Have you thought about reading Dr. Nekros: The Complete Saga but have yet to make up your mind? I understand. I often struggle with whether or not to read a new book as well because there are just so many books I want to read. Who has time to waste on an unknown work?
I’ve got a few quotes from readers of past iterations of Dr. Nekros: The Complete Saga. (Remember that it originally started out as an electronic serial and then as three electronic books before being collected into the current paperback format.)
“You will never find a more creative, time-turning, plot-twisting, character-revealing, surprising story anywhere in the fantasy genre. And you will come to love the totally real, frustrating but likable characters.”
~Dr. Jane Thomas
“Foley has created an amazing book that leaves you anxious to flip to the next page! Within the first 20 pages you feel invested in the characters lives. The imagery that Foley has created with details tie everything together and tell the story of Nekros’ past. I wanted to know who he was, why he ended up where did and where they would go next. The plot unfolds in an exciting and unexpected way, the way you really want a book to keep you guessing. Scott is truly a talented writer, I was able to see this book unfold as though I were seeing a film.”
“Dr. Nekros … wastes no time.
“We meet the good ‘doctor,’ aka Micah Vandenburgh, as he hires himself out as the answer to haunted homes. In truth, he is hunting down Xaphan, a demon who mutilated him years before.
“Enter Zetta, Micah’s ex-wife, no fan of Nekros, but determined to help Micah. The two – along with a haunted 1936 Packard as sidekick and Zetta’s current husband, Jason – navigate their pasts, regrets and emotions while facing the current threat posed by Xaphan.
“Nekros is a bit of a curmudgeon – albeit a sensitive one – but who wouldn’t be after a demon attack? You will root for him.
“Foley uses flashbacks to provide the backstory while expertly moving readers through the story, building suspense and leaving us wanting more.”
” … The book follows the adventures of Dr. Nekros, a self-proclaimed ‘occult aficionado’. The story picks up 13 years after Dr. Nekros had an encounter with a demon that left him scarred all over his face and missing an ear. People contact the doctor to come and have him practice his demonic fighting skills from all over the country. Together, with his self-aware 1930s Packard, Dr. Nekros travels from town to town plying his skills.
“Foley neatly weaves Dr. Nekros’ backstory and history with his ex-wife into the narrative. The book is focused on Dr. Nekros and his ex-wife’s past and current relationship. After 13 years apart, the doctor and his wife are reunited for a case.
“There are some very nice unexpected twists and turns in this book. More than once I was left with my jaw open at the outcome of the adventures. Foley has embarked on an epic story of demons and love. If you enjoy hunting the paranormal, touched with a deft sense of humor, and love that spans time, you will enjoy this book.”
“I loved meeting Dr. Nekros, a ‘House’-esque character who is both curmudgeonly and crafty in his approach to his business as a demon hunter and all around paranormal expert. The relationship between Dr. Nekros and his ex-wife Zetta is fun to follow along too. Their banter is witty and natural, denoting a long though somewhat troubled history. Foley takes us back and forth between past and present, weaving a tale that is engaging and a fast ride.”
A friend recommended this book to me, and it marks the first time I’ve ever read Dennis Lehane.
For some reason, I envisioned this book involving some kind of international war and intelligence officers, but that’s not the case at all. The title actually refers to a gang war breaking out in the Boston area. Patrick Kenzie is a PI hired to find a missing woman who has stolen documents from an important politician. Those documents are fueling the gang war, and Kenzie has found himself right in the middle of it all.
The book takes place in the early 1990s, which is very apparent due to several references to music, TV, and major news events of that era. Kenzie, the PI, narrates the book and at times I found his internal dialogue cliched and trying too hard to be clever. I found the first half of the book a bit of a struggle to read because there isn’t much character development–it just keeps plugging away at the plot. Eventually the suspense of the story gripped me and I finished the last half of the book quickly, but I can’t say I ever connected with Kenzie or his partner, Angela Gennaro, on a personal level.
If you read this–be warned. The book fully embraces the racial tension that existed in Boston in the 1990s. The language is harsh, the characters are harsh, and the depictions are harsh. Some may find this “realistic,” but, in this day and age, it was deeply uncomfortable to read. On the one hand, I have to give Lehane credit for not shying away from his characters’ racism. On the other, some of the characters seemed overtly stereotypical.
I asked my friend for a quick, action-packed read, and A Drink Before the War definitely fits the bill. I was surprised to discover several other titles by Lehane that I recognized such as Shutter Island,Live By Night, Mystic River, and Gone, Baby, Gone.
