Triple Frontier – A Movie Review

Triple Frontier is an action-packed film that kept me both anxious and very entertained.

The premise is that Oscar Isaac’s character is working as a security contractor who trains foreign armies and police.  He’s been after a particular drug lord for quite a while, but can never quite pin him down.  Ben Affleck, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal play men who once belonged to Isaac’s unit, a band of brothers.  They are all retired from the military, and they are all down on their luck with little to show for their service.

Isaac’s character propositions them to help  him take down this drug lord by amassing intelligence regarding his stronghold.  They can each make a large sum of money doing so.  What is initially supposed to be a simple recon mission turns into a flat-out burglary.  From there, the unit must try to escape the drug lord’s men through the jungles of Columbia, through Peru, and over the Andes Mountains while carrying very, very large amounts of cash.

While Triple Frontier kept me on the edge of my seat throughout due to action and an ever-present danger, I also thought it said something provocative about soldiers who give everything to their country with nothing to show for it.  Who can blame these warriors for taking desperate actions to try to help their families, their friends, and even themselves?  The ethical dilemmas presented in this movie will make quite an impact, I assure you.

Furthermore, I found the locations beautiful and lush.  Most of the film was shot in Hawaii and Colombia, so these jungles and mountains are authentic.  The scope of the film is magnificent with some truly breathtaking scenes.

Best of all, though, was the cast.  I actually felt like these men had a bond between them.  Affleck, Hedlund, and Hunnam were fine, but Pascal and Isaac were the heart and soul of this movie.  Oscar Isaac gets better with every movie I see him in, and Triple Frontier is no exception.

Though very violent and laden with profanities, Triple Frontier kept me engaged and entertained from start to finish.  If you’re looking for an action movie with some authentic emotional beats, this one won’t disappoint.

triplefrontier.jpg

(Did you enjoy this article?  Check out Scott William Foley’s Dr. Nekros e-book series HERE

Advertisements

Velvet Buzzsaw – A Movie Review

If you’re looking for a gloriously weird movie that’s a little funny, a little scary, a little tongue-in-cheek, and a little masterful, check out the Netflix original film called Velvet Buzzsaw.

Jake Gyllenhaal plays Morf Vandewalt, a prestigious art critic with the world at his feet.  He’s in love with Josephina, played by Zawe Ashton.  Josephina is trying to climb her way to the top of the art gallery industry as she works for Rene Russo’s Rhodora Haze.  Yes, these names are fantastic.

After her neighbor dies, Josephina discovers that the deceased had an apartment full of original art.  Morf declares the man a modern day master and urges Josephina to sell it through Haze’s gallery.

Soon, though, strange things begin to happen involving the departed’s art, and that’s when the scares begin.

Velvet Buzzsaw is a whole lot of things, but it’s also never just one thing.  Well, it is one thing — entertaining.  I have to be honest, this movie kept me engaged from start to finish.  It’s so strange that it’s flat-out unpredictable.  Is it good?  I thought so, but I wouldn’t dare to argue with someone who told me they didn’t like it.  You certainly have to be in the right mood for Velvet Buzzsaw.  It’s definitely one of the more unique films that I’ve seen of late.

I will say this though, Jake Gyllenhaal absolutely disappeared in his role as Morf Vadewalt.  His performance alone made this film worth watching.  With incessant fidgeting, a biting sense of humor, an impeccably odd sense of fashion, and a mesmerizing speech cadence, Morf leaped off the screen.  Though there’s no hero in this movie, Morf is as close as we get (which is not very close).

I also loved seeing Rene Russo again.  Her character, Rhodora Haze, once belonged to a punk rock band called–you guessed it–Velvet Buzzsaw.  Russo got to really strut her stuff playing an entirely unlikable, manipulative, evil businesswoman who gets a thrill in taking no prisoners.

By the way, there are also very fun performances in this movie from John Malkovich, Toni Collette, Daveed Diggs, and Natalia Dryer (from Stranger Things).

In the end, Velvet Buzzsaw seems to exist in a world that has existed for quite some time.  The characters all have history with one another, and other than some fleeting references, the movie is not overly concerned with catching you up.  Nor is the film terribly worried about explaining what the hell is going on.  Once the art starts killing people, it doesn’t follow any particular rules or adhere to any specific logic.  If you buy the dead artist’s work, sell his work, look at his work, or even find yourself near his work … your life is in grave danger.  Heck, sometime’s it’s not even his art that gets in on the act.   (Did anyone else love Hoboman?  He’s the real star of this movie.)

