Night Of the Mannequins by Stephen Graham Jones – A Book Review

While visiting the Normal Public Library, this cover and title jumped out at me as it resided in the “new” section. I read the back cover copy, became intrigued, and promptly checked it out. Plus, I had this feeling that I knew the author from somewhere.

Once I got the book home and started reading it, I realized that I enjoyed another work by Stephen Graham Jones called Mapping the Interior.

Night Of the Mannequins proved … interesting. The back cover led me to believe it would be a literal monster story–a story about mannequins coming to life. Instead the book presents a young man seemingly suffering from a psychosis of some sort who wants us to believe that he believes a killer mannequin is on the loose. His strategy for delaying the murder of many innocent people? Kill the mannequin’s primary targets instead so that the mannequin won’t commit any collateral damage. Those primary targets happen be the narrator’s closest friends.

It’s a strange story, to be sure. Part of me wanted to read it as a simple serial killer tale. Another part of me wanted to interpret it as a satire poking fun at modern day film. Yet another part of me felt it could be a story sympathizing with those who completely break from reality. Maybe it’s all of the above? Maybe it’s none of the above?

At just 130 pages, I didn’t mind going along for the ride. I personally didn’t particularly enjoy the book nor would I recommend it, but I’m sure there’s an audience out there for it. That’s the beautiful thing about books–there’s a reader for each and every one of them.

Mapping the Interior by Stephen Gram Jones – A Book Review

Most of my recent reads come from a list of recommendations by Literary Hub’s “The 50 Best Contemporary Novels Under 200 Pages.” Mapping the Interior is from among those many wonderful books.

Written by Stephen Graham Jones, Mapping the Interior is a concise 107 pages. It’s told from the perspective of a Native American boy nearing his teens. His mother moved he and his little brother–who seems to have some health challenges–off of their reservation and into a lackluster trailer. The boy reveals his father died some time ago, so no one is more surprised than he when that very same father appears in their home. Their real father is dead and buried, though. This is something … different.

For such a slim book, Mapping the Interior dives into some rather poignant issues such as poverty, racism, violence, alcoholism, bullying, brotherly love, motherly love, disabled family members, and absentee fathers. Running throughout all of these themes, however, is a sense of dread as a monster seems to persistently lurk.

At times surreal, Mapping the Interior plays with the reader a bit as it teases fantasy while dealing very much in reality. Those two genres eventually merge and it becomes difficult to separate fact versus fiction as our narrator may or may not be totally reliable. There were several moments in the book when I had to read a paragraph over to be certain I read it correctly, but this wasn’t a bad thing. Mapping the Interior demands your engagement.

My only criticism of the book pertains to the ending. It managed a consistent, fast-moving pace until the very end, when the pace suddenly hit lightspeed. I understand the point Jones wanted to make about fathers and sons, but the last ten pages of the book were frustratingly rushed. In all honestly, the last ten pages should have been given another hundred pages if not an entire follow-up book.

If you like thoughtful, brief works that aren’t afraid to dabble in horror, I highly recommend Mapping the Interior.