Pirates of the Caribbean: Dead Man’s Chest – A Movie Review

As you probably know, the critics have been making this movie walk the plank . . . bad joke, I know, it’s what I do.  Anyway, despite the critics’ best efforts, this thing has been a cash-making sea cow.  Again, bad.  I know.

Here’s the thing, this movie was fun.  Period.  It was fun!  The props were incredible, the special effects were out-of-this-world, the costumes were great, the pacing was quick, Johnny Depp was hilarious, and the cinematography was outstanding.  In other words, everything that worked in the first film worked for the second.

Consequently, just like with the first film, there were plot holes that could sink a ship, but hey, let’s employ our suspension of disbelief and have a nice time, shall we?  Orlando Bloom, of whom I am apparently a “hatah,” gave yet another wooden, stoic performance, but you just have to expect that sort of thing from him.  He would do well to follow in Depp’s eclectic footsteps or else he is in terminal danger of being typecast for the rest of his career.

Yes, this is a middle film.  Sometimes middle films leave you feeling satisfied, like The Empire Strikes Back, and sometimes they don’t, like The Matrix ReloadedDead Man’s Chest falls somewhere in the middle.  Luckily, we don’t have long to wait for the next Pirates film, so very soon we’ll simply think of them as one seamless saga. 

The movie moves very fast despite its 2.5 hours of running time and it really is very entertaining.  I particularly loved the fact that so much of the first film is brought back for the second, even things that were just mentioned in passing.  I’d tell you to go see it right away, but I have a feeling you already have if its box office earnings are any indication.

Atonement – A Movie Review

I’ve read a few of Ian McEwan’s books, and while I’ve always found them stylistically impressive, I’ve never been too enthralled with the actual stories.  Because of this, I wasn’t in a huge rush to watch Atonement, a movie based upon one of his novels.

In all honesty, I brought this movie home only as a courtesy to my wife who’d been sitting through an inordinate amount of “guy movies” of late.  Strapping myself in for a painful experience, I was humbly surprised when I found myself completely enamored with Atonement.

The story takes place just before the days of World War II, and is about a young girl in her early teens who falsely (and somewhat innocently) accuses a long-time family friend and secret lover to her sister of rape.  From that moment on, the lives of all three become forever changed for the worse.

The stunning angles and cinematography made this film gorgeous.  Each shot truly appeared as a work of art.  The story itself isn’t terribly innovative, but the editing of the film presented the story from multiple perspectives-using flashbacks brilliantly-in such a manner that the audience had to actively think as they watched the film, connecting dots and building bridges.  Because of this artistry, the story became far more complex and captivating than it would have been if presented linearly.  They don’t make movies quite like this anymore, movies that actually seem to take pride in presenting itself as an artistic endeavor.  I believe film students would have much to learn from Atonement.

Saoirse Ronan, the actress who played the little girl, was utterly convincing and authentically unsettling.  James McAvoy, who played the falsely accused, was likable without being overly dramatic.  Even Keira Knightly, who normally annoys me to no end (along with Orlando Bloom), acted her socks off and really seemed invested in her character.  In other words, all the main actors did a magnificent job with their characters.

Finally, I loved the ending to Atonement.  I won’t spoil it for you, but some movies are meant to leave you with a sense of satisfaction, even if not entirely realistic, and some are not.  Some present life as it really happens, and, as we all know, many times things don’t work out as we hoped.

I honestly recommend Atonement for anyone who appreciates inspired filmmaking.