When browsing the “new” section at my local library, the cover to In the House In the Dark Of the Woods demanded my attention. Admittedly, I’ve never head of the book nor it’s author–Laird Hunt. Anyway, I read the inside cover, which sounded very interesting, and decided to take a chance on it.
In the House In the Dark Of the Woods is a brief, strange, even confounding read. It takes place during colonial times and features a woman who gets lost while walking in the untamed woods. She wants to return home to her young son and overbearing husband, but simply can’t find her way. She eventually meets a series of women, all of whom seem both helpful and dangerous. They also each wield a dark, supernatural aura–for though they each claim to want to assist the woman in finding her way, they never quite agree on what exactly “way” means.
Hunt brings you a book incredibly detailed in some facets, yet frustratingly vague in others. Like being lost in the woods, the reader stumbles around in this book quite a bit as though searching for a clearing. However, nothing is particularly clear with In the House In the Dark Of the Woods.
Due to its brevity, I found In the House In the Dark Of the Woods an interesting, fun read. It certainly kept me alert as I endeavored to make sense of it all. Hunt is a talented writer who executes some beautifully constructed passages. His descriptions are consistently easy to imagine, and the dialogue he provides is unique to each character. The plot, however, is not quite so discernible, but I suspect that’s the point.
In the House In the Dark Of the Woods is certainly worth your time if you’re interested in a fast, unusual read that feels “literary” but smothers itself in the arcane.
I found Foe at the Normal Public Library as I wondered the new books section. The title initially caught my attention, plus the fact that it’s pretty thin. I read the inside of the jacket and was sold.
This book absolutely riveted me. I read it in three days, which, for me, is very fast. I really don’t want to tell you too much about the book for fear of spoiling it. However, I will say that it is sparsely written, quickly paced, and a real page-turner.
I thought I had this book figured out about half way through it, but Reid introduces so many possibilities, I couldn’t be sure I was right until the very end. And even though I had it right, Reid managed to throw in an unexpected twist that I didn’t see coming.
If you’re looking for a fast, captivating read with a plot that will enthrall you, I recommend Foe by Iain Reid.
Have you heard that DC Comics started its own streaming service with original content? It’s true. Their debut show, Titans, has concluded its first season and is now available on DVD and BluRay. (Special thanks to the Normal Public Library for purchasing it after my request to do so.)
I have to tell you, I felt very excited to see this series. I had no idea what the quality of the story would be, the ability of the actors, or the caliber of the production due to the infancy of DC Universe.com. I’ve got good news. Generally speaking, I give Titans high marks for all three.
Before I explore these aspects, though, I want to make it clear that this version of Titans is not for children. Yes, it has Robin, Beast Boy, Raven, and Starfire, but these are not the iterations of the cartoon series. This is a violent depiction laden with profane language.
With that being said, though the series is very uneven, I enjoyed it. I say it’s uneven because sometimes it’s a horror show, sometimes it’s an action show, sometime’s it’s a science fiction show, and sometimes it’s a drama. It never quite figured out how to be all of those things at once.
However, the production value is very high. I couldn’t believe just how good everything looked. The only moment in the eleven shows that looked “fake” was whenever Beast Boy became a tiger. They tried their best with the CGI tiger, but it never quite looked right. Otherwise, it all looked great. Robin’s costume, Starfire’s powers, the sets, the locations, the stunt work–it all impressed.
I thought the overall story had some issues as well. For the most part, it totally engaged me. Unfortunately, near the end of the season, Raven’s father and mother become a focal point and the show lost a bit of steam there. Up until that point, though, I thought the show made a lot of really smart choices with how it slowly revealed details about each character. There are major differences between what we know about the Titans and what this show chooses to do with them, but their essence essentially remains true to their source material.
For me, the standout story line actually centered on Hawk and Dove. I found them to be the most capable actors with the most captivating arc. I also liked them the best, which is ironic because I’ve always found Hawk and Dove to be uninteresting during my forty years of comic book reading.
I also thought Anna Diop was incredibly charismatic. I won’t argue against the fact that they deviate from established Starfire lore quite a bit, but I feel they really made this character work perfectly for the show’s general tone. Another standout includes Curran Walters, who plays Jason Todd, the second Robin. Walters’ accurately captures Todd’s cockiness and charisma, his spirit and darkness. I loved it when Dick Grayson and Jason Todd shared the scene together, and I love that Titans was brave enough to go that deeply into the Batman canon.
There were two things that did not work for me at all, though. The first is the decision they made regarding Raven’s father. If you know the character at all, you understand that he is the demon Trigon. Trigon is a giant, red, muscular, multi-eyed monster. Titans took the easy way out with him, and it totally deflated the series’ ending as a result. Furthermore, though Batman’s shadow hung over the entire season, the final episode really made it all about Batman. I thought this was a serious misstep after having worked so hard to establish Dick Grayson as a fully realized character disconnected from Batman. Everyone and everything took a backseat to Batman in what should have been an episode that pulled out all the stops for the main players. We can’t be expected to take these characters seriously if the show itself would rather be focusing on Batman.
Nonetheless, I had a great time with Titans. It is extremely violent, bloody, and profane, but it’s also brave, bold, and stylish. I’ve already seen some teasers for season two and I’m very excited. It appears that Superboy, Aqualad, Ravager, and Jericho will be appearing as well. If Titans can simply settle on a consistent tone, it’s got everything it needs to be a hit.
