The Vegetarian by Han Kang – A Book Review

When I mentioned to a friend that I grew interested in reading novels written by international authors–especially those from Eastern cultures, she quickly recommended The Vegetarian by Han Kang. Because I completely respect her opinion, I put it on hold at my local library.

I just finished it, and, wow … there’s quite a bit to digest. (No pun intended.)

On the one hand, The Vegetarian is indeed unlike those books rooted in Western culture. On the other hand, it is an incredibly challenging, almost surreal, work.

Broken into three parts, The Vegetarian is about a women who has decided that she will no longer eat meat. This decision begins to impact her husband and family, and, before long, those other characters attempt to assert their control over her. As a result, conflict arises, but not the kind you would ever expect.

As I read over the above paragraph, I’ve made the plot sound very mundane, perhaps even inconsequential.

Believe me when I say The Vegetarian is anything but.

Because Han Kang is a South Korean writer, and because I read a translated version of the book, I cannot necessarily trust my instincts with this novel because I understand that I may not completely understand the deeper context. However, on the surface, it seems to be that The Vegetarian is very much about freedom of will, the ugliness of abuse in a male dominated society, the exploitation of others in order to achieve sexual satisfaction, and the unwillingness to accept behaviors by loved ones if perceived as being odd or eccentric. It’s rare that we are told to live in a way that makes us happy. It’s far more common to be chastised if we don’t live up to others’ expectations.

For such a slim novel, as you can see, it is stuffed with complexities.

I can’t pretend to completely understand The Vegetarian. I reread the ending several times and remain confounded. I also found it surprisingly eerie, brutally violent, and uncomfortably sensual. However, even with all of that being said, I really and truly did enjoy the book. It’s not quite like anything else I’ve ever read, which is exactly what I hoped for.

Army Of the Dead – A Movie Review

As far as zombie movies set in Las Vegas go, Army Of the Dead was more than entertaining.

I can’t claim this film was cinematic genius. I can’t argue it shifted the paradigm regarding zombies. I can’t even say it was the best zombie movie out there.

However, I can truthfully proclaim that, if you’re looking to sit around with a few friends and enjoy a popcorn action flick, Army Of the Dead won’t disappoint.

Yes, some of it didn’t make any sense. It wasn’t completely consistent in terms of tone. Much of it felt like it was setting up prequels or sequels. But, hey, the special effects were fantastic, the action satisfied, and seeing Las Vegas as a quarantined apocalyptic ruin filled with ravenous, undead cannibals proved a feast for the eyes.

And there’s no denying the stars had real charisma. Dave Bautista, believe it or not, really is a pretty decent actor, and a master thespian by action movie standards. There’s a reason big-time directors are casting him in their movies. Omari Hardwick, Matthias Schweighöfer, Ella Purnell, Raúl Castillo, and Ana de la Reguera all had a ton of charm. Of course, Tig Notaro delighted even if she did typically look like she was digitally inserted into the movie–because she was. In the end, this cast was simply a blast to watch.

You can perhaps argue that the director, Zack Snyder, was trying to comment on the greed of modern-day America. Maybe he was trying to say something about the inhumane treatment of detainees. He could even have been ripping on our politicians. But I don’t think any of that was the case. I think Zack Snyder just wanted to make a frenetic zombie movie that could entertain for two and a half hours, and, on that note, he most definitely succeeded.

Netflix’s Jupiter’s Legacy – A Few Thoughts

If you take a look at Rotten Tomatoes, you’ll see that critics have quite a different take on Jupiter’s Legacy than does the audience. I’m here to tell you, in this case, the critics have it wrong.

I’ll admit, Netflix almost lost me on the first episode of Jupiter’s Legacy. It seemed a little too preoccupied with style, self-importance, and actors caught in waters too deep.

But then a funny thing happened.

Let me pause a moment and say that I enjoyed this comic book series several years ago. It was written by Mark Millar who is something of a Hollywood powerhouse in that Hollywood loves adapting his works into feature films. For example, Captain America: Civil War is based on a book by Millar. The Avengers largely borrowed from his real-world take on the Avengers called The Ultimates. Old Man Logan became the movie Logan. Wanted and Kick-Ass were also works by Millar. It just makes sense that Netflix would try to snatch up his original catalogue for screen adaptions beginning with Jupiter’s Legacy.

Okay, so I knew Netflix’s Jupiter’s Legacy would get better, and, in my humble opinion, it did.

For me, I had to adjust to the large cast of characters and invest in their personal relationships. The premise is that a closely connected super team, active since The Great Depression, are still alive and kicking, but now preparing to hand over the reigns to the next generation. Two of the most powerful young heroes happen to be the son and daughter of the two most iconic figures, and they both carry a lot of baggage as a result.

