Ex Machina: Term Limits by Brian K. Vaughan – A Book Review

Few conclusions have been as utterly satisfying as Ex Machina: Term Limits.

Ex Machina has always been one of those titles that demanded both patience and commitment.  With its myriad flashbacks, labyrinth plotlines, and complicated subject matter, it often required several readings.  I assure you, in this tenth and final volume, your dedication is rewarded in full.  Vaughan not only answers the series’ major mysteries, but he also grants a sense of finality to virtually every major character in this title.

I came down hard on Vaughan for his final installment to Y: The Last Man.  I felt it was too pedestrian and insignificant.  Not so with Ex Machina.  Vaughan managed to shock me over and over again in Term Limits.  As a reader, I couldn’t have asked for more.  Though I couldn’t believe he dared to do what he did in this volume, I absolutely appreciated his willingness to let the characters organically go where they must, even if that destination was not pleasant.  His boldness is both refreshing and admirable.

Vaughan also shows great maturity as a storyteller.  Yes, on the surface, we get our answers to many lingering plot points.  We even get several jolts that put us on the edge of our seat.  However, there is also a deeper message in Term Limits.  I believe Vaughan made not only several political comments in this work, but also drove home a hard fact about human nature.  The depth of this particular volume delighted me.

As a long time fan of Ex Machina, I can seriously say that I could not have imagined a more satisfying conclusion to Mitchell Hundred’s odyssey.  Vaughan thanked his audience by delivering a tightly-woven finale that, like the entire series, proved intelligent, meaningful, well-crafted, and insightful.

Ex Machina: Fact vs. Fiction – A Graphic Novel Review

Brian K. Vaughan and Tony Harris continue to impress with the third trade paperback of the Ex Machina series. In this installment, a new hero emerges in New York City calling itself the Automaton. This being claims to have been made by Mayor Hundred when he called himself The Great Machine. However, there is more at work here than there seems.

The second half of the volume deals with Mayor Mitchell Hundred heading west to visit his mother as she finds herself in a spot of trouble. This storyline is a bit more enjoyable for me as it gives us some insight into Mitchell’s upbringing and his relationship with his mother.

While I greatly enjoyed Fact vs. Fiction, the stories did not compare to the first two volumes of this series. However, as I found those collections stellar in execution, perhaps that is only to be expected.

I will say this, while Vaughan’s stories are just a bit under whelming compared to his usual outstanding work, the artwork of Tony Harris more than makes up for it. Harris is a master of his medium, and while he certainly knows how to draw superheroes, it is his attention to detail in clothing and facial expression on normal, everyday people that amazes me. You must remember, Ex Machina is more political drama than superhero adventure, and so therefore the artist must be especially talented to keep readers coming back for more. Harris fits the bill and then some.

So, while I don’t think Fact vs. Fiction was as good as The First Hundred Days or Tag, I certainly think it is still better than much of what’s on the market. I cannot recommend Vaughan and Harris’ Ex Machina highly enough.

By the way, is it me, or does Mitchell’s friend Ray look suspiciously like one mild mannered news reporter?

Ex Machina: The First Hundred Days – A Graphic Novel Review

Pronounced mah-kin-ah, this little ditty I picked up only because I saw it had recently earned an Eisner Award, which in the world of comic books, is a very big deal. The story is about a former hero turned politician. Not the stuff of captivating reads, in my opinion. On top of that, the writer, Brian K. Vaughan, was someone I was previously unfamiliar with. But, the buzz was big, the accolades were huge, so I thought I’d give it a shot.

The result was quite shocking.

I loved it. If you’d told me I would enjoy a book whose main character was the mayor of New York City, I’d have told you that you were nutso. It’s simply the writing and the artistry. I honestly think Vaughan and his artist, Tony Harris, could put out a comic book about an agoraphobic farmer and it would still win awards.

Mitchell Hundred is a civil servant of NYC who happens across a strange device at the base of a bridge’s, er, base. It explodes literally in his face, thus granting him the singular ability to converse with machinery of almost any magnitude, the utterly simplistic to the drastically complex. For instance, he can command a gun to jam, preventing its detonation. Eventually, he dreams of a rocket pack allowing him to fly. His older friend and role model, Kremlin, helps him build it. He becomes a hero, calling himself The Great Machine. However, after only a year, he gives up the hero business, deciding that he’s causing more harm than good. Instead, he runs for mayor. And he wins.

The arc of The First Hundred Days deals with a portrait of Lincoln with the n-word written across it debuted in a museum funded by the tax payers, someone killing off snow plow drivers, as well as many flashbacks to Hundred’s days as The Great Machine.

As stated, this doesn’t sound terribly interesting, but it is! I believe it is Vaughan’s pacing and script that forces us to keep going, as well as Harris’s perfectly executed sequential art. The dynamic characters, the mystery of who is murdering city workers and why, plus the conflict of the portrait’s controversy creates an entrancing plot. On top of it all, Vaughan seems to know just enough about the workings of city government to make us believe that Hundred really is the mayor of NYC.

Oh, and there’s a really, really interesting sub-plot (although I can’t help but think it will develop into a major plot) dealing with 9/11. Yes, 9/11.

If you pick this book up looking for the stuff of Superman and Batman, you’ll be disappointed. If you pick it up looking for a political drama with a touch of super hero flair, you’ll be quite pleased.

I highly recommend you pick up Ex Machina: The First Hundred Days.