Don’t Quit On Daredevil: Season 3

ScreenRant.com is saying that a lot of people gave up on Daredevil: Season 3.  If you’re one of those viewers, give it another try.  I finished this latest season about a week ago, and I have to tell you that after reflecting on it, I think this season is my favorite of all the Netflix Marvel shows.

First of all, the smartest of all the Marvel shows got even smarter.  Everyone in this series has actual motivation.  The plot unfolds organically and without any abrupt shifts in direction or tone.  Almost everything in this season actually makes sense.  One event leads to the next, which leads to the next, which leads to the next.

Consequently, the pacing is what actually makes this season my favorite.  The Netflix Marvel shows have had disastrous pacing issues–particularly in regards to Luke Cage and Iron FistDaredevil: Season 3 moves at a quick pace, and the story keeps developing from episode to episode to episode.  Other Marvel series have felt like three or four different story arcs within a single season.  Oftentimes they have an out-of-the-blue event occur around episode 7 or 8 that changes everything.  Not so with this one.  In fact, it’s the first time I didn’t tell myself (regarding a Netflix Marvel show) that thirteen episodes was too long.  I wanted more!

I groaned a bit when I heard Bullseye would be the villain of this season because he’s about as cliched a villain as you can get.  Fortunately, they grew “Dex” Poindexter into an antagonist only as the show progressed.  Getting him to that point was a slow burn.  Best of all, they never actually called him “Bullseye.”  Dex got more and more interesting as the show moved along in large part due to his mental torment.  I won’t spoil it for you, but they were quite creative in displaying this anguish.  Poindexter does awful things in this season, yet he is not entirely unlikable.  You can’t help but empathize with his plight a bit, especially because he can turn on the charm when he wants to.  I felt his frustration at being a hero when his talent for killing was done on behalf of the government, yet, when not working on behalf of his country, he was deemed a criminal.

Of course, I love Vincent D’Onofrio as Wilson Fisk.  He, too, while certainly a villain, is a complicated man who is actually worthy of sympathy from time to time.  D’Onofrio plays him with such repression–it’s something to behold.  I love that Fisk is constantly flexing his fingers or working his hands.  He always seems as though he’s just barely constraining himself.  I’ve heard some say that D’Onofrio plays him too over the top, but I think it’s perfect.  Fisks merciless intellect always makes him a formidable opponent.

Jay Ali proved a welcome addition to the cast.  He played FBI agent Ray Nadeem.  Nadeem found himself at the center of everything in this season, and suffered as a result.  Ali delivered an average man just trying to do the right thing, and he showed us just how convoluted the “right thing” can be.  Nadeem provided a necessary emotional tether to the season that helped me to invest in the entire story as a whole.

Charlie Cox, though, is what makes this season something special.  This man is the perfect embodiment of Matt Murdock.  I think leaving the costume behind, having Murdock go back to the black shirt and pants really brought this series back to it’s street-level grittiness.  Murdock’s crisis of conscience, his battle with this faith, and his obsession with Fisk drove this season forward.  Cox benefited from getting to be the star of the show again.  He didn’t have to compete with an Electra or a Punisher taking up his screen time.  He didn’t have a gang of mystical ninjas to defeat.  He just had to outsmart Wilson Fisk, which is awfully hard to do, especially when you’ve got a man throwing items in your direction at terminal velocity.  The simplicity of this intricate plot made this season very entertaining.  It never got too big, but it never felt small, either.

Is this season perfect?  No, it’s not.  I think they don’t quite know what to do with Foggy Nelson, and I personally believe that Elden Henson is playing him more and more as a type rather than as a person.  Deborah Ann Woll, conversely, has gotten better and better as Karen Page.  The only misstep they had with her character involved an entire episode devoted to her background which was completely unneeded.  I’m also not a fan of a hero fighting an evil version of himself or herself.  If you’ve seen the trailers, you know that Dex himself dons the Daredevil costume.  They have a good reason for it that serves the story very well, but it’s still a pet peeve of mine.  I guess I should be glad they didn’t put him in the comic book version of the Bullseye costume.

As always, the fight scenes were incredible.  These feel like real brawls–everyone looks exhausted by the end of them.  There’s a prison fight and a fight in a church that are just flat-out amazing.

Because of Murdock’s complex identity issues regarding his alias, his faith, and even his morals, and because of the well-paced, methodical character development regarding Poindexter, Fisk, and Nadeem, I found this season extremely satisfying.  I was hooked on Season 3 by the first episode, but if you gave up on it for some reason, I hope you’ll give it another chance.  I think you’ll end up loving it as much as I did.

Image result for daredevil season 3 poster let the devil out

(Did you enjoy this article?  Check out Scott William Foley’s short stories HERE!)