Though the original heroes now appear old and gray, there are many flashbacks to how they initially gained their powers, and that’s where the show really shines. The Great Depression era is a show-within-a show, and this aspect of the plot is where you really connect with the icons.

However, the younger generation also have their standouts, particularly the daughter. She wants nothing to do with being a hero, which results in her becoming more and more interesting as the series unfolds. There are also several younger characters who are introduced and then become more prominent as the series continues.

Josh Duhamel is the lead actor. He plays The Utopian. I’ve never thought of Duhamel as a particularly deep actor, but I have to say that as this series moved along, he really showed a lot of range. In fact, he very much changed my opinion of him as a performer. Watching both the young and old versions of his character proved fascinating. Additionally, I never realized Duhamel is so tall. He’s listed online as being six feet, four inches tall.

Furthermore, Matt Lanter amazed me with his performance as well. I only knew Lanter as the voice of Anakin Skywalker from the Star Wars cartoons. He and Duhamel, along with their friendship, made this show special. I honestly can’t quite figure out why Lanter hasn’t had more live-action roles. He seems made for Hollywood.

Ben Daniels was completely unknown to me, and he plays Duhamel’s brother, Walter. Their troubled relationship struck me as very true, and I daresay Daniels is the best actor on the show. Walter is incredibly complex, as you’ll see, yet Daniels plays him with both arrogance and vulnerability.

As I mentioned, the two iconic heroes have a daughter, who is named Chloe. Elena Kampouris plays Chloe. Though she is very unlikable at first, her character, after being given some room to breathe, becomes one of the stars of the show. There are big things in store for Chloe, and I think Kampouris is more than capable of handling the evolution.

Finally, Ian Quinlan plays Hutch, and I think he may be my favorite character on the whole show. Quinlan is slowly introduced and, at first, doesn’t seem all that important. He becomes important, though–very important. Best of all, he easily captured the charm of his comic book counterpart.

Jupiter’s Legacy is definitely slow to start and perhaps initially too heavy on the gravitas. However, the pacing moves faster and faster with each episode and the stakes get higher and higher. There are two major plot lines developing, which, to me, were quite engaging. One of those plots mostly wrapped up and opened the door for the next phase. The other plot ends on a cliffhanger which, truthfully, makes me very excited for the next season.

Though there are definitely similarities to characters from both Avengers and Justice League, Jupiter’s Legacy dives deeply into the interpersonal relationships of these characters and all the messiness embedded within. Most of the characters are either related to one another, friends of several decades, or former friends with bad schisms. Yes, the show does take itself too seriously at times, but the fact that it feels as though all bets are off, that anything can happen at any time, makes it a captivating experience. Of course, I have the advantage of having read the source material. If season one surprised you, just wait and see what happens next.

Though the critics may disagree, I highly recommend Netflix’s Jupiter’s Legacy.

Sea Of Rust by C. Robert Cargill – A Book Review

Though I enjoy the science fiction genre, I often have trouble finding actual science fiction books that hook me. A friend thought Sea Of Rust by C. Robert Cargill might do the trick, and my friend was spot on!

The premise is not necessarily anything new. There’s been a robot uprising. Humans are the virus. Certain factions of robots band together and begin warring with one another. The landscape as we know it is obliterated. We’ve seen that kind of thing before.

What truly sets Sea Of Rust apart is the narrator–Brittle. Brittle is a scavenger. A robot bent on survival at all cost. A character willing to do almost anything for her own benefit. But what happens when that character is finally faced with something possibly more important than even herself? Of course, “possibly” is the key word there. Additionally, she’s got a great voice and is just incredibly engaging.

Furthermore, Sea Of Rust is a fast-paced, action-packed page turner. I flew through the last 25% of the book in a matter of hours because I simply had to know how it ended.

Of course, you know I’m going to be a little bit critical. My only issue with the book-and it’s a small one at that–is that while it’s science fiction in name, I felt as though this story could have fit virtually any genre with a few tweaks. Realism, fantasy, horror–any of them could have worked. I say that because Brittle and the rest of the robots are so very … human. Cargill is careful to include technological aspects and code jargon, but in the end, all of the characters seemed like what we think of as “human.” This obviously made them very relatable, but it also struck me as a little subversive in regards to the genre. Upon reflection, that’s likely why I enjoyed Sea Of Rust so much!

If you’re looking for a good science fiction book–or any good book, for that matter–I highly recommend Sea Of Rust.