My thanks to Dr. Jane Thomas for writing this about Dr. Nekros: “You will never find a more creative, time-turning, plot-twisting, character-revealing, surprising story anywhere in the fantasy genre. And you will come to love the totally real, frustrating but likable characters.”
If you’re thinking of watching Netflix’s new movie, Extraction, get ready for a wild, entertaining, and ultimately meaningless ride.
Extraction stars Chris Hemsworth as an Australian mercenary hired to retrieve the son of a powerful drug lord who was kidnapped by another powerful drug lord. Much of the story takes place throughout southern Asia and appears to be filmed on location. Hemsworth’s character is the best at what he does, but he’s also a broken, saddened man who seems perfectly fine with dying.
I’m sure this is all nice to know, but none of it really matters.
This is an action movie–through and through. The action, by the way, is hypnotic. There are incredible fist fights, gun fights, knife fights, fist fights with guns, gun fights with knives–you get the idea. I also enjoyed the style of the film. It cut from scene to scene to scene very quickly, almost as though it dared you to look away. Furthermore, the action scenes looked very similar to what you might find in a top-rated video game. They were very tight, almost intimate.
Consequently, like an over-the-top video game, this is an unabashedly violent movie. It’s not gross, but there are lots of blood splatters, blood pools, and just blood in general.
Unfortunately, once you get past the frenetic action, there’s nothing substantive about Extraction. We don’t get much of a chance to care about the boy, Ovi Mahajan, nor do we really even get much opportunity to invest in Hemsworth’s character, Tyler Rake. We’re told why we should care about him, but that’s not the same as actually creating investment in a character. I’d argue that only one character actually demanded our interest, and that was in the form of a quick cameo by a Netflix superstar. I won’t name names, but it was a fun, though brief (and unnecessary), surprise.
While Hemsworth’s physicality in Extraction is mesmerizing, there’s nothing about him in this film that sets him apart from any other classic action hero. He didn’t even get a zippy catchphrase like you would expect from Arnold, Sly, or Bruce. In fact, Hemsworth barely speaks at all in Extraction. We all know that Hemsworth oozes charm, charisma, and can be quite funny. None of that was on display in Extraction.
Finally, the ending really bothered me. And when I say the ending, I’m talking about the last two seconds of the movie. What little emotional investment I developed quickly fluttered away during those last two seconds.
In the end, Extraction is a fast, entertaining action film. It won’t capture your heart or your imagination, but it will certainly thrill, and it will look good while doing it.
Have you noticed a movie on your Netflix Top Ten list called Code 8? Know anything about it? No? I didn’t either.
In fact, it wasn’t until I read an article over at Wired that I even became aware of Code 8. This movie has a fascinating history, one that prompted me to see the film
In short, this was a crowd-funded independent film that began as a short, then had a limited theater release, and is now part of Netflix’s Top Ten. That’s quite a story in and of itself!
Starring Robbie Amell and his cousin, Stephen Amell, Code 8 is about a city full of super powered beings who are treated as second class citizens. Despite their power, they are discriminated against, hated, and treated less than human. These are not super heroes–these are just regular people trying to squeak out a living. When the mother of Robbie Amell’s character desperately needs expensive medical treatment, he turns to Stephen Amell’s character and a life of high-paying crime in order to save her. But how high of a price is he willing to pay, even if for his mother’s life?
If the name “Stephen Amell” sounds familiar to you, it’s because he played Oliver Queen on the CW’s Arrow. His cousin, Robbie, also played a smaller role on the CW’s Flash. I’d like to say that it was refreshing to see Stephen Amell playing a different kind of character. There were plenty of similarities, to be sure, but Stephen definitely has a “star” quality. And, frankly, so does Robbie. Both men more than carried Code 8.
Speaking of which, is Code 8 actually any good?
Yes, it is. At just over an hour and a half, it’s full of action, has some cool special effects, and it knows how to tease us with the captivating robotic police officers called “Guardians”–they give us just enough of these things to satisfy, but definitely leave us wanting more.
However, Code 8 didn’t quite stick the landing for me. I felt that the last five minutes were a little awkward and inconsistent with the rest of the film. Generally speaking, though, Code 8 kept me entertained, and what more can you ask for during these difficult days?
If you enjoy action, sci-fi, fast-paced movies, or just simply the Amell cousins, I recommend you give Code 8 a chance.