If you’re looking for some inimitable performances, a wondrously quirky plot, and a bizarrely good time, I totally recommend Velvet Buzzsaw.  It’s got to be the best of what it is … I’m just still not sure what it is.

velvetbuzzsaw.jpg

(Did you enjoy this article?  Check out Scott William Foley’s Dr. Nekros e-book series HERE

You Should Enroll In The Umbrella Academy

If you’re looking for a new show to binge, I highly recommend Netflix’s The Umbrella Academy.  I just finished it last night and it’s one of the only series that I’ve ever watched that made me think to myself, “I can’t wait to watch this whole thing again.”

There’s something absolutely delightful about this show that makes it a blast to experience.  I’ll share with you just a few of the things that I appreciated most.

If you’re unfamiliar with The Umbrella Academy, I describe it as The X-Men meets Stranger Things.  An aristocratic stick-in-the-mud named Sir Reginald Hargreeves takes it upon himself to collect seven babies born under mysterious circumstances throughout the world.  He trains them from birth to fight evil and deter an impending apocalypse.  He counts on his android nanny and sentient, well-dressed primate to assist him.  His Umbrella Academy is cold, rigid, and unforgiving.

The show begins with the adult members of the Umbrella Academy returning home due to Hargreeves’ death.  It’s the first time they’ve been together in years.  It becomes very apparent, very quickly, that all of these former child super heroes are damaged goods.

However, this isn’t the melodrama of The X-Men.  This show is actually fun.  In fact, while it’s never laugh-out-loud hilarious, it is consistently amusing to the point you are on the verge of laughing.  The light touch even among serious happenings is why I compare it to Stranger Things.

Consequently, and perhaps surprisingly, The Umbrella Academy is just as much about its characters as it is about the unavoidable apocalypse.  Every single member of the Academy is given a backstory and a concrete personality that is easy to love.  The show randomly slips in and out of characters’ pasts, which makes it unpredictable and captivating.  Furthermore, every aside, every detour, contributes to the overall story line.  This is a tight plot with well-developed characters.

I adore the fact that they took the execution of this show so seriously because they easily could have shortchanged the plot and allowed the visuals to take center stage.  Because, wow, this show looks amazing.  The production quality is out of this world.  I felt like I’d actually entered another world.  For example, Pogo, the gentleman primate, seems to be just as solid as the actual human beings in the scenes with him.  Astounding.  The special effects are Netflix-money good.

Speaking of production quality, some Netflix shows have had a bit of trouble with pacing.  I’m specifically talking about the Marvel programs and even the recent seasons of Orange Is the New Black.  Granted, we’re only in The Umbrella Academy’s first season, but the pace never let up.  This show knows it’s competing with your cell phone, and it dares you to look away.

Even amidst the crazy action, the huge explosions, the wonky time travel, and the intense fight scenes, I liked this show best because I loved the characters.  In their own unique way, each and every one of them is charming with a great deal of charisma.  I challenge you to pick one overall favorite.  For me, it changed from episode to episode.

So what are you waiting for?  Get enrolled in The Umbrella Academy tonight!

umbrella academy

(Did you enjoy this article?  Check out Scott William Foley’s Dr. Nekros e-book series HERE)

Don’t Quit On Daredevil: Season 3

ScreenRant.com is saying that a lot of people gave up on Daredevil: Season 3.  If you’re one of those viewers, give it another try.  I finished this latest season about a week ago, and I have to tell you that after reflecting on it, I think this season is my favorite of all the Netflix Marvel shows.

First of all, the smartest of all the Marvel shows got even smarter.  Everyone in this series has actual motivation.  The plot unfolds organically and without any abrupt shifts in direction or tone.  Almost everything in this season actually makes sense.  One event leads to the next, which leads to the next, which leads to the next.

Consequently, the pacing is what actually makes this season my favorite.  The Netflix Marvel shows have had disastrous pacing issues–particularly in regards to Luke Cage and Iron FistDaredevil: Season 3 moves at a quick pace, and the story keeps developing from episode to episode to episode.  Other Marvel series have felt like three or four different story arcs within a single season.  Oftentimes they have an out-of-the-blue event occur around episode 7 or 8 that changes everything.  Not so with this one.  In fact, it’s the first time I didn’t tell myself (regarding a Netflix Marvel show) that thirteen episodes was too long.  I wanted more!