Advertisements

The Nutcracker and the Four Realms (2018) – A Movie Review

My wife and I took our daughters to see The Nutcracker and the Four Realms Friday night and I have to admit that I enjoyed it quite a bit.

I think the most striking aspect of this movie is that it looks exquisite.  The costumes, sets, and scenery are gorgeous.  It seemed to me that much of it featured real people on real sets.  There existed some CGI, of course, but generally speaking it appeared that the actors were interacting with actual props and materials.  The movie wielded a certain weight that many CGI-laden films do not.

Furthermore, I found the actors and actresses both capable and, more importantly, likable.  It’s hard not to like Morgan Freeman and Helen Mirren, though, isn’t it?  Mackenzie Foy, who plays Clara, is easy to root for even while not being particularly charismatic, and her nutcracker captain, Phillip, played by Jayden Fowora-Knight, is also generically appealing if not particularly memorable.  I’d like to say, though, that I think both of these new faces have great potential.

Believe it or not, Sugar Plum stole this movie.  She crackled with electricity and proved very entertaining to watch.  Oddly enough, I couldn’t place her–I couldn’t figure out who played this fairy.  Imagine my surprise when the credits revealed Keira Knightly as Sugar Plum!   I think this is probably my favorite part ever played by Knightly.  I’ve never seen her so relaxed, magnetic, and … well, fun!

Best of all?  The ballet dancing!  It should come as no surprise that they included quite a bit of ballet in this film.  I found the inclusion of ballet inspired.  They didn’t just toss it in for the sake of throwing it in there–it serves a real purpose to the overall story and looks fantastic.

Again, the whole movie is really a sight to behold.  While the story is full of adventure and even a little creepy at times, it’s incredibly intricate at all levels.  Everything looks like a piece of art.

Both of my kids enjoyed The Nutcracker and the Four Realms, though neither of them were “wowed” by it.  Anytime we see a new movie, at least one of them usually says it’s their new favorite, but that didn’t happen this time.  I’m not really sure why.

In my opinion, you should certainly take your kids to see it.  It won’t make their hearts skip a beat, but it’s still a very well-crafted family film that will probably please everyone, albeit in different ways.

Morgan Freeman, Helen Mirren, Richard E. Grant, Eugenio Derbez, Keira Knightley, Mackenzie Foy, Misty Copeland, and Jayden Fowora-Knight in The Nutcracker and the Four Realms (2018)

(Did you enjoy this article?  Check out Scott William Foley’s short stories HERE!)

Looking For a Short, Scary Story To Delight? Download These To Your Nook Or Kindle!

Though I enjoy writing in all genres, horror always holds a special place in my heart.  Below are a few short stories I have available for download on your Nook or Kindle.  Each is only ninety-nine cents.  Give them a look … if you dare!

ROADRAGE

Click “Kindle” To Download

Click “NOOK” To Download

Remember that guy you flipped off in the car the other night? He’s in your house right now …

THEECHOOFLAUGHTER.jpg

Click “Kindle” To Download

Click “Nook” To Download

“Did you just hear your device laugh at you?  Yes.  You did.  I’m the reason why.  Are you ready to meet me?  Download.  I dare you.  Just don’t do it … alone.”

Swingin the Clown: A Short Story by [Foley, Scott William ]

Click “Kindle” to download

Click “NOOK” to download

As usual, Sadie peeks out the back window before going to bed. This night, though, a clown sits upon their swings. Against her husband’s wishes, she confronts the stranger. She will wish she hadn’t.

Childhood Demons by [Foley, Scott William]

Click “Kindle” To Download

Click “Nook” To Download

In this disturbing short story, Henry Mansell must return to his boyhood home to handle some unfortunate business. Henry brings his wife and four-year-old son along, and when Henry reads his child a bedtime story in the bedroom from his youth, old demons arise.

SendOffBNCover.jpg

Click “Kindle” To Download

Click “Nook” To Download

In one of Scott William Foley’s most disturbing tales, a runner happens across a smart phone along a mountain path. After realizing the phone is not secured, and after discovering why the phone lay near the mountain’s edge, the runner takes actions that will both appall and terrify you.

Top 10 Reasons You Should Come See Me At Barnes and Noble On Sunday, October 21st at 2:00 p.m.

10.  There’s a very good chance I’ll accidentally wear the same outfit I’ve worn to other events — be sure to point it out to me

9.  Barnes and Noble has 50 copies of Andropia available, so there’s plenty for everyone

8.  You will be entertained one way or the other — I have been known to accidentally spit, knock over furniture, and have things fall out of my nose

7.  You’ll probably get a chance to meet my mom

6.  The seriously talented artist named Jude Landry created Andropia’s book cover — that’s reason enough to procure a copy

5.  Me … reading in public to a room full of people … yeah, what could go wrong?

4.  There’s a cafe on site with really good coffee

3.  There will be plenty of references to 1984, Anthem, The Giver, and Brave New World

2.  The good people at Barnes and Noble are super nice — two of them are even former students of mine!

1.  You’ll be a good friend supporting a lifelong passion

Honorable Mention

Andropia will entertain you, I promise

Andropia Cover Paint

 

Mother! – A Movie Review

Though this film came out in September of 2017, I just got around to watching in on Amazon Prime Video.  I remember the reviews were mixed at best with most unable to pinpoint the exact nature of the movie.  This controversy, along with the fact that Darren Aronofsky wrote and directed it, made it required viewing in my mind.

