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The Banshees of Inisherin – A Movie Review

(Beware: I present no blatant spoilers, but it’s impossible to discuss the plot and theme of the movie without hinting at certain developments.)

I fell in love with The Banshees Of Inisherin within the first thirty minutes of the film. The beautiful scenery, the clothing, the pacing, the seemingly simple story, the utter relatability–I instantly adored it.

Those first thirty minutes were simply brilliant. Colin Farrell plays Pádraic Súilleabháin, a plain man who enjoys spending time with his best friend, Colm Doherty, played by Brendan Gleeson. Their friendship is uncomplicated. They walk to the pub. They drink at the pub. They chat at the pub.

The year is 1923, and Inisherin is an island off the coast of Ireland. At the start of the film, Pádraic calls upon Colm to go to the pub. But Colm no longer wants to be friends. Pádraic, a man of practical thoughts, is bewildered by both the sudden development as well as the blatant rudeness. After all, Pádraic is a nice man, a good lad, and glad of it.

Colm eventually explains to Pádraic that he’s wasted away enough of his days. He needs to do something substantive. He’s tired of Pádraic’s boring conversation and lifestyle. Colm is devoting himself entirely to music from that moment forth.

At that point of the movie, I got it. I totally understood Colm’s point of view. However, Colm got downright nasty about it, and managed to hurt Pádraic’s feelings time after time. Pádraic’s sister, played magnificently by Kerry Condon, tries to smooth things over but ultimately tells Pádraic to simply let it go.

Eventually, Pádraic let’s Colm know how he feels, and that he’s okay with being nice, and polite. and maybe even boring. He takes pride in it. His parents were nice. His sister is nice. It’s okay to be nice. Oh, boy. At that point, Pádraic won me over. I too suffer from being perhaps overly nice and I could totally relate to his words.

Again, to that point, the simplicity of the story truly spoke to me. I understood both characters’ motivations. I could relate to both of them. I liked them both, though I must admit I liked Pádraic a little more.

And then the movie took quite a turn–a disturbing turn, honestly. It was still funny, to be sure, but Colm became unreasonably belligerent, Pádraic gave in to a darkness unknown, and things ended rather bleakly. I still liked the movie, most definitely, but it lost that charm I enjoyed during those first thirty minutes.

Which, I believe, was entirely the point. I’m sure this has already been thoroughly explored by others, but I can’t help wondering if Colm and Pádraic’s relationship mirrored that of Ireland itself. I think it cannot be an accident that the Irish Civil War raged on the mainland as their friendship fell apart. Colm became absurdly cruel as he sought only to serve his ideology and eventually drew Pádraic into a shared depravity–Pádraic, a man who previously concerned himself with only being nice, who wanted no trouble, and whose patience seemed unending. Shockingly violent acts seemed to be ignored by Inisherin residents at best and enjoyed by them at worst.

And what is this movie saying about kindness? Is it destined to be tainted? Will the world devour the nice if they don’t eventually join in the brutality? Must one be mean to survive?

As you can see, The Banshees Of Inisherin made quite an impression upon me. I highly recommend it, as you probably guessed.

By the way, I’d like to praise Barry Keoghan. I’ve seen this actor in a few things now and he impresses me with every outing. I think he is destined for great things. In this film, he plays Dominic, a fairly unintelligent fellow with few redeeming qualities. However, Keoghan somehow makes him very likable, especially because he’s always displaying a changing facial expression to let you know exactly what Keoghan is thinking, or, more accurately in many cases, not thinking. It’s marvelous, honestly.

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The Batman – A Movie Review (No Spoilers)

I’ll admit that I initially didn’t get too excited by the prospect of yet another new Batman. I happened to like Ben Affleck as Batman and wasn’t quite ready to accept the guy from Twilight as his would-be replacement. To go along with that, I was fully invested in the Snyderverse and didn’t want to switch directions from that, either. Furthermore, it wasn’t the idea of a parallel Earth that bothered me. I’ve been enjoying DC comics since 1980 and am therefore very comfortable with the multiverse plot device. I am fine with a few different Batmans running around in my movies. I just didn’t think I wanted this Batman because it looked as though it would simply be a retread of Nolan’s films.

Let me say this clearly and in all caps: I WAS WRONG.