She took her seat at the round, wooden table and placed her elbow upon the vinyl pad. Gawking people of every financial tier surrounded her in the basement of a disreputable bar with rotten lighting. As she stared down her opponent, she flexed her fingers and thumb.
The man across from her looked like the plume of smoke after a volcanic eruption. Huge—pervasive—but shapeless. His hands, though … they were the biggest she’d ever seen. He could probably engulf her entire head in one of those things ….
An averaged sized woman, Hannah Cane had been winning tournaments for months. She eased her way onto the scene but quickly dominated with such efficiency that those who cared about the sport nicknamed her “The Machine.” She may have been the smallest competitor, but her intellect, improvisation, and unrelenting willpower put her over the top time and again.
The men didn’t understand how she did it. Most of them were former premier athletes. Once upon a time, some were even professional arm wrestlers. Injury, in one way or another, ruined their hopes and dreams. Their thumbs proved the only part of their body still pain-free. As athletes, they admired “The Machine’s” passion and brains, but those attributes shouldn’t have matched the fact that their thumbs were unilaterally bigger and exponentially stronger than her thumb.
Though clandestine, the underground thumb wrestling competitions paid well. The crowds loved to see their former sports idols up close and, to be honest, a little desperate. The audience betted big, and so the competitors won big. Hannah actually lived off her earnings. After she won the next match, she would be set for months.
The massive creature across from her had once been a lineman in the NFL—Virgil Dunn. He played for the Patriots. No one told her this; she recognized him. She remembered the game in which he got his arm torn out of its socket. Until her own injury, it had been the most gruesome thing she’d ever seen. The television cameras cut away as soon as it happened, but because she wielded a flag on the sidelines, she got an up close and personal view.
“Hey,” she said to him. “I’m Anna.” Of course, her name was not “Anna,” it was Hannah. She couldn’t risk using her legal name anymore.
“I don’t care about your name,” he growled.
The referee approached, which prompted the crowd to grow silent. He leveled both competitor’s hands, made them lock fingers, and then personally lifted the individual thumbs.
As Hannah expected, nothing struck the referee as unusual.
“Let’s a have clean match,” the referee said. “Remember, winner takes all. Must hold the opponent’s thumb down for a three-count. This is not a ‘best-of.’ Again, winner takes the purse upon the first pin.”
“Good luck, Virgil,” Hannah said.
“Ladies and gentlemen,” the promoter droned into his microphone, “now is the final moment to place your bets! The match begins in ten seconds. If you’d like to place a final bet, I have assistants throughout the establishment. Are you ready, ref?”
“Ready!” the referee shouted. “Wrestlers!” he yelled. “Get ready!”
The referee paused a moment until both competitors nodded at him. He then shouted, “One! … Two! …Three! … Four! I declare a thumb war!”
Hannah studied the specs for weeks before she started tinkering with the prosthetic. With a degree in mechanical engineering and a searing rage at the indignity she suffered, it took all of her patience to review the apparatus thoroughly before attempting any sort of customization.
The doctors taught her the basics regarding the new appendage. They told her everything she needed to know in order to use it to its fullest potential; they gave her a list of items to troubleshoot should any malfunctions occur; they drilled her on how to keep the port clean for the thumb’s remote uplink to her brain. Though the titanium rod connecting the thumb to her hand could possibly get contaminated, the port leading to her somatosensory cortex posed the greatest likelihood of infection.
Once she felt as though she understood the device, she detached it from the rod, peeled back the synthetic skin, popped out the imitation muscle, and then got to work on the motors.
Her commanding officer warned her against doing any such thing—he knew her well. In private, he told her that the Marines were happy to pay for the experimental prosthetic, but if she altered it in any way, they were no longer responsible for the cost of upkeep—a price that would surpass millions of dollars during the course of her life.
She connected both the thumb and the remote sensor to her computer, picked up her tool as best she could with only four fingers, and then stared at the largest motor housed in the thumb’s base. It measured only ¼ of an inch. The motors in the middle and tip of the thumb were even smaller. Limitless opportunities abounded for her to screw this up in no time at all. The minute she touched those motors, the United States government was financially off the hook.
She whispered her favorite motto: “Improvise. Adapt. Overcome,” before getting to work.
Hannah utilized her routine strategy against Virgil. She first avoided any contact at all with his thumb. This went on for several minutes. She learned early on that the longer she made a match last, the higher the bets tended to be at the next match. The audience grew to trust that she would always give them an exciting, lengthy bout, and so they placed their bets confidently.
