The New Avengers, Vol. 6: Revolution – A Graphic Novel Review

I really enjoyed this volume of New Avengers. The title gets a bit of a shake-up after the events of Civil War with a revamped, underground Avengers team featuring a black-suited Spider-Man, Luke Cage, Wolverine, Spider-Woman and the welcomed additions of Iron Fist, Dr. Strange and Ronin (a much-missed old friend wearing new duds).

The volume begins with beautifully rendered art by personal-favorite Alex Maleev. (Wonderful to see Bendis and Maleev together again!) I don’t want to spoil anything for you, but this tale in particular focuses on a long-missing Avenger and his search for a former teammate. Consequently, he doesn’t quite find what he’s expecting. Writer Brian Michael Bendis delivers a simplistic story invoking powerful characterization and potent emotion.

The rest of the volume features art by Leinil Yu and the new New Avengers. Yu’s art is a conundrum for me. It’s not particularly pleasing to the eye, yet it is absolutely charismatic and captivating. Yu is adept at delivering interesting angles and frames while cleanly progressing the story. I find myself studying each and every one of his drawings perhaps more than any other comic book artist in recent memory.

I’d also like to congratulate Brian Michael Bendis. He obviously wrote Revolution with Civil War and the then-upcoming Secret Invasion in mind, and so he’s careful to catch the reader up while planting seeds for the future. However, this is not what especially impressed me. What did impress me was the fact that Bendis played with flashbacks and perspective in order to deliver the whole of Revolution. Instead of giving us a linear story playing out from issue to issue, he took an artistic approach and allowed the reader to bridge some gaps and become mentally involved in deciphering the plot. Don’t get me wrong, even with the interesting technique, it’s a pretty straightforward story, but such added touches go a long way in satisfying me.

Overall, with the eye-catching art, inspired story-telling, and new additions to the team, New Avengers: Revolution was a very good experience.

New Avengers, Vol. 5: Civil War – A Graphic Novel Review

I had the distinct advantage of reading this collection well after I read the unified edition of Civil War, so I must admit my perspective would be different from someone unfamiliar with the outcome of Civil War and its fallout.

That said, knowing what I know about Nick Fury, Iron Man, and Captain America’s current storylines, this volume of New Avengers was incredibly insightful and pertinent.

Though Brian Michael Bendis is the writer throughout, each separate issue making up the larger volume is drawn by a different artist and focuses upon a different character from the New Avengers.

While I don’t believe any of these issues are “must-reads” in order to understand the larger storyline of Civil War, they certainly help illuminate character’s motivations and set up plots to come in New Avengers and Mighty Avengers.

I’d also like to say that there is a component to this volume featuring Sentry drawn by Pasqual Ferry that alone makes the entire volume worth buying. I could take or leave Sentry as a character, but Ferry’s rendering of Sentry interacting with the Inhumans is an absolute delight. Certainly Dean White’s colors add to the beauty of Ferry’s art, and I really hope you’ll enjoy it as much as I did. In my opinion, Ferry is the go-to guy when it comes to interplanetary adventure, as I first learned with his stunning art in Adam Strange: Planet Heist.

New Avengers: Civil War is a great volume if you’re looking for different artists interpretations of some of your favorite New Avengers; it’s enlightening if you desire further character motivation during Civil War; and finally, it’s a nice springboard to new plots in New Avengers.

Had I read this in “real” time I don’t know I would have enjoyed it as much, but with 20/20 hindsight, I thoroughly relished New Avengers: Civil War.

Daredevil: The Devil, Inside and Out, Volume 2 – A Graphic Novel Review

I’m a tremendous fan of Brian Michael Bendis’ Daredevil, so when the news arrived that he was leaving the title, I found myself distraught. Before Bendis’ run, I’d never really cared much for the character. And though many criticized the level of deconstruction he brought to the line, I always found his work riveting and more than entertaining.

That being said, Bendis left Daredevil in enough of a predicament that I wanted to see how this fella–Ed Brubaker–tied up Bendis’ loose ends. Brubaker’s The Devil, Inside and Out Vol 1 impressed me, but Vol. 2 left me in awe.

Brubaker has somehow, somehow, tied up the many dangling plots left behind by Bendis (I believe they agreed upon this, by the way; Bendis wasn’t leaving a mess for someone else to clean up) in a way that was both satisfying and quite cleansing. New plot possibilities have organically arisen from the old, and while everything isn’t exactly back to normal for Matt Murdock (is it ever?), I do feel as though Brubaker has set the stage to move on with his own agenda for the character and has successfully exorcised the benign ghost of Bendis.

So, in summation, I would like to recommend the entire current run of Daredevil. Kevin Smith got us off on the right foot, Bendis brought consistent quality and depth to a character I had never before respected, and Brubaker seems to keep all of the best aspects of what Bendis did, but has now brought his own brand of action and noir, further enriching an already rich hero.

New Avengers: The Collective – A Graphic Novel Review

Brian Michael Bendis continues to spin out entertaining reads with his take on the Avengers. While characterization is a problem when using cornerstone characters, it is certainly fun to see all of our favorites working as a team.

I’ve been a Bendis fan for a while and I enjoy his interpretation of the Avengers, especially the banter. While it doesn’t go overboard into the realm of flat-out comedy, there are times when I can’t help but laugh at some of the snide remarks. My only complaint is the transition of artwork with the inclusion of Mike Deodato. He’s a fine artist, don’t get me wrong, but I’d gotten so accustomed to the previous beautiful renderings of this series that the drastic change in style with Deodato was a bit of a jolt.

The Collective is a logical follow-up to the House of M series as well as hints at Civil War, and it completely amuses, but again, this arc is not the stuff of character-driven plots. If you’d like to see Bendis at his finest with those sorts of stories, I recommend his masterful run on Daredevil.

I’m really enjoying The New Avengers and recommend the entire series thus far.