Why We Won: My Short Story Of the Week

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I wore an inappropriate shade of pink, especially for the starting quarterback of a state championship game. Looking back, I guess it was a minor miracle that, at seventeen, I managed the laundry at all.

Truth be told, I really didn’t care that night about my pink pants, and neither did anyone else on the team. We kept our minds focused on one thing—one thing only.

My mom had been sick for years … a lot of years. She did what she could for as long as she could, but her body eventually quit on her. When that happened, I took over. I cooked, cleaned the house, handled the odd jobs, and, obviously, did the laundry. The guys usually came over to help out. They knew my mom well by our senior year. Although she barely had any strength to speak, she used it to encourage them, to prop them up, to love them.

My dirtbag dad wasn’t in the picture, but if you want to know how I felt about him, I imagined the back of his bald head every time I passed the football.

My station in life alarmed the other guys’ parents. My intensity and its influence upon their sons scared them. But my squad … they knew what I was about. It didn’t bother them if I didn’t smile much or crack jokes. They understood that I played every game believing that if we won, my mom might win as well. They knew I believed it, and so they believed it, too. She wanted us to win; we wanted her to live. It proved a simple equation.

We started winning state championships in junior high, the same season my mom first got sick. She could still walk at that point. She marched right into practice, asked the coaches to leave, explained her diagnoses, and then demanded that we win as many games as we could before she died.

We didn’t lose after that. Not a single game.

As a testament to my brothers’ solidarity, the newspapers, the coaches, the teachers, the other parents, our opposition … they never got wind of it. If a guy left the team for whatever reason, he kept his mouth shut. They honored the pact made with my mother.

No one talked about why we won.

We just won.

And my mom lived.

But that night during our senior year, when I wore pink pants at the championship game, we didn’t just win, we destroyed our competition. We broke their bones, we broke their will, and we broke their spirit to ever play the game again. We were later described as a pack of demons, monsters intent on crippling someone. They thought we played for Death himself, but it was actually the opposite.

My teammates knew I stayed up at night worrying about the ramifications of our final game. Naturally, our streak had to end. We talked about trying to make the same college team, but even the most optimistic of us grasped the impossibility of such a thing. During a private club meeting, we decided that if we played hard enough at the championship game, if we beat the other team badly enough, if we made God take notice of our victory, it might earn my mom a couple of extra years.

It didn’t.

Thirty years have passed since she succumbed to cancer. Not a day goes by that I don’t think of her. After high school, I tried walking onto my college’s team, but I didn’t really want to play at winning anymore. At least, not in regards to football. I wanted to win for real. Not at a game, but at life. My dad showed me how to quit. My mom taught me how to fight until the last breath.

Her life insurance paid for my schooling and then allowed me to open a business. I returned to my hometown, married a teacher new to the area, and started a family. Though I resembled my dad, that’s all I had in common with the bastard. I liked being a family man.

Most of the guys came back for our thirtieth reunion. After the official ceremony at the high school, I invited them to my restaurant. They all made good in their own way. Every single one of them could count themselves a success.

We got to talking and each revealed the secret of their achievements. They said it was my mom and me. Watching me fight for my mom, watching my mom fight for life, it gave them perspective. Whenever they faced an obstacle, they tackled it with my mom’s tenacity.

I couldn’t believe it. These men, my brothers, cared about my mother—about me—so deeply, that even after thirty years, long after leaving the turf behind, they still fought and won on our behalf.

After the reunion, I decided to volunteer with the local football team. They’ve lost for far too long. I’m going to tell them about my mom. I’m going to ask them what’s going on in their lives that they need to beat.

I’m going to help them find a reason to win.

 


Copyright © 2013/2019 by Scott William Foley

This is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

All rights reserved. No part of this story may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author except in the case of brief quotations embodied in critical reviews or articles.

Carnival Row – A Review

Carnival Row is a series now available to stream on Amazon. It’s a fascinating concept that, for the most part, kept me totally enthralled.

The idea is that a major city known as the Burgue has taken in war refugees from ravaged lands that are home to such fanciful creatures as fairies, centaurs, and fauns. However, the humans in the Burgue don’t accept these creatures in need and will only tolerate them as servants, laborers, or prostitutes. Furthermore, they must know their place and live on Carnival Row, away from civilized society.

Sensing a real-world correlation?

Orlando Bloom plays a police investigator trying to solve a series of grisly murders. Cara Delevinge plays a fairy newly arrived in the Burgue. Their paths cross, and we soon learn that they have a complicated past with one another.

Carnival Row explores their mutual history, but it also ventures deeply into political intrigue, social justice, interpersonal complexities, and, at its heart, the mysterious murders.

The show looks beautiful. Each episode feels like a miniature movie, and the site of fauns and fairies mixed in with humans did not strike me as jarring at all. In fact, for the most part, the practical effects and make-up are seamless. There are moments of CGI that I would say look very good overall–much like you would see in a film. However, when the CGI is bad, it’s very bad. For example, I don’t think they ever really depicted the fairies in flight all that well.

Everything in the Burgue is grimy, time-worn, and appears to have existed for centuries. In other words, this world feels fully realized. Perhaps too realized, in fact. There are small, passing comments that makes the viewer understand that this world has so much more to offer than just what is being shown. This is brilliant in regards to guaranteeing the show’s longevity, but frustrating to those of us who want to know everything about the world this very instant.

For example, they have churches and effigies devoted to “The Martyr.” This is a figure who looks an awfully lot like Jesus Christ. However, instead of hanging from a cross, The Martyr is depicted as being hung by the neck with his hands bound. This religious icon is not explained at all. It’s just there to whet our appetite for more story.

As you can see, with Carnival Row, you are quite literally coming in right in the middle of things, and you can’t trust your own conception of reality to inform your interpretation of this world.

Shall we talk about the acting? Orlando Bloom is wonderful. Truthfully, I’m not sure I’ve ever liked him as much as I do in Carnival Row. His character is the strong, silent type, yet Bloom conveys quite a bit of emotion through his eyes. I found myself very much invested in his surprisingly complicated backstory.

Cara Delevinge, unfortunately, did not quite win me over so handily. Starring opposite Bloom, Delevinge plays her character rather flatly. I did not connect with her whatsoever. To be fair, I found her character underwritten. Her character is certainly strong and capable, but just not that interesting. We’ll see if that changes over time.

Thankfully, many of the supporting actors are fantastic. Tamzin Merchant’s initially unlikable Imogen is quite an evolution to behold. David Gyasi simmers with restraint yet steals every scene even as he has horns glued to his head.  Karla Crome’s charisma leaps off the screen what few scenes she’s in. Honestly, I could go on and on. These may not be famous names, but these are extremely talented actors.

Be warned, Carnival Row is  little bit of a slow burn. I particularly groaned at a bad special effect in the first ten minutes and almost turned it off, but it got better and better and better with each episode. In all seriousness, the final episode had me on the edge of my seat.

Interestingly enough, Carnival Row also seems to be saying something. Though it takes place in an gritty, alternate reality, I think you’ll find many of its themes both timely and resonant.

As you can probably tell, I recommend you give Carnival Row a try.  Let me know what you think of it.

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Enjoy the review? Visit my short story of the week.