After giving Batwoman: Hydrology a rave review, I’m saddened to report that To Drown the World is the exact opposite of its predecessor. Hydrology had astonishing art, extraordinary characterization, and an interesting plot. To Drown the World has none of that, which is odd, considering it’s a continuation of Hydrology. I think a major component contributing to my dissatisfaction is that Williams III is only on writing duties with this volume. His artwork has always been amongst the defining attributes making Batwoman distinct. Without it, any weaknesses in writing are enhanced.
To Drown the World has many failings in the writing, by the way. Kate Kane’s lesbianism has always been handled maturely in the past, making her a unique and dynamic character in a sea of clichéd super heroes. Not so in this volume. It’s a grave undertaking to present sexuality of any sort in a comic book, and if one does not tackle it with focus, it can go off the tracks. I felt that was the case in this volume.
Furthermore, the plot involving the Crime Bible has been going on for years and years and years. Frankly, I’m tired of it. It never seems to go anywhere, and if the villains are not well-rounded enough in a relatively grounded book such as Batwoman, they can drag the title down into farce. Again, though the polar opposite of Hydrology, I felt this was the case.
Hydrology made me believe I’d be a Batwoman reader for the long haul. To Drown the World has given me second thoughts on that matter.
Kate Kane is more than just a comic book character. I’m sure she represents a lot of things to a lot of different people, and while that’s a tremendous responsibility for a writer, it’s there nonetheless. With Batwoman, nothing short of an A+ effort will do.