Doctor Aphra: Remastered (Volume 3) – A Book Review

I still maintain that Doctor Aphra is one of the greatest additions to the Star Wars mythology in recent years, but this volume confirms my fear about the character–she cannot solely carry her own title.

This installment tries to spice things up a bit by making Doctor Aphra beholden to Triple-Zero, the murderous entity in the guise of a protocol droid.  Triple-Zero sends Aphra on a series of missions in which she must lead a group of mercenaries.  There are some interesting asides as Aphra develops a relationship with Magna Tolvan, the Imperial Officer.  Hera Syndulla also makes a substantial appearance, which was super cool to see.  But in the end, much of it felt forced to me.

The problem is that Doctor Aphra works best as a foil to, well, everyone else.  I love it when she pops into a scene, plays havoc with everyone and everything, and then leaves.  She has the luxury of being an agent of chaos.  She is naughty, hilarious, greedy, and lovable.  But in a title featuring her, she doesn’t have that advantage.  She has to carry every episode from month to month.  The writers seem obligated to reveal every little detail about her, and this is diluting the character.

In my opinion, Doctor Aphra has lost her “hook.”  She had it when she appeared in Darth Vader.  We knew just enough about her and what she was about and we (obviously) loved her.  Unfortunately, we loved her so much that they kept giving us more in the form of her own book.

I don’t know exactly how they can fix this issue, and I fully confess that this may be my issue alone.  Perhaps everyone else is loving the direction of the book and character.  I think I would like to see the book function as an ongoing gag on how Aphra swindles everyone she meets, but we never get the stories from her perspective.  Each arc would be narrated by her victims.  That would afford her the ability to maintain her mystique and “devil-may-care” persona.  It would take a great deal of creativity to constantly come up with stories where Aphra outsmarts everyone while revealing virtually nothing about herself, but I think that would maximize her potential.

Doctor Aphra does have a great deal of potential, by the way.  Clearly, she has connected with fandom.  I’m concerned that she’s being overexposed, though, and that we’re learning too much about her too quickly.  I adore this character and don’t want her to fade out of everyone’s interest.

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(Did you enjoy this review?  Check out Scott William Foley’s latest book HERE!)

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Boxers by Gene Luen Yang – A Book Review

After teaching American Born Chinese for several years, I finally decided my (then) nine-year-old could handle it last fall.  She loved it, so when Gene Luen Yang came to our local library, we had to pay him a visit.  Unbelievably, we got there before anyone else and snagged a front row seat.  Mr. Yang was already there and held a wonderful conversation with my daughter.  He is truly an incredibly nice man and obviously a father of young children.

Because he made such a great impression on her, my daughter wanted to read everything by Gene Luen Yang.  She enjoyed Secret Coders, so I next grabbed her both Boxers and Saints as well.  Admittedly, I didn’t know much about either book.

She read them and made a few comments about them being a little bloody, then asked me to read them, too.  How could I say no?  I’m a fan of the author as well.

My daughter was right–these are bloody, violent books!  However, they are also very, very good.

Boxers takes place between 1894 and 1900.  Historically speaking, it deals with the Chinese uprising against Western invaders as well as Christian missionaries.  This all actually happened.

Yang focuses on Bao, a young man whose family, friends, and village has suffered at the hands of foreign influences and even Christians.  They are marginalized, bullied, and even killed for not conforming to outside forces.  Bao loves Chinese opera, specifically the many gods and goddesses featured therein.  As you know from American Born Chinese, Yang is particularly talented at infusing Chinese mythology into his stories.  Of course, in the case of Bao, these are not myths.  These gods and goddesses are reality, and he is soon able to harness their power.  He teaches others to harness their power as well, and this is the foundation of their strength against the bigger, better armed invaders that they confront.

The book culminates in the city of Peking.  There Bao must make his most difficult of decisions and face his ultimate challenge.

Boxers is a violent, complex book.  While I don’t regret letting my (then) nine-year-old read it, I should have done a little research and provided a bit more guidance as she devoured it.  It presents the very ugly, brutal side of colonialism and even Christian evangelism.  However, it also brilliantly depicts Bao compromising his “gut” feelings of right and wrong versus what he thinks is best for his nation.  Bao kills innocent Christian women and children in this book, but from his perspective, they are not innocent.  They are foreign devils trying to destroy his culture and people.

Yang himself is a Christian, so please don’t get on his case about this.  He’s depicting a character rooted in historical events and using him to explore obvious complexities that actually occurred.  The Chinese who did not conform were beaten and killed mercilessly.  The Boxers did the same to their adversaries.

Rest assured, Yang does not deal with any of this lightly.  He clearly put a lot of thought into how he wanted to execute this story.  I found it thoughtful, tasteful, and fair in relation to historical precedent.

I will admit, though, because of Yang’s drawing style, the violence jarred me.  This would have been a very different book by any other artist.  While there is blood, head shots, beatings, and even mass murder, Yang doesn’t make any of it gratuitous.  At the same time, though, he also doesn’t shy away from what’s happening.  At one point, Bao decides to burn a church with Christians inside of it.  Yang doesn’t soften this horrific event, but he also doesn’t sensationalize it.

As you can tell, Boxers deeply resonated with me.  I completely recommend it.  I do think it’s okay for children, but I would urge you to guide them through it (unlike what I did).  There is much to be learned from the book, to be sure.

