little bad language, and while there are jump scares, there’s not much gory violence to speak of.

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