The Batman depicted the comic book character we know and love more closely than any other version I’ve seen on screen. Also, the film was dark, gritty, street level, violent, rainy, and seething with noir.

Robert Pattinson, the aforementioned Twilight guy–fantastic. His Batman was physical, cerebral, brooding, and emotionally damaged. Best of all? He wore the costume for 90% of the movie. (It had to be absolute hell for Pattinson to film this thing, by the way. I read somewhere the costume weighed 60 pounds.) This Batman truly seemed detached from his emotions. He didn’t strike me as a rich guy with fancy gizmos. He honestly depicted a man unable to overcome his emotional devastation while seeking solace by beating criminals to a pulp. Yet there was an emotional vulnerability to his Batman as well. Watch closely for his reactions when kids are being impacted by crime. It’s subtle, but it’s there, and also laid the psychological groundwork for how a “Robin” could even be possible in Batman’s world. Speaking of subtle, Pattinson is definitely the strong, silent type. The camera made a point to zero in on Batman’s face often. There Pattinson did his best acting. A flutter of the eyelids. The setting of the jaw. The dead stare daring someone to challenge him. It was remarkable.

Of course, I must give credit to Pattinson’s costars as well. Jeffrey Wright as Jim Gordon proved a force. I never thought anyone could challenge Gary Oldman’s hold on the character, but Wright most definitely has. He and Pattinson delivered an unspoken, unbreakable trust between Gordon and Batman. However, I’m not sure we’ve ever seen a more compromised Jim Gordon. Gordon is constantly vouching for Batman, squirming as he’s questioned for bringing a vigilante to a crime scene, yet totally confident in the masked man’s help and moral center. Again, it’s a complicated balance to accomplish, but they managed to pull it off. It mirrored what we’ve seen in the comics for decades. Have you ever seen Batman investigating a crime scene while surrounded by the police in any other Batman movie? No, but it’s common in the comic books. It was stunning to see Batman, Gordon, and a crowd of police officers crowded in a room studying evidence together.

Speaking of stunning, Zoe Kravitz is phenomenal. She’s charming, physical, and magnetic as Catwoman. She and Pattinson have real chemistry, which is quite a feat considering Pattinson had a mask on for all of their interactions. I do think they could have done a lot more with Kravitz, but here’s hoping a spinoff will further showcase her talents.

Paul Dano was creepy as could be. Disturbing. I don’t want to reveal too much, but they definitely tapped into the Joaquin Phoenix “this could be your neighbor down the street” kind of vibe. His intelligence seemed atypical, but his emotional scarring, his need to lash out, and his misguided social affiliations did not.

John Turturro played Carmen Falcone, a character I have never–ever–cared about … until now. Turturro made him strangely human–even likable–as his character helped with heinous actions.

Finally, though, I must give my MVP award to Colin Farrell. Farrell played the Penguin. This ain’t your previously established Penguin, though. Farrell was completely unrecognizable, and with that came a side of the actor that I’ve never seen. I still have trouble believing it was actually Colin Farrell. This man was boisterous, ugly, loud, and decidedly uncool. The opposite of Farrell in every way. He definitely squeezed every ounce from his character that he possibly could.

Matt Reeves wrote and directed The Batman. Yes, you can certainly trace moments of the film to comic book inspirations, but it also felt uniquely different. On one hand, Batman was in virtually every scene and in costume. That struck a chord with me because I remember in my younger days always wanting more Batman, less Bruce Wayne. It also felt far more grounded and realistic, even compared to Nolan’s films. Furthermore, between the rain, the action, the crowded sets, and the many, many close-ups, The Batman appeared to be a very difficult film to shoot. No angle looked easy; no scene took the simple way out.

As I’m sure you’ve gathered, I highly recommend The Batman. Believe it or not, it’s different from any other Batman you’ve seen before. And while I can’t believe I’m saying it, Robert Pattinson’s performance while wearing a mask and Colin Farrell’s performance while wearing copious amounts of makeup proved to be what I enjoyed most. It’s largely a performance driven film, which sounds ridiculous, but is true. I consider The Batman a victory in every facet.

By the way, my sincere apologies to the 1989 Batmobile, but you’ve been put on alert. The 2022 Batmobile is somehow even cooler and looks like something that could actually function on the roads as intended. I’m not saying it’s replacing the 1989 Batmobile as my favorite … but it is in contention.