Next, she let Virgil pin just the tip of her thumb in such a way that the slightest squirm would set her free. The crowd loved these escapes, and it typically bolstered her opponent’s confidence. She didn’t necessarily need them overconfident—she needed no mental advantage to secure a victory. The heartbreak in their eyes after being sure they had her beat, though … it never failed to make her heart flutter.
The crowd’s enthusiasm for the partial pins usually dictated how long she would let it go on. Once it seemed they tired of it, she would move the match into its third phase. This involved allowing her competitor three or four pins that would get all the way to the two-count before finally pinning him herself for the impossible win.
Of course, there was nothing “impossible” about it.
Her thumb, a prototype, looked and felt realistic in every way. The government would pay for it on behalf of the United State Marine Corps if Hannah agreed to be the test subject. After what happened, she considered it too good to be true. Of course, she obviously felt no obligation to the Marines or her government after the attack, and so she went underground the minute they turned their backs. They had a habit of doing that to her—turning their backs.
The prosthetic initially exerted the average amount of force consistent with a woman her size. The lab rats took into account her muscle mass, the length of the thumb—it involved a lot of calculations and calibrations. She quadrupled their settings. If she wanted to, she could thrust her thumb through a thin slab of concrete.
Pinning down anyone’s thumb offered no problem at all.
After beating Virgil, the crowd exploded. The promoter instantly handed her a cheap trophy and a lucrative check. Hannah flung the trophy at Virgil, tucked the check into her back pocket, and then started to weave her way through the crowd.
She noticed all of the cell phones recording her—a typical occurrence. This would necessitate the need to change her routine. If someone cared enough to study tape of her, they could figure out she’s doing the same thing every match. If suspected of cheating, this gravy train could come to an end.
“Hey!” Virgil yelled.
Hannah turned and faced him.
“You’re a fraud!”
Hannah responded to the three lieutenants cornering her, “I earned this fair and square, guys. No tricks. No alterations. No accommodations. I passed the course.” She tightened the towel around her.
“No way. There’s no way a woman could do it. They want the good publicity,” one of them said.
“Maybe,” Hannah agreed, “but I still passed the course. I’m going to be an infantry officer, and there’s nothing you boys can do about it.”
“The Marines have never had a female infantry officer,” another said.
“There’s a first time for everything,” Hannah replied. “If we’re being honest, you guys sound a little jealous. I take it you all didn’t pass.”
At the conclusion of her statement, one of the lieutenants shoved her against the wall. Hard. It didn’t hurt, but it told her they weren’t there only to talk.
“Look,” she said. “I just got out of the shower. I know I’m the only woman left, but this is still the female barracks. You guys can’t come in here without first announcing yourselves. You’ve broken protocol in a number of ways. I’m warning you—you need to leave. We can finish this in the field.”
“Maybe we should make sure you never make it to the field,” the other lieutenant said. “Be a shame if some kind of an injury got you discharged.”
Hannah narrowed her eyes before hissing, “Maybe you should stick your thumb up your ass.”
The lieutenant pulled out his knife as the other two pinned Hannah’s arms against the wall. Her towel came loose and fell to the floor.
“I think we’ll stick your thumb up your own ass,” he snarled.
The surrounding crowd silenced. Hannah sensed tension filling the air as Virgil approached her.
Hannah noticed a few guys she’d pinned in previous rounds appearing behind Virgil. It looked like they’d been comparing notes.
“It’s all in the technique, guys,” Hannah said.
“No woman—or man—has a thumb that strong,” Virgil replied.
“Do you know how ridiculous that sounds?” Hannah said with a laugh.
The promoter got between them while outstretching his arms. He tried to make it look like he addressed the crowd, but everyone understood he actually spoke to the thumb wrestlers. He said, “Winner takes all, folks. No questions asked.”
“Oh, I’m asking questions, Jack,” Virgil seethed. “No way a little girl like this could out-muscle us.”
Hannah smirked before saying, “First of all—that’s belittling and I take offense. Secondly, I’m hardly out-muscling you. We’re talking about thumbs, here.”
“I want that money,” Virgil said. “And I’m going to split it with the other guys you cheated.”
The crowd collectively gasped. They were in for an even better show than they anticipated.
“No!” the promoter shouted. “This is not happening. The cops have looked the other way, but this could shut us down. No fighting—especially with a woman!”
Hannah walked up to the promoter, placed her hand on his shoulder, and said, “It’s cool, Jack. How about this, though? Let’s give the people a chance to place their bets. Winner takes fifty-percent of your profit.” She next turned to the spectators before thundering, “Sound good to you, folks?”
