Ant-Man and The Wasp: Quantumania

I hate to admit it, but for the first time ever, I sat in a Marvel movie and thought, “This is really stupid.”

It pains me to say that, especially in regards to an Ant-Man movie featuring Paul Rudd, Evangeline Lilly, Jonathan Majors, Michelle Pfeiffer, and Michael Douglas–all of whom are very good actors.

Ant-Man began as an action comedy heist movie. He and his ants were absolutely the weirdest thing in an otherwise fairly grounded reality. When he appeared in other Marvel films, he was the fish out of water, the comedic relief, the guy who should never quite fit in with the other Avengers.

Quantumania changed all that. If you’ve seen the trailers, you know that Scott, Hope, Janet, Hank, and Cassie travel to the Quantum Realm, a subatomic universe free of the space-time continuum. Here everything is bonkers, nothing is explained, and CGI reigns supreme. I could never get a foot hold with Quantumania–it all looked so fake. None of the lifeforms made a lick of sense. There’s people. There’s “aliens.” There’s bugs. There’s living buildings. There are robots. How? How? How? Are we supposed to simply say “okay” to all of it? Even everyman Paul Rudd couldn’t make it work. His “weird” Ant-Man powers were tame compared to the rest of what occurred in the film.

The fact is they tried to usher in their new all encompassing “bad guy” in the wrong movie. Ant-Man is not the film for Kang the Conqueror to formally arrive. While Jonathan Majors crushed it (as he always does), his Kang is an extremely serious character who in no way, shape, or form worked on screen with Ant-Man. Kang said as much at one point in the film. And when they tried old-school Ant-Man humor, it fell totally flat. The tone of the film was all over the place.

Honestly, judging from the post-credits (both of them), you could skip Ant-Man and The Wasp: Quantumania and be just fine. It struck me as though it is not considered required viewing by Marvel itself.

Again, this was the first MCU film that really made me say, “Should I be spending so much on these tickets? Are these movies really worth it? Could I wait the 30 or 90 days for it to arrive at DisneyPlus?”

Though I believe Jonathan Majors to be an incredible actor, and though I believe Michelle Pfeiffer to be one of the best ever, the film’s bad writing, uneven story, disconnected setting, erratic tone, and overbearing CGI made Ant-Man and The Wasp: Quantumania a disappointment. Especially because they clearly shoehorned a promising villain into the wrong film.

Lovecraft Country – A Few Thoughts

Lovecraft Country started out as a brilliant genre mashup of horror, sci-fi, fantasy, history, and social commentary. The first episode thoroughly impressed me because it mixed fantasy horror with real life horror quite effectively. 

The second episode seemed to be a strange break from the first, and each subsequent episode always felt a little disjointed from the series as a whole. There were so many zigs and so many zags that I couldn’t synthesize the overall plot. 

In the end, these inconsistent storylines proved too much for me to say that I enjoyed the series. 

However, Lovecraft Country’s secret weapons are the cast. In the end, I’ll watch anything with Jonathan Majors and Jurnee Smollett in starring roles. These two were fantastic. Furthermore, the show just looked good. The costumes, the sets, the props, the cars–everything was topnotch. 

And, though we only got to see them in one episode, Topsy and Bopsy proved to be the breakout superstars of Lovecraft Country. These charismatic fiends are the stuff of nightmares, yet I can’t wait to see them again. 

I appreciate everything Lovecraft Country set out to do. It tackled social issues, historical tragedies, racism, sexism, abuse, and many other important things, all while telling a story based within the worlds of magic and horror. 

In the end, though, it simply couldn’t tell a streamlined, coherent story that stretched across all ten episodes. No matter how great the acting, how beautiful the sets and costumes, and how noble the intent, the writing has got to be the best aspect of any show. 

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My First Impression of HBO’s Lovecraft Country

I’ve been hearing buzz about Lovecraft Country for quite a while now, so when it finally debuted on HBO last Sunday night, I couldn’t wait to give the first episode a watch.

The first ten minutes set the tone for this show perfectly. I’m going to try to avoid spoilers, but this show is such a wonderful mix of genre, it truly captivated me.

Set in the early 1950s, Atticus Freeman has returned home to Chicago from the military in order to try to find his father, who has gone missing. He is joined by his Uncle George and a childhood friend, Leti. They embark on a road trip attempting to retrace his father’s steps.

It’s not long until they encounter real horror as white supremacists literally hunt them down with the intent to kill. However, there are more monsters lurking about, and they don’t care about the color of skin when it comes to killing.

The first episode of Lovecraft Country perfectly captures the terror of being black and traveling through racist communities that gleefully resort to murder. It is realistic, powerful, and a vivid reminder of this nation’s ugly past. Yet, the show is unafraid to shift gears in a heartbeat from societal horror to the kind of horror you would expect to find in a book by H.P. Lovecraft. It is such a brave blending of genre, perhaps even jarring to some. I love genre twisting, though, so this kind of show is very much to my liking.