I saw this book in the “new” section at my local library and fell in love with the cover. Quite honestly, that’s the main reason I picked it up. Well, that, and the fact that it’s very short. I figured it was worth the risk because the premise sounded interesting and it wouldn’t be much of a time investment.
Unfortunately, I did not follow the vast majority of this story. The concept is that two rivals from two different entities have fallen in love with each other after exchanging letters. One entity is cybernetic in nature, the other is organic. Both entities are attempting to win a war by altering time and space throughout history. Sounds captivating, right?
I’m afraid this is a case in which the narrative style did not complement the plot very well. The authors chose to largely convey the story through the actual letters of the two rivals. The letters are enigmatic and verbose. Consequently, it proved very difficult to piecemeal the actual story, which made reading it quite a labor.
I’m sure some will love this book because of its unconventional style. Others will appreciate the diction and structure. It simply wasn’t for me.
However, I do feel that it has one of the best covers that I’ve ever seen.
I have a terrible confession to make: I’ve never seen a single Fast & Furious movie. Not one. They just didn’t really seem like my thing. Also, I’m not a big Vin Diesel guy.
With that being said, you might be wondering what attracted me to Hobbs & Shaw, which is a spin-off of the Fast and Furious franchise. Honestly, it was the director–David Leitch.
Leitch is a former stuntman turned director with a lot of work in between those two things. I’ve read and heard interviews detailing his work ethic, his love of action, and his appreciation of buddy comedies. Combining him with the always-entertaining Rock, as well as the very physical Jason Statham seemed like the kind of summer action movie that I would like to see. Furthermore, Idris Elba and Vanessa Kirby are legitimate actors capable of serious range. The trailers looked action-packed, funny, and well-shot. I considered this a can’t-miss good time at the movies. Seriously, as my friends and I walked into the theater, I felt authentically excited about Hobbs & Shaw.
After about an hour of this thing, I’d had enough. Unfortunately, I looked at my watch and realized that I still had roughly seventy four minutes to endure. It didn’t get any better. In fact, it got actively worse.
There is no story. Not really. The plot is something that could be dropped into any movie, any time, in any era. The dialogue is just one cliche after another. No one says one original line in this entire movie. It drove me nuts.
The Rock and Jason Statham were funny at first, but then the jokes wore very thin and I realized that these guys actually don’t have any chemistry between them. I believe Dwayne Johnson can be a very good actor with the right supporting cast and the right director. He apparently had neither with Hobbs & Shaw. Furthermore, this movie convinced me that I will never see another Jason Statham film again. Nothing against him (especially if he’s reading this), but his brand just isn’t for me. He has one tone of voice, three facial expressions, and a type of action that gets very old very quickly.
My gosh, even Idris Elba stunk in this one. He, too, fell victim to terrible writing and poor directing.
Consequently, the alpha-male testosterone of Hobbs & Shaw bore me from the start. Everyone is the toughest. Everyone glares off to the side. Everyone walks with a strut. Everyone makes crude jokes. Everyone can’t be told anything by anyone. Almost two and a half hours of this nonsense proved too much.
It’s not even a great action movie. It’s had good action, yes, but not great action. Mission Impossible: Fallout is a great action movie. Hobbs & Shaw didn’t even come close to Fallout and seemed intent on borrowing shots you’ve already seen in other movies. I literally groaned when they blatantly swiped a scene from Captain America: Winter Solider.
And poor Vanessa Kirby. She deserves so much better.
I’m afraid I can’t recommend Hobbs & Shaw unless you just really love Jason Statham or Dwyane Johnson. It’s basically those two men running around a lot and making lewd jokes.
However, I will say this: there are a few cameos in this film that were fantastic. I won’t spoil it for you, but these scenes alone prove that The Rock does indeed shine when sharing the screen with the right person. Johnson can be funny, but he needs to play off of people who are even more funny. He literally cannot have Jason Statham as his straight man or you end up with … Hobbs & Shaw.
I can honestly say that nothing written by Stephen King has ever brought me to tears … until now. Elevation is a mere 146 pages, but don’t let the brevity of the book fool you. King does everything so perfectly in this novella that even one more page would have been unnecessary.
Elevation is about a Castle Rock native named Scott Carey. Scott is 42 years old, divorced, paunchy, and losing weight. He doesn’t look like he’s losing weight, but he is, and at a fairly fast clip. Furthermore, anything he touches becomes weightless as well. Scott hasn’t any idea why this is happening, nor does he particularly care. He’s accepted it as his fate, and he decides to live and let live.
However, before he reaches zero, he’s decided to do a little good in his town. His neighbors are new to the area, two married women, and they have opened a restaurant. However, due to their lifestyle, the small town has agreed not to support them. Scott’s going to see if he can do something about that before his time is up.
Elevation is now one of my all-time favorite King books. He introduces a simple concept, but one that is also thought-provoking. He builds tension with the weight loss countdown. He creates very likable characters that happen to feel very real. Everything about this book is captivating.
King can write 1,000 page books, but he doesn’t need to. He can do everything that makes those lengthy reads wonderful in under 150 pages as well, and Elevation proves it.
If you haven’t read King in a while, do yourself a favor and go check out Elevation. You’ll love it. But be ready: you’ll love it so much that the ending might just bring you to tears.