I groaned a bit when I heard Bullseye would be the villain of this season because he’s about as cliched a villain as you can get.  Fortunately, they grew “Dex” Poindexter into an antagonist only as the show progressed.  Getting him to that point was a slow burn.  Best of all, they never actually called him “Bullseye.”  Dex got more and more interesting as the show moved along in large part due to his mental torment.  I won’t spoil it for you, but they were quite creative in displaying this anguish.  Poindexter does awful things in this season, yet he is not entirely unlikable.  You can’t help but empathize with his plight a bit, especially because he can turn on the charm when he wants to.  I felt his frustration at being a hero when his talent for killing was done on behalf of the government, yet, when not working on behalf of his country, he was deemed a criminal.

Of course, I love Vincent D’Onofrio as Wilson Fisk.  He, too, while certainly a villain, is a complicated man who is actually worthy of sympathy from time to time.  D’Onofrio plays him with such repression–it’s something to behold.  I love that Fisk is constantly flexing his fingers or working his hands.  He always seems as though he’s just barely constraining himself.  I’ve heard some say that D’Onofrio plays him too over the top, but I think it’s perfect.  Fisks merciless intellect always makes him a formidable opponent.

Jay Ali proved a welcome addition to the cast.  He played FBI agent Ray Nadeem.  Nadeem found himself at the center of everything in this season, and suffered as a result.  Ali delivered an average man just trying to do the right thing, and he showed us just how convoluted the “right thing” can be.  Nadeem provided a necessary emotional tether to the season that helped me to invest in the entire story as a whole.

Charlie Cox, though, is what makes this season something special.  This man is the perfect embodiment of Matt Murdock.  I think leaving the costume behind, having Murdock go back to the black shirt and pants really brought this series back to it’s street-level grittiness.  Murdock’s crisis of conscience, his battle with this faith, and his obsession with Fisk drove this season forward.  Cox benefited from getting to be the star of the show again.  He didn’t have to compete with an Electra or a Punisher taking up his screen time.  He didn’t have a gang of mystical ninjas to defeat.  He just had to outsmart Wilson Fisk, which is awfully hard to do, especially when you’ve got a man throwing items in your direction at terminal velocity.  The simplicity of this intricate plot made this season very entertaining.  It never got too big, but it never felt small, either.

Is this season perfect?  No, it’s not.  I think they don’t quite know what to do with Foggy Nelson, and I personally believe that Elden Henson is playing him more and more as a type rather than as a person.  Deborah Ann Woll, conversely, has gotten better and better as Karen Page.  The only misstep they had with her character involved an entire episode devoted to her background which was completely unneeded.  I’m also not a fan of a hero fighting an evil version of himself or herself.  If you’ve seen the trailers, you know that Dex himself dons the Daredevil costume.  They have a good reason for it that serves the story very well, but it’s still a pet peeve of mine.  I guess I should be glad they didn’t put him in the comic book version of the Bullseye costume.

As always, the fight scenes were incredible.  These feel like real brawls–everyone looks exhausted by the end of them.  There’s a prison fight and a fight in a church that are just flat-out amazing.

Because of Murdock’s complex identity issues regarding his alias, his faith, and even his morals, and because of the well-paced, methodical character development regarding Poindexter, Fisk, and Nadeem, I found this season extremely satisfying.  I was hooked on Season 3 by the first episode, but if you gave up on it for some reason, I hope you’ll give it another chance.  I think you’ll end up loving it as much as I did.

Image result for daredevil season 3 poster let the devil out

(Did you enjoy this article?  Check out Scott William Foley’s short stories HERE!)

GLOW: Season 2 — Even Better Than the First

GLOW: Season 2 outshines the first for the very simple reason that much of the groundwork for this ensemble cast has already been laid.  Season 1 entertained and impressed in many unexpected ways, but it still had the task of introducing us to the characters and getting them onto the mat.  Season 2 benefits in that it can build on what came before and really explore these interesting people.

Make no mistake–these are wonderful characters.  Yes, it’s a program about an all-female wrestling show set in the early 80s and much of the comedy centers around that scenario, but these are very real people being portrayed.  All of them are lovable in their own way, and all of them are awful in their own way.  They each have their victories, but they all suffer their indignities as well.  The magic is that the actors have managed to make us care about each and every one of them.

What I like best about this second season is the writing.  Many of the supporting characters get fleshed out this time around.  It’s intriguing to learn about who they are, what makes them tick, and why in the world they got involved with this crazy show!  We become much better acquainted particularly with Kia Stevens’ character named Tamme Dawson.  It would not be easy to be a black woman playing a character named Welfare Queen, and both Stevens and the writers do a magnificent job of exploring that conflict.