Though it’s only the first episode, a ton of story unfolds and, best of all, we get to know who appear to be the three main characters. Jonathan Majors and Jurnee Smollett are stars in every sense of the word. They play Atticus and Leti. Courtney B. Vance plays Uncle George. Vance has been good for a very long time and he continues to shine in Lovecraft Country.

I literally have no idea where this show is going. Between the first ten minutes and the last ten minutes, it could absolutely go anywhere. I love that it is very rooted in the reality of the time period while also being completely unchained from convention.

If you’re searching for a show that’s just getting started, I highly recommend Lovecraft Country.

Da 5 Bloods – A Movie Review

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With Da 5 Bloods, Spike Lee has delivered a film full of incredible performances and stunning visuals, but also a film that is inconsistent.

Da 5 Bloods is a Netflix original movie. Netflix is an attractive collaborator for creators because they reportedly exert very little resistance. Spike Lee, Damien Chazelle, Martin Scorsese, Joel and Ethan Coen, Steven Soderbergh, and Alfonso Cuarón are all noteworthy directors who have opted to throw in with Netflix. Such creative freedom, though, can sometimes lead to overabundance.

At just over two and a half hours, Da 5 Bloods is simply too long for the story it chooses to depict. The plot centers around four black Vietnam veterans who have returned to Vietnam in order to locate their squad leader’s body, which they had to leave behind decades before … and also to find dozens of gold bars they hid in the wilderness.

If the film had centered on either one of those two things, it would have been far stronger. As it stands, however, it tries to do both, which results in tone shifts that are jarring to the viewer. The portions relating to their felled leader are poignant, insightful, and evocative. The parts pertaining to the lost treasure are cliched, forced, and borderline absurd.

Even so, there are some amazing performances in Da 5 Bloods. Delroy Lindo deserves nothing less than a “Best Actor” Oscar for his work. He offers a very real, very conflicted human being that we both love and hate. His trauma from Vietnam is heartbreaking. Watching Lindo act makes the film worth your time. He is mesmerizing.

Furthermore, Chadwick Boseman yet again lights up the screen. Frankly speaking, other than Delroy Lindo, no one can keep up with Boseman in Da 5 Bloods. He shines during his scenes in a way that simply overpowers everyone else. Boseman is a gifted movie star, through and through.

Jonathan Majors plays David, the son of Delroy Lindo’s character. I’m not familiar with Majors, but he also won me over. Lee keeps David a bit of an enigma in the beginning of the film–we aren’t quite sure what to think of him. Majors plays the part perfectly as David is the only character that actually shows real change throughout the duration of the movie.

That being said, I liked the other three men played by Norm Lewis, Clarke Peters, and Isiah Whitlock, Jr., just as I was supposed to like them. If I’m being honest, though, the writers didn’t give them much to do or say beyond their initial introduction. Those three men seem to essentially repeat the same lines throughout the entire film. Which leads me to my next issue …

Da 5 Bloods’ writing is erratic. I found the dialogue overly repetitive and one-dimensional which, in my opinion, gave the actors less to work with. Lee likes to sprinkle in some history throughout the film, which I enjoyed and learned from, but as the characters talk about this history it seems very wooden and pedantic–not natural to the characters at all. Though the actors are not stiff, their dialogue is.

Also, there were some outlandish coincidences in Da 5 Bloods, coincidences that, at times, stupefied me. I won’t spoil anything, but there are at least three unbelievable moments that are, shall we say, verging upon ridiculous.

Finally, as touched upon earlier, Da 5 Bloods’ tone is literally all over the place. The film starts out as a buddy story with old veterans reconnecting. (There’s a scene where they actually strut dance in a Vietnamese nightclub.) Then they go on a fun-loving treasure hunt. Then they haphazardly search for their dead friend’s body. Then things get very, very violent.

There is no doubt that Spike Lee is a brilliant filmmaker and a tremendously relevant voice. His timing with this movie is both cosmically coincidental and monumentally important. As a nation, we need to remember that black soldiers and freedom fighters have been guaranteeing our country’s ideology since the very beginning even as their own personal rights were being trampled upon. Lee also successfully portrays the PTSD not just of soldiers in general, but even more specifically of African Americans who served in the military.

I truthfully wanted to love Da 5 Bloods. I entered the movie without a shred of objectivity–I was fully prepared to write a rave review, especially because critics seem to adore it. But it would be a disservice to Spike Lee himself if I denied my criticisms. It’s still a very watchable film, however, with extremely important messages. And, like I said, Delroy Lindo’s performance alone is well worth your time.