I knew things were going to get interesting as soon as the title appeared on screen with the exclamation point appearing a few beats after the word “Mother” with an emphatic sound effect.  The punctuation seemed almost comedic in delivery, which gave me the sense that things were going to get a little crazy.

I was wrong.

Things got a lot crazy.

The premise is that a young unnamed woman, played by Jennifer Lawrence, lives in a huge house in the middle of the countryside with her older, also unnamed, husband.  Played by Javier Bordem, he is a writer suffering block.  As he struggles to create, she busies herself with repairing the house bit by bit due to a horrendous, and mysterious, calamity that occurred at some previous point.

A stranger soon appears at their door, played by Ed Harris.  He brings general chaos with him as a bad house guest after Bordem’s character, the husband (none of these characters are given actual names), invites him to stay.  Michelle Pfeiffer plays Harris’ wife, and she’s the next to show up.  She too brings bedlam.

Lawrence says very little in this film, but her facial expressions tell the viewer everything they need to know.  She is a doting wife trying to appease her husband at every opportunity, yet it’s obvious she is irritated to no end with the rude interlopers.  As are we.

As the movie continues, more and more strangers appear with the husband inviting each and every one of them in.  The wife cannot understand why he’s inviting insanity into their lives as she constantly strives for self-control.

The film next shifts into a higher gear as it somehow grows even more surreal.  It really captures the helplessness of a nightmare — it felt very much like some bad dreams that I’ve had.  Lawrence’s character can only accept impossible events as normal occurrences even though her eyes endlessly scream, “This cannot be happening!”  As we watch, we are saying the exact same thing to ourselves.

There are many theories as to what this film is about.  I personally feel that it is about the creator’s need to constantly destroy those things created.  Or maybe it’s about purgatory, and Lawrence’s character is trying to atone for mistakes made in life.  Or maybe Bardem’s character is the devil, intent upon making people suffer in their own personal Hell, one person at a time.  Or maybe it’s about the fact that no matter how much control we think we have, no matter how hard we fight to build the perfect life, the discord of the world outside will always disrupt our harmonious existence.

Or maybe it’s about none of that.

Who knows for sure?

I will say this, though — the sound effects in this movie are amazing.  I watched it on my Kindle with earbuds which enabled me to enjoy every anxious breath, every creaking floorboard, and every conversation from the next room.  I’ve never felt such impact by sound in a movie.

The camera movement also impressed me.  I love the way the camera follows characters around the house, up and down the stairs, through shortcuts from room to room.  It’s very fluid, yet also sometimes dizzying.

Finally, Lawrence absolutely portrays a sympathetic character trying so hard to deal with the pandemonium surrounding her.  Bardem plays a likable husband who infuriates us nonetheless.  Harris and Pfeiffer manage to irritate us from the moment they walk on screen until the moment they walk off.  There’s also several surprise appearances that I won’t spoil for you.

I don’t really know if I actually liked Mother!, to be honest.  It certainly captivated me.  It absolutely demanded my active engagement.  However, I’m not sure I would recommend it to the casual movie goer.  It’s definitely aimed at those with a lot of patience and a high threshold for ambiguity.  It’s a strange movie.

If you give it a watch, or if you’ve already seen it, let me know your thoughts in the comments below.  I’d love to hear from you.

Image result for mother! movie poster

(Did you enjoy this review?  Check out Scott William Foley’s latest books HERE!)

 

 

Ruby Rose Is Batwoman In All Her Glory

Perhaps you heard the news several months ago that Ruby Rose had been cast to play Batwoman in a crossover event on the CW.  She will appear on The Flash, Arrow, and Supergirl as the three shows dive into a combined story line that introduces us to a Gotham City presumably without a Batman.

Believe it or not, Batwoman has been around since 1956, but this current iteration debuted in 2006 and has been wildly popular from that moment on.  She’s regularly carried her own title off and on during the last eight years!

Today, the CW released an official look at Ruby Rose in the Batwoman costume, and it is exceptional.  Generally speaking, the CW costumes are breathtaking, but this one in particular is already by far my favorite.  That’s probably because it’s also the most accurate to the comic book depiction.  They even got the red wig just right!  (Yes, it’s a wig in the comics, too.)