They roared their approval.
“What about it, Virgil?” Hannah asked. “Me against you and your two friends. Think you can take me?”
“Damn straight,” Virgil uttered.
“Jack?” Hannah asked the promoter. “You down? I hope you say ‘yes’—I could use the extra money.”
The promoter saw Hannah wink at him and his nerves disappeared. He’d never seen such confidence in a person. “What the hell? Let’s do it. Place your bets!”
Hannah immediately started loosening up. She jumped in place while jabbing her arms around. All the while, her discerning eye assessed the enemy.
To escape any suspicions, she’d have to avoid using the prosthetic.
Shouldn’t be a problem. After all, she took down three Marines without a thumb.
This is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental to the story
All rights reserved. No part of this story may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author except in the case of brief quotations embodied in critical reviews or articles.
In this last book of the Dr. Nekros saga, you will experience reunions, betrayals, final confrontations, reappearances, deaths, and reconciliations. Every epic must end, and so concludes that of Dr. Nekros, Zetta Southerland, and the demon Xaphan.
Written by Luke Jennings, this fast-paced, brisk thriller served as the basis for the television show. However, as you read the book, you’ll notice the show greatly enriched virtually every character.
Villanelle is still present–obviously. So is Eve. Konstantin and Niko, too. Several other characters were adapted into new characters for the show, or outright jettisoned.
The show also used the same general plot. Villanelle is an international assassin who comes from less than nothing. Konstantin is her handler. Eve is a UK agent obsessed with apprehending Villanelle. Niko is still her husband. However, Jennings keeps them fairly bare-bones. Yes, he introduces some of their little idiosyncrasies. Eve is still something of a social train-wreck. Villanelle is still a sociopath. Niko is still incredibly patient and helpful. But, we seem to just skim the surface of these interesting attributes. None of them have the charm nor the depth of their televised counterparts.
The novel is very plot driven. Jennings is incredibly specific with locations, weaponry, procedures, and technology. There is ample action that moves at a whiplash pace, but, again, the characters are somewhat flat.
I have to wonder if I’m being unfair to the book. Killing Eve is clearly such a special show, is it unfair to judge the source material too harshly in this case? Could Killing Eve’s charming, odd, wonderful characters have existed without Jennings groundwork?
Honestly, I don’t think I’m being unfair. The book was an entertaining read, but it didn’t strike me as monumental. Without the show, I don’t think it would have made much of an impression on me. Keep in mind, though, I don’t read much suspense or espionage spy stories.
Frankly, there were times when I thought the book was a little sexually gratuitous. Jennings makes a point to depict Villanelle as a sexual predator. He absolutely objectifies her and her prey. It largely felt unnecessary to me, because it is–again–dealt with at a very shallow level that makes it seem like it’s there only to shock the reader.
If you like quick reads full of detail, action, violence, and suspense, this is the book for you.
(Did you enjoy this review? Check out Scott William Foley’s latest book HERE!)
In this second book of the Dr. Nekros trilogy, you will learn the fate of Zetta Southerland, the origin of the demon Xaphan, how the Packard came to be haunted, and witness yet another confrontation between Dr. Nekros and the evil beings working to destroy every aspect of his life. Dr. Nekros: Book Two delivers nonstop action, fascinating characters, and an intricate plot that will leave you stunned.
I’m so excited to announce that I’ve collected my e-serial, Dr. Nekros, into a series of three books — the first of which is available today! Book Two will arrive mid-July and Book Three appears in early August. All three are brisk, action-packed reads that will both make you laugh and keep you up at night. And even though each book is around 140 pages, I’m offering Book One for just 99 cents! You can take a chance on me for just 99 cents, right? Still not sure? Read this to make up your mind …
Dr. Nekros: Book One focuses upon the disfigured doctor’s pursuit for vengeance and his estranged loved ones’ quest to save him.
Micah Vadenburgh suffered mutilation by the demon Xaphan. The trauma drove him from both his wife Zetta and his doctoral degree. Years later, living off the money he swindles from hapless victims, Micah has transformed into Dr. Nekros. He travels the countryside in a haunted 1936 Packard while searching for the monstrosity that defiled him.
As Zetta and her new husband Jason work to reverse Micah’s downward spiral, an intricate trap has been set by something far more evil, far more conniving than anything Dr. Nekros ever expected.
A supernatural thriller with a wickedly dark sense of humor, Dr. Nekros: Book One will immerse readers in a tale filled with psychological suspense, nightmarish horror, and … redemption?