Even better than the characterization, though, is the tight–so tight!–plot.  Little moments in the early episodes are hugely important later.  Yet it all feels natural and organic.  The plot isn’t forced, but it all ties together so nicely.  I could be wrong, but I got the feeling that the writers had this entire season perfectly laid out before they even started shooting the first episode.

Furthermore, the main characters became even more complex.  Debbie Eagon (played by Betty Gilpin) evolves as a businesswoman taking control of her own professional life, yet her personal life is falling apart as she struggles with divorce.  She also teeters precariously close to becoming the show’s villain which is an interesting development considering that she’s the star all-American wrestler on the roster.  It would be so easy to make her the obvious heel, but they don’t.  They instead present her as a woman who makes a few bad decisions but ultimately tries to make good even as she keeps her own self-interests at the forefront of her mind.  See what I mean?  Wonderfully complicated.

Allison Brie’s character, Ruth Wilder, is just as enthusiastic and positive as ever, yet she can get very close to annoying.  She never quite crosses that line, but there are moments when you can understand Debbie’s frustrations with her.  Debbie and Ruth are so charismatic because they are utterly realistic.  Like all of us, they have moments where they are at their best, but also moments where they are at their worst.  Ruth is also far from perfect, but she’s learned from her mistakes during the first season.  Amid the first season, her adultery always cast a shadow over her.  That shadow disperses this second season and they seem to have opted to give her some time in the light to make up for the first season.

Marc Maron’s character, Sam Sylvia, started out the season as an absolute jerk who couldn’t care less about his wrestlers, but by the season’s end–well, he’s still a jerk–but he becomes someone we can’t help but love.  There are moments when he finally reaches self-awareness and owns his shortcomings.  Sometimes he just flat-out admits why he’s being so crass.  Those instances really touched me.  I wish I could just say why I’m being so difficult like he finally does.  I don’t want to spoil anything, but watching his evolution as a father, a director, a friend, and a person really brought me joy.  He’s still a cranky old man, don’t worry, but now he’s the kind you want to hang out with anyway.

I’d finally like to touch on Bash Howard, played by Chris Lowell.  Bash originally seemed to be the dim-witted millionaire producer–an ardent wrestling fan with the means to make the Gorgeous Ladies of Wrestling a reality.  In this second season, Bash is still a little naive, yet his simple innocence really pays off regarding his friend and butler, Florian.  Florian is missing the entire season with Bash doing his best to locate him.  Florian’s whereabouts are finally revealed, and Bash is absolutely stunned.  It seems he didn’t really know his friend at all, and it’s heavily hinted that Bash may not fully even know himself.  Lowell plays Bash with such unassuming charm that it’s hard not to love the guy.  He could have come off as a rich, pampered moron, but instead he’s written and performed as someone just trying to make dreams come true.  Again, isn’t that all of us?

I’d also like to commend the cast on introducing some serious wrestling moves in Season 2.  I can’t say for sure, but it looks to me like Brie and Gilpin are doing a lot of their own wrestling, and these are more than simple headlocks.  For actors, especially Gilpin, to execute some technically difficult wrestling maneuvers really speaks to their dedication to the characters.  I appreciate the symmetry of it because, ironically, their characters are just mastering the moves as well since they are new to wrestling.  It’s an interesting learning curve to behold both on the show and in reality.

Finally, GLOW captures the 80s perfectly.  The hair, the fashion, the cars, the food, the music–everything!  My wife and I feel like we’ve stepped into a time machine when we watch it.  There is one episode during Season 2 in which it is made to look like an actual episode of the show on your TV during the 80s.  It’s got the square screen, the locally made commercials–it’s perfect.  It looks exactly like I remember TV from the early 80s.  They really outdid themselves.

If you’re looking for a show with short episodes, magnetic characters, great writing, and funny comedy mixed in with an actual story about real people, GLOW is for you.  There really isn’t anything else like it on TV.

Image result for glow season 2 poster

(Did you enjoy this review?  Check out Scott William Foley’s latest book HERE!)

Jessica Jones: Season 2 – A Netflix Review

I really enjoyed the first season of Jessica Jones.  The series had such a strong concept.  It definitely wasn’t a super hero show, yet it featured a character with super human strength … who didn’t necessarily want her powers.  She mostly just wanted to be left alone.  The series felt far more like a thriller than an action-adventure.  With David Tenant’s Kilgrave, the series also struck a deeply disturbing psychological note.  Krysten Ritter’s Jones wanted to forget about her past by drinking herself silly, wasn’t interested in being nice, and certainly wasn’t out to save the day.  I believe, overall, it may be the strongest of Netflix’s Marvel series due to excellent pacing, interesting characterization, a consistent tone, and a cohesive plot.