I love that they really seem to be honoring the character.  In the source material, Batwoman is a former member of the armed forces who received a dishonorable discharge due to her homosexuality.  Feeling purposeless, while wandering Gotham City, Batman inadvertently inspired her to take control of her life by becoming Batwoman.

Interestingly enough, judging from the photograph, Batwoman may be Gotham City’s only bat-themed vigilante.  The bat-signal mimics her emblem, not Batman’s.  The CW has been hesitant to use Batman in any capacity, though they did go ahead and include Superman during a few episodes of Supergirl.  If they want to put all of their chips on Batwoman, that’s fine with me!  She’s a rich character full of story potential.

Of course, to be totally honest with you, I’ve quit watching all of the CW/DC Comics shows.  I loved them all in the beginning, especially The Flash.  Unfortunately, because it’s the CW, they got a bit too melodramatic for my taste.  When Arrow devolved into Felicity crying every episode with Oliver endlessly proclaiming everything is his fault, it got to be too much for me.  The Flash fell victim to similar tropes.

I will definitely come back for Batwoman, though.  The costume alone has piqued my curiosity in this crossover event.  I wish Ruby Rose and the CW the best of luck!

If you’d like to learn more about Batwoman, click HERE.

To learn more about Ruby Rose and the controversy surrounding her casting as Batwoman, click HERE.

(Did you enjoy this article?  Check out Scott William Foley’s short stories HERE!)

Experiencing The Lion King At Peoria Civic Center

I’ve heard nothing but good things about The Lion King, so I absolutely agreed with my wife when she said we should try to see it after tickets became available at Peoria Civic Center.  After all, according to LionKing.com, over 90 million people worldwide have experienced the world’s number one musical over the last twenty years — surely they can’t be wrong about its quality?

Our day finally arrived, so after church we hit the road headed for Peoria.  Though forty-five minutes from our house, the drive to Peoria is always incredibly quick.  We zipped along Interstate 74, crossed over the Illinois River, and we were there.  I’m pleased to say that parking could not have been simpler.  We pulled into the lot about thirty minutes early with many spaces still available.  I can’t complain about the fee either — just seven dollars!

The walk to the Civic Center took maybe … three minutes.  Once we entered the facility, we moved rapidly through a security check, and then we were in!  With a ten and six-year-old child in tow, I felt elated by the ease of the entire adventure up to that point.  I was almost giddy when we took our seats.  I love it when venues are easy to negotiate, and Peoria Civic Center proved about as convenient as possible.

Because we were so early, we used the bathrooms before getting some drinks and cotton candy — you know, the basics.  The theater itself impressed me, too.  I found it visually appealing and entirely comfortable.  We were in the twentieth row, about right in the middle, which afforded us a wonderful view of the stage.  My wife did a fantastic job selecting our tickets!

As for the show itself … those 90 million other people weren’t wrong!  I loved it, my wife loved it, and my children loved it.  If you’ve seen the movie from 1994, you know the basic plot, dialogue, and songs — it doesn’t deviate much from the source material.  However, the singing, the dancing, the costumes, the makeup, the puppets, the sets, the props — they’re amazing.  Seriously.  You might remember that my main complaint regarding Hamilton centered around the fact that, visually speaking, not much happened.  That’s not the case with The Lion King.  The senses are constantly stimulated between the nonstop music, movement, and changing scenery.

That scenery — wow!  The sets were gorgeous and, most importantly, innovative.  They displayed creative genius in portraying grassland plains, raging rivers, and ominous caves.  I realize I sound a little excessive, but I sincerely haven’t seen anything quite like it.  Wait a minute, I actually have seen something a little bit like it — Disney’s Festival Of the Lion King.  (If you want to read about that equally astounding show, click HERE and scroll down a bit.)

I don’t want to sound utterly devoid of objectivity, so I do have a few criticisms.  Namely, I didn’t think the acoustics were exceptional in the theater.  I found myself struggling to understand the dialogue at times because the audio didn’t strike me as terribly crisp.  This wasn’t a problem during the singing, but the speaking generally sounded a little garbled.  This in no way diminished my enjoyment of the show.  Even if I didn’t understand every word being said, the physical action, facial expressions, and my general knowledge of the movie more than informed me as to the happenings.  I also noticed that the dancers weren’t quite synchronized with each other.  A few were just a second ahead or behind the others.  Do I care?  No, not in the least.  I can’t dance, know nothing about the art, and am regularly in awe of those with the talent.  Nonetheless, I wanted to share my observations.

If you’re even mildly interested in The Lion King, I highly recommend you take a chance on it.  I know you won’t be disappointed.  Hurry, though.  I believe October 13th is their last date.  If you live in the Central Illinois area, you can see what’s available here: Disney Presents The Lion King (Touring) Tickets at Peoria Civic Center.

Enjoy!

Image result for the lion king musical poster

(Did you enjoy this article?  Check out Scott William Foley’s short stories HERE!)