I’ll review Boxers‘ accompanying title, Saints, soon!

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(Did you enjoy this review?  Check out Scott William Foley’s latest book HERE!)

Codename Villanelle by Luke Jennings – A Book Review

You may remember that my wife and I very much enjoyed Killing Eve, which aired on BBC America.  As is my habit, I had to go check out the source material, which turned out to be a novel entitled Codename Villanelle.

Written by Luke Jennings, this fast-paced, brisk thriller served as the basis for the television show.  However, as you read the book, you’ll notice the show greatly enriched virtually every character.

Villanelle is still present–obviously.  So is Eve.  Konstantin and Niko, too.  Several other characters were adapted into new characters for the show, or outright jettisoned.

The show also used the same general plot.  Villanelle is an international assassin who comes from less than nothing.  Konstantin is her handler.  Eve is a UK agent obsessed with apprehending Villanelle.  Niko is still her husband.  However, Jennings keeps them fairly bare-bones.  Yes, he introduces some of their little idiosyncrasies.  Eve is still something of a social train-wreck.  Villanelle is still a sociopath.  Niko is still incredibly patient and helpful.  But, we seem to just skim the surface of these interesting attributes.  None of them have the charm nor the depth of their televised counterparts.

The novel is very plot driven.  Jennings is incredibly specific with locations, weaponry, procedures, and technology.  There is ample action that moves at a whiplash pace, but, again, the characters are somewhat flat.

I have to wonder if I’m being unfair to the book.  Killing Eve is clearly such a special show, is it unfair to judge the source material too harshly in this case?  Could Killing Eve’s charming, odd, wonderful characters have existed without Jennings groundwork?

Honestly, I don’t think I’m being unfair.  The book was an entertaining read, but it didn’t strike me as monumental.  Without the show, I don’t think it would have made much of an impression on me.  Keep in mind, though, I don’t read much suspense or espionage spy stories.

Frankly, there were times when I thought the book was a little sexually gratuitous.  Jennings makes a point to depict Villanelle as a sexual predator.  He absolutely objectifies her and her prey.  It largely felt unnecessary to me, because it is–again–dealt with at a very shallow level that makes it seem like it’s there only to shock the reader.

If you like quick reads full of detail, action, violence, and suspense, this is the book for you.

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(Did you enjoy this review?  Check out Scott William Foley’s latest book HERE!)

Dr. Nekros: Book Two Is Live and Available On the Kindle and Nook!

In this second book of the Dr. Nekros trilogy, you will learn the fate of Zetta Southerland, the origin of the demon Xaphan, how the Packard came to be haunted, and witness yet another confrontation between Dr. Nekros and the evil beings working to destroy every aspect of his life. Dr. Nekros: Book Two delivers nonstop action, fascinating characters, and an intricate plot that will leave you stunned.

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Dr Nekros Book Two Cover

The Beach by Alex Garland – A Book Review

Yes, it’s true, I’m reviewing a book that’s been on the market for over twenty years.  The truth is, I’ve grown to greatly appreciate Garland’s film directing and wanted to check out his written work.

The Beach, which you may remember was a film released back in 2000 which starred Leonardo DiCaprio, was based upon the book published just four years prior.

It features Richard, a young man who suffers from a seemingly permanent case of wanderlust.  He is constantly searching for the perfect destination–a place untouched by tourism, commercialism, or average people, really.  While in Bangkok, he happens across a man who gives him a map to just such a place.

The man cannot travel with Richard, and I won’t tell you why, but Richard does manage to befriend a French man and woman–a couple–to join him.  None are sure the map is real, but they chance it anyway.  After a courageous swim through the ocean itself … they find the beach.

The beach seems idyllic in the beginning.  There is a small group of people living in tandem with one another–all vested in the same interests.  Life is very good … until ill-timed tragedies strike.  The group could handle these adversities well, or they could … fall apart.  I’m sure can guess which occurs.

The Beach is a well-written book.  At almost 450 pages, it’s a long read, but it’s also a relatively fast one.  I would not describe it as a page-turner, but Richard’s psyche is particularly interesting and it’s fascinating to witness his development throughout the story.

The tale itself is rather complicated.  On one hand, the beach dwellers are in love with nature, independence, and a simple life.  They are perfectly happy to pull their weight, support one another, and waste the days away in paradise.  On the other hand, a certain selfishness resides in each of them, as does a touch of irresponsibility.  The beach is a total secret, one worth killing for, and everyone there has decided to turn their backs on their previous lives in order to enjoy their Eden.  It takes a bit of a misguided person to go to such an extreme, wouldn’t you say?

Garland executes perfect pacing in establishing Richard, logically delivering him to the beach, allowing us to see the beauty of the island, but then also in dissecting each character as catastrophe unfolds.

After all, when you think about it, if each one of these individuals was willing to turn their backs to their own flesh and blood, how much can they really depend upon one another when things go bad?

Some have compared it to Lord Of the Flies as well as Heart Of Darkness, and these are certainly appropriate comparisons.  I personally don’t feel it achieved that level of mastery, but it’s a solid read well worth your time.

As I said, Garland was a very good writer back then and has only gotten better.  His characters in The Beach are interesting from start to finish.  The story itself, while enjoyable, felt awfully derivative of the classics mentioned already.  I have to wonder if I’d feel differently had I read it back in 1996.

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(Did you enjoy this review?  Check out Scott William Foley’s latest book HERE!)