So, as you have probably guessed, I very much looked forward to the second season.  Unfortunately, I knew by the first episode that this season would be different.

At the risk of sounding too harsh, all thirteen episodes of season two disappointed me.

Jessica Jones: Season Two is cliched, boring, and a disservice to the first season.

I don’t want to spoil too much, but Jessica Jones herself has gone from being charmingly cranky to just annoying.  The huffs, the sighs, the eye rolls, the monotone vocal delivery — she’s become one-dimensional.  All of those things seemed appropriate in the first season.  Combine those things with the second season’s primary antagonist and she’s comes off as, well … a brat.

And that pretty much describes everyone in the second season.  Trish Walker, who was pretty interesting in the first season, is now a shadow of her former self and incredibly unlikable.  Malcom is all over the place — a doormat one minute, a boy toy the next, and then a ruthless businessman?  Wasn’t that Foggy’s character arc?  Hogarth, the heartless lawyer, actually turns out to be the most sympathetic of all, but in doing so utterly contradicts every other previous appearance of the character.  Luke Cage makes no appearance at all, which is a shame because Colter and Ritter had great chemistry and made season one very enjoyable.  Kilgrave appears for five minutes, and those five minutes were a delight.  Ritter and Tennant are amazing on screen together, which is partly why season one succeeded so well.

Season two lacks any plot in which the audience can invest.  Season one featured a real mystery and characters that were truly opposite of Jones that allowed her to shine all the more.  In season two, everyone is kind of like Jones, which is, frankly, depressing.  Everyone is damaged goods.  There is no character representing hope, or nobility, or morality.  When Jones is forced to be these things, it doesn’t work.  She’s not especially hopeful, or noble, or moral.  She’s fun when she gets to be the “bad cop” working off of others serving as her foil.  It’s not fun when an entire show drowns in hopelessness, immorality, and dreariness.

The show also falls prey to the worse of the genre’s cliches.  Unresolved family issues that create arrested development — check.  Evil version of protagonist with the same basic power set — check.  Clandestine corporate entity that creates protagonist and antagonist for murky reasons at best — check.  Misjudgment of audience’s interest in “origin story” — check.  Mommy issues — check.

In my opinion, the first season of Jessica Jones may be the best of all the Netflix Marvel shows.  The second season, unquestionably, is the worst.

Related image

(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)

 

Altered Carbon – A Netflix Series Review

Based on a book, Altered Carbon is a Netflix series set in the distant future where people have the ability to store their personality and memories in a disk at the back base of their neck.  If their body dies, they can have their disk inserted into a new body, thus allowing someone to effectively live forever.  If they have enough money, that is.

Altered Carbon is a fascinating concept.  It’s part hard-boiled mystery, part techno thriller, part philosophical exploration, part social commentary, and part action extravaganza … but it’s not really completely anything.

Well, that’s not entirely true.  I watched it purely for the eye-popping special effects.  In my opinion, this show utilizes some cutting-edge techniques that I haven’t seen before.  In that regard, it’s a raging success.

But, let’s face it — the dialogue is really, really bad.  I know some will say the show endeavored to achieve a pulp noir quality, but I find that to be a poor excuse for lazy writing.  Couple the lackluster dialogue with actors of only adequate talent and you have some difficult scenes to endure.  I know that sounds mean, and I’m very sorry to all of the actors and writers.  I don’t want to offend, but I also want to write an objective review.

Of course, the negative qualities mentioned is the trade-off for exquisite special effects.  As much as Netflix seems willing to spend, even they must have limits.  It’s obvious their budget went toward the special effects, not necessarily the actors.  Don’t get be wrong–the actors are fine.  They are good.  Just … none of them are great.

Should you watch this series?  If you’re into science fiction and special effects, I’d give it a shot.  It never quite finds its voice, nor does it really gain solid traction in terms of story, but it comes close enough on both counts to remain an interesting watch.  Again, at the risk of becoming redundant, the special effects are mesmerizing.  Beware, though, there is some heavy nudity in almost each of the ten episodes and the violence is pretty graphic from time to time.

Related image

(Did you enjoy this review?  Check out Scott William Foley’s